Pierian Spring

In Greek mythology, the Pierian Spring of Macedonia was sacred to the Pierides and the Muses. As the metaphorical source of knowledge of art and science, it was popularized by a couplet in Alexander Pope's 1711 poem An Essay on Criticism: "A little learning is a dang'rous thing; / Drink deep, or taste not the Pierian spring."

The Pierian spring is sometimes confused with the Castalian Spring, as it was by Lord Chesterfield who misquotes Alexander Pope in Letters to His Son.

The sacred spring was said to be near ancient Leivithra in Pieria, a region of ancient Macedonia, also the location of Mount Olympus, and believed to be the home and the