| Kaithi Kayathi, Kayasthi šš¶šš² | |
|---|---|
KaithÄ« script chart divided into 10 vowels (š®š¹š«š©), 35 Basic Consonants (šššÆš°š©š°), 6 foreign sounds, 10 Vowel diacritics (š§š°šš¹šš©š°), 6 special diacritic marks, Kaithi numerals (ššš), enumeration & number signs and 5 Punctuation marks. | |
| Script type | |
Period | c. 16thāmid 20th century |
| Direction | Left-to-rightĀ |
| Languages | Bhojpuri, Magahi, Maithili (Primary)
Others: |
| Related scripts | |
Parent systems | |
Child systems | Sylheti Nagari |
Sister systems | |
| ISO 15924 | |
| ISO 15924 | Kthi (317), āKaithi |
| Unicode | |
Unicode alias | Kaithi |
| U+11080āU+110CF | |
| Brahmic scripts |
|---|
| The Brahmi script and its descendants |
Kaithi (šš¶šš², Bhojpuri pronunciation: [kÉÉŖĢÆt̪ʰiĖ]), also called Kayathi (ššØšš²), Kayasthi (šš°šØš®š¹šš², Bhojpuri: [kÉjÉst̪ʰiĖ]), Kayastani, or Kaite Lipi (šš°š ššµ šŖš±š£š±) in Nepali, is a Brahmic script historically used across parts of Northern and Eastern India. It was prevalent in regions corresponding to modern-day Uttar Pradesh, Bihar, and Jharkhand. The script was primarily utilized for legal, administrative, and private records and was adapted for a variety of Indo-Aryan languages, including Angika, Awadhi, Bajjika, Bhojpuri, Hindustani, Maithili, Magahi, Nagpuri, and Surjapuri.


The name Kaithi script is derived from the term Kayastha, a socio-professional group historically linked to writing, record-keeping and administration. This community served in royal courts and later in British colonial administration, maintaining revenue records, legal documents, title deeds, and general correspondence.

The Kaithi script is used in the multilingual stone inscription of King Pratap Malla, dated to 1654 CE. In this inscription, the name āKayathinÄgara Äkharaā (Newar: šš«š š¶š£šµšš¬ ššš¬, āKayathinagari scriptā) is used to refer to this script in Newar language. This script is also known as Kaite Lipi in Nepali language.

Documents in Kaithi are traceable to at least the 16th century. The script was widely used during the Mughal period. In the 1880s, during the British Raj, the script was recognised as the official script of the law courts of Bihar. Kaithi was the most widely used script of North India west of Bengal. In 1854, 77,368 school primers were in Kaithi script, as compared to 25,151 in Devanagari and 24,302 in Mahajani. Among the three scripts widely used in the 'Hindi Belt', Kaithi was widely perceived to be neutral, as it was used by both Hindus and Muslims alike [citation needed] for day-to-day correspondence, financial and administrative activities, while Devanagari was used by Hindus and Persian script by Muslims for religious literature and education. This made Kaithi increasingly unfavorable to the more conservative and religiously inclined members of society who insisted on Devanagari-based and Persian-based transcription of Hindi dialects. As a result of their influence and due to the wide availability of Devanagari type as opposed to the incredibly large variability of Kaithi, Devanagari was promoted, particularly in the Northwest Provinces, which covers present-day Uttar Pradesh.
In the late 19th century, John Nesfield in Oudh, George Campbell of Inverneill in Bihar and a committee in Bengal all advocated for the use of Kaithi script in education. Many legal documents were written in Kaithi, and from 1950 to 1954 it was the official legal script of Bihar district courts. Present day Bihar courts struggle to read old Kaithi documents.
On the basis of local variants Kaithi can be divided into three classes viz. Bhojpuri, Magahi and Trihuti.

This was used in Bhojpuri speaking regions and was considered as the most legible style of Kaithi.
Native to Magah or Magadh it lies between Bhojpuri and Trihuti.
It was used in Maithili speaking regions and was considered as the most elegant style.
Kaithi vowels have independent (initial) and dependent (diacritic) forms:
| Trans. | Shown with āØšā© | Trans. | Shown with āØšā© | |
|---|---|---|---|---|
| Open | š a
|
š
|
šš° Ä
|
šš°
|
| Closed | š
š± i
|
šš±
|
šš² Ä«
|
šš²
|
| Closed rounded | šš³ u
|
šš³
|
šš“ Å«
|
šš“
|
| Mid | ššµ e
|
ššµ
|
šš¶ ai
|
šš¶
|
| Mid rounded | šš· o
|
šš·
|
ššø au
|
ššø
|
Several diacritics are employed to change the meaning of letters:
| Diacritic | Name | Function |
|---|---|---|
š
|
chandrabindu | A chandrabindu denotes nasalisation although it is not normally used with Kaithi. |
š
|
anusvara | An anusvara in Kaithi represents true vowel nasalisation. For example, šš, kaį¹. |
š
|
visarga | Visarga is a Sanskrit holdover originally representing /h/. For example, šš kaįø„. |
š¹
|
halanta | A virama removes a consonant's inherent a and in some cases forms consonant clusters. Compare š§š„ maba with š§š¹š„ mba. |
šŗ
|
nuqta | A nuqta is used to extend letters to represent non-native sounds. For example, š ja + nuqta = ššŗ, which represents Arabic zayin. |
Consonants are called KakahÄrÄ (šššÆš°š©š°) in Kaithi. The formal Sanskrit-based terminology Vyanjan (š«š¹šØšš¹šš¢) is also used sometimes. All Kaithi consonants have an inherent /a/ vowel:
š k IPA: /k/
|
š kh IPA: /kʰ/
|
š g IPA: /É”/
|
š gh IPA: /ɔʱ/
|
š į¹
IPA: /Å/
|
š c IPA: /c/
|
š ch IPA: /tŹŹ°/
|
š j IPA: /É/
|
š jh IPA: /dŹŹ±/
|
š Ʊ IPA: /ɲ/
|
š į¹ IPA: /Ź/
|
š į¹h IPA: /ŹŹ°/
|
š įø IPA: /É/
|
š įøh IPA: /ÉŹ±/
|
š į¹ IPA: /ɳ/
|
š t IPA: /tĢŖ/
|
š th IPA: /t̪ʰ/
|
š d IPA: /dĢŖ/
|
š” dh IPA: /d̪ʱ/
|
š¢ n IPA: /n/
|
š£ p IPA: /p/
|
š¤ ph IPA: /pʰ/
|
š„ b IPA: /b/
|
š¦ bh IPA: /bʱ/
|
š§ m IPA: /m/
|
šØ y IPA: /j/
|
š© r IPA: /ɾ/
|
šŖ l IPA: /l/
|
š« v IPA: /Ź/
|
š¬ Å IPA: /É/
|
š į¹£ IPA: /Ź/
|
š® s IPA: /s/
|
šÆ h IPA: /ɦ/
|
| Stricture ā | Occlusives | Sonorants | ||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| Articulation ā | Plosives & Affricates | Nasal | Approximant | Rhotic | Fricative | |||||
| Voicing ā | Voiceless | Voiced | Voiced | Voiced | Voiceless | Voiced | ||||
| Aspiration ā | Unaspirated | Aspirated | Unaspirated | Aspirated | Unaspirated | Aspirated | ||||
| Velar | š k IPA: /k/
|
š kh IPA: /kʰ/
|
š g IPA: /É”/
|
š gh IPA: /ɔʱ/
|
š į¹
IPA: /Å/
| |||||
| (Alveolo-) Palatal | š c IPA: /c/
|
š ch IPA: /tŹŹ°/
|
š j IPA: /É/
|
š jh IPA: /dŹŹ±/
|
š Ʊ IPA: /ɲ/
|
šØ y IPA: /j/
|
š¬ Å IPA: /É/
| |||
| Retroflex | š į¹ IPA: /Ź/
|
š į¹h IPA: /ŹŹ°/
|
š įø IPA: /É/
|
š įøh IPA: /ÉŹ±/
|
š į¹ IPA: /ɳ/
|
š į¹ IPA: /ɽ/
|
š į¹h IPA: /ɽʱ/
|
š į¹£ IPA: /Ź/
| ||
| (Denti-) Alveolar | š t IPA: /tĢŖ/
|
š th IPA: /t̪ʰ/
|
š d IPA: /dĢŖ/
|
š” dh IPA: /d̪ʱ/
|
š¢ n IPA: /n/
|
šŖ l IPA: /l/
|
š© r IPA: /ɾ/
|
š©š¹šÆ rh IPA: /ɾʱ/
|
š® s IPA: /s/
| |
| Labial | š£ p IPA: /p/
|
š¤ ph IPA: /pʰ/
|
š„ b IPA: /b/
|
š¦ bh IPA: /bʱ/
|
š§ m IPA: /m/
|
š« v IPA: /Ź/
| ||||
| Glottal | šÆ h IPA: /ɦ/
| |||||||||
Notes:
In the Kaithi script, conjunct consonant ligatures called Sanyuktakshar ( š®ššØš³šš¹šš°šš©, romanised: Sanyuktachhar ), are generally less complex and standardised than those found in Devanagari, because of the morphology of the languages Kaithi is written in. In spoken Bhojpuri, Magadhi, Maithili and Awadhi, there is significant simplification of consonant clusters through metathesis. Complex phonemes like /ksha/ (Dev: ą¤ą„ष / Kthi: šš¹š ) from Sanskrit are instead replaced by simpler phonemes like /cha/ (š).:ā26ā28ā
The second reason is Kaithi's orthographic nature. Because Kaithi was optimised by removing the shirorekha, to efficiently and rapidly transcribe information through continuous rapid strokes, historically, scribes have often avoided complex conjunct forms. Instead, they preferred to write the consonants sequentially, using an explicit virama (š¹) to suppress the inherent vowel. However, ligated forms also exist, particularly in the Tirhuti class of Kaithi.:ā26ā28ā
Example: The conjunct mba can be rendered as:
the same conjunct mba can be ligated as:
When ligatures are employed, they typically follow two primary structural patterns:
šš¹š kka IPA: /kĖ/
|
š£š¹š pta IPA: /ptĢŖa/
|
š§š¹š„ mba IPA: /mba/
|
š®š¹š sta IPA: /stĢŖa/
|
šš¹š ksha IPA: /kŹa/
|
Geminates are among the most frequently encountered ligatures in historical Kaithi manuscripts. They can be ligated or unligated, depending upon the scribe.
šš¹š kka IPA: /kĖ/
|
šš¹š tta IPA: /tĢŖĖ/
|
š¢š¹š¢ nna IPA: /nĖ/
|
š§š¹š§ mma IPA: /mĖ/
|
šŖš¹šŖ lla IPA: /lĖ/
|
Similar to Devanagari, when the consonant /ɾa/ (š©) is part of a conjunct, it takes on a specialised reduced shape depending on its position in the consonant cluster.
š©š¹š§ rma IPA: /ɾma/
|
š©š¹š rtha IPA: /ɾt̪ʰ/
|
š©š¹š rg IPA: /ɾɔ/
|
šš¹š© kra IPA: /kɾa/
|
š£š¹š© pra IPA: /pɾa/
|
šš¹š© tra IPA: /t̪ɾa/
|
šš¹š© į¹ra IPA: /ŹÉ¾a/
|
Below is a comprehensive table of all 1225 possible biconsonantal Kaithi conjunct clusters. The derived characters /ɽ/ (š) and /ɽʱ/ (š) have also been included. Some of the ligated conjuncts may not be viable combinations in any language.
| Consonants | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š” | š¢ | š£ | š¤ | š„ | š¦ | š§ | šØ | š© | šŖ | š« | š¬ | š | š® | šÆ | š | š |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š | š š¹š” | š š¹š¢ | š š¹š£ | š š¹š¤ | š š¹š„ | š š¹š¦ | š š¹š§ | š š¹šØ | š š¹š© | š š¹šŖ | š š¹š« | š š¹š¬ | š š¹š | š š¹š® | š š¹šÆ | š š¹š | š š¹š |
| š” | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š | š”š¹š” | š”š¹š¢ | š”š¹š£ | š”š¹š¤ | š”š¹š„ | š”š¹š¦ | š”š¹š§ | š”š¹šØ | š”š¹š© | š”š¹šŖ | š”š¹š« | š”š¹š¬ | š”š¹š | š”š¹š® | š”š¹šÆ | š”š¹š | š”š¹š |
| š¢ | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š | š¢š¹š” | š¢š¹š¢ | š¢š¹š£ | š¢š¹š¤ | š¢š¹š„ | š¢š¹š¦ | š¢š¹š¦ | š¢š¹šØ | š¢š¹š© | š¢š¹šŖ | š¢š¹š« | š¢š¹š¬ | š¢š¹š | š¢š¹š® | š¢š¹šÆ | š¢š¹š | š¢š¹š |
| š£ | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š | š£š¹š” | š£š¹š¢ | š£š¹š£ | š£š¹š¤ | š£š¹š„ | š£š¹š¦ | š£š¹š§ | š£š¹šØ | š£š¹š© | š£š¹šŖ | š£š¹š« | š£š¹š¬ | š£š¹š | š£š¹š® | š£š¹šÆ | š£š¹š | š£š¹š |
| š¤ | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š | š¤š¹š” | š¤š¹š¢ | š¤š¹š£ | š¤š¹š¤ | š¤š¹š„ | š¤š¹š¦ | š¤š¹š§ | š¤š¹šØ | š¤š¹š© | š¤š¹šŖ | š¤š¹š« | š¤š¹š¬ | š¤š¹š | š¤š¹š® | š¤š¹šÆ | š¤š¹š | š¤š¹š |
| š„ | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š | š„š¹š” | š„š¹š¢ | š„š¹š£ | š„š¹š¤ | š„š¹š„ | š„š¹š¦ | š„š¹š§ | š„š¹šØ | š„š¹š© | š„š¹šŖ | š„š¹š« | š„š¹š¬ | š„š¹š | š„š¹š® | š„š¹šÆ | š„š¹š | š„š¹š |
| š¦ | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š | š¦š¹š” | š¦š¹š¢ | š¦š¹š£ | š¦š¹š¤ | š¦š¹š„ | š¦š¹š¦ | š¦š¹š§ | š¦š¹šØ | š¦š¹š© | š¦š¹šŖ | š¦š¹š« | š¦š¹š¬ | š¦š¹š | š¦š¹š® | š¦š¹šÆ | š¦š¹š | š¦š¹š |
| š§ | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š | š§š¹š” | š§š¹š¢ | š§š¹š£ | š§š¹š¤ | š§š¹š„ | š§š¹š¦ | š§š¹š§ | š§š¹šØ | š§š¹š© | š§š¹šŖ | š§š¹š« | š§š¹š¬ | š§š¹š | š§š¹š® | š§š¹šÆ | š§š¹š | š§š¹š |
| šØ | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š | šØš¹š” | šØš¹š¢ | šØš¹š£ | šØš¹š¤ | šØš¹š„ | šØš¹š¦ | šØš¹š§ | šØš¹šØ | šØš¹š© | šØš¹šŖ | šØš¹š« | šØš¹š¬ | šØš¹š | šØš¹š® | šØš¹šÆ | šØš¹š | šØš¹š |
| š© | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š | š©š¹š” | š©š¹š¢ | š©š¹š£ | š©š¹š¤ | š©š¹š„ | š©š¹š¦ | š©š¹š§ | š©š¹šØ | š©š¹š© | š©š¹šŖ | š©š¹š« | š©š¹š¬ | š©š¹š | š©š¹š® | š©š¹šÆ | š©š¹š | š©š¹š |
| šŖ | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š | šŖš¹š” | šŖš¹š¢ | šŖš¹š£ | šŖš¹š¤ | šŖš¹š„ | šŖš¹š¦ | šŖš¹š§ | šŖš¹šØ | šŖš¹š© | šŖš¹šŖ | šŖš¹š« | šŖš¹š¬ | šŖš¹š | šŖš¹š® | šŖš¹šÆ | šŖš¹š | šŖš¹š |
| š« | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š | š«š¹š” | š«š¹š¢ | š«š¹š£ | š«š¹š¤ | š«š¹š„ | š«š¹š¦ | š«š¹š§ | š«š¹šØ | š«š¹š© | š«š¹šŖ | š«š¹š« | š«š¹š¬ | š«š¹š | š«š¹š® | š«š¹šÆ | š«š¹š | š«š¹š |
| š¬ | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š | š¬š¹š” | š¬š¹š¢ | š¬š¹š£ | š¬š¹š¤ | š¬š¹š„ | š¬š¹š¦ | š¬š¹š§ | š¬š¹šØ | š¬š¹š© | š¬š¹šŖ | š¬š¹š« | š¬š¹š¬ | š¬š¹š | š¬š¹š® | š¬š¹šÆ | š¬š¹š | š¬š¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š® | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š | š®š¹š” | š®š¹š¢ | š®š¹š£ | š®š¹š¤ | š®š¹š„ | š®š¹š¦ | š®š¹š§ | š®š¹šØ | š®š¹š© | š®š¹šŖ | š®š¹š« | š®š¹š¬ | š®š¹š | š®š¹š® | š®š¹šÆ | š®š¹š | š®š¹š |
| šÆ | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š | šÆš¹š” | šÆš¹š¢ | šÆš¹š£ | šÆš¹š¤ | šÆš¹š„ | šÆš¹š¦ | šÆš¹š§ | šÆš¹šØ | šÆš¹š© | šÆš¹šŖ | šÆš¹š« | šÆš¹š¬ | šÆš¹š | šÆš¹š® | šÆš¹šÆ | šÆš¹š | šÆš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š | šš¹š” | šš¹š¢ | šš¹š£ | šš¹š¤ | šš¹š„ | šš¹š¦ | šš¹š§ | šš¹šØ | šš¹š© | šš¹šŖ | šš¹š« | šš¹š¬ | šš¹š | šš¹š® | šš¹šÆ | šš¹š | šš¹š |
| š«š¹šØšš¹šš¢ | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š” | š¢ | š£ | š¤ | š„ | š¦ | š§ | šØ | š© | šŖ | š« | š¬ | š | š® | šÆ | š | š |

The following table shows the list of vowel diacritics on consonants.
| ą„ | š | š | š | š | š | š | š | š | š | š | šš | šš |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| š š¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| š š¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| š š¹ | š | š š° | š š± | š š² | š š³ | š š“ | š šµ | š š¶ | š š· | š šø | š š | š š |
| š”š¹ | š” | š”š° | š”š± | š”š² | š”š³ | š”š“ | š”šµ | š”š¶ | š”š· | š”šø | š”š | š”š |
| š¢š¹ | š¢ | š¢š° | š¢š± | š¢š² | š¢š³ | š¢š“ | š¢šµ | š¢š¶ | š¢š· | š¢šø | š¢š | š¢š |
| š£š¹ | š£ | š£š° | š£š± | š£š² | š£š³ | š£š“ | š£šµ | š£š¶ | š£š· | š£šø | š£š | š£š |
| š¤š¹ | š¤ | š¤š° | š¤š± | š¤š² | š¤š³ | š¤š“ | š¤šµ | š¤š¶ | š¤š· | š¤šø | š¤š | š¤š |
| š„š¹ | š„ | š„š° | š„š± | š„š² | š„š³ | š„š“ | š„šµ | š„š¶ | š„š· | š„šø | š„š | š„š |
| š¦š¹ | š¦ | š¦š° | š¦š± | š¦š² | š¦š³ | š¦š“ | š¦šµ | š¦š¶ | š¦š· | š¦šø | š¦š | š¦š |
| š§š¹ | š§ | š§š° | š§š± | š§š² | š§š³ | š§š“ | š§šµ | š§š¶ | š§š· | š§šø | š§š | š§š |
| šØš¹ | šØ | šØš° | šØš± | šØš² | šØš³ | šØš“ | šØšµ | šØš¶ | šØš· | šØšø | šØš | šØš |
| š©š¹ | š© | š©š° | š©š± | š©š² | š©š³ | š©š“ | š©šµ | š©š¶ | š©š· | š©šø | š©š | š©š |
| šŖš¹ | šŖ | šŖš° | šŖš± | šŖš² | šŖš³ | šŖš“ | šŖšµ | šŖš¶ | šŖš· | šŖšø | šŖš | šŖš |
| š«š¹ | š« | š«š° | š«š± | š«š² | š«š³ | š«š“ | š«šµ | š«š¶ | š«š· | š«šø | š«š | š«š |
| š¬š¹ | š¬ | š¬š° | š¬š± | š¬š² | š¬š³ | š¬š“ | š¬šµ | š¬š¶ | š¬š· | š¬šø | š¬š | š¬š |
| šš¹ | š | šš° | šš± | šš² | šš³ | šš“ | ššµ | šš¶ | šš· | ššø | šš | šš |
| š®š¹ | š® | š®š° | š®š± | š®š² | š®š³ | š®š“ | š®šµ | š®š¶ | š®š· | š®šø | š®š | š®š |
| šÆš¹ | šÆ | šÆš° | šÆš± | šÆš² | šÆš³ | šÆš“ | šÆšµ | šÆš¶ | šÆš· | šÆšø | šÆš | šÆš |
Kaithi has several script-specific punctuation marks:
| Sign | Description |
|---|---|
| š» | The abbreviation sign is one method of representing abbreviations in Kaithi. For example, šŖš±šš±šš§ can be abbreviated as šŖš²š». |
| š½ | The number sign is used with digits for enumerated lists and numerical sequences. It can appear above, below, or before a digit or sequence of digits. For example, š½ą„§ą„Øą„©. |
| š¼ | The enumeration sign is a spacing version of the number sign. It always appears before a digit or sequence of digits (never above or below). |
| š¾ | The section sign indicates the end of a sentence. |
| šæ | The double section sign indicates the end of a larger section of text, such as a paragraph. |
| š | Danda is a Kaithi-specific danda, which can mark the end of a sentence or line. |
| š | Double danda is a Kaithi-specific double danda. |
General punctuation is also used with Kaithi:

Kaithi uses stylistic variants of Devanagari numeral. It also uses common Indic number signs for fractions and unit marks.
The following text is Article 1 of the Universal Declaration of Human Rights, written in various languages using the Kaithi script:
Article 1: All human beings are born free and equal in dignity and rights. They are endowed with reason and conscience and should act towards one another in a spirit of brotherhood.
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šš¢š³šš¹ššµš ą„§: š®š„š¹š¦šµ š§š¢š³šš¹š£ ššµ ššøš©š« šš©š“ šš”š±šš°š© š©š° š®šš š©š¹š¦ š§š šš¢š¹š§šš°š š®š¹š«šššš¹š©šš° š« š®š§š°š¢šš° š£š¹š©š°š£š¹š šš¶ š šÆš³š¢šš° š®š„ ššµ šššš©š°šš¹š§š° š©š° š šµš¢ š£š¹š©š°š£š¹š šš¶ šš©š“ šÆš³š¢šš° š£š©š®š¹š£š© š„šš”š³šš° š©š° š¦š°š« š®š š®š¹š«š°š¦š°š« šš©š¢š° šš°šÆš±šØš° š
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Kaithi script was added to the Unicode Standard in October 2009 with the release of version 5.2.
The Unicode block for Kaithi is U+11080āU+110CF:
| Kaithi[1][2] Official Unicode Consortium code chart (PDF) | ||||||||||||||||
| Ā | 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8 | 9 | A | B | C | D | E | F |
| U+1108x | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š |
| U+1109x | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š | š |
| U+110Ax | š | š” | š¢ | š£ | š¤ | š„ | š¦ | š§ | šØ | š© | šŖ | š« | š¬ | š | š® | šÆ |
| U+110Bx | š° | š± | š² | š³ | š“ | šµ | š¶ | š· | šø | š¹ | šŗ | š» | š¼ | Ā š½Ā | š¾ | šæ |
| U+110Cx | š | š | š | Ā šĀ | ||||||||||||
| Notes | ||||||||||||||||
The first Bhojpuri quarterly Bagsar SamÄchar was published in this script in 1915.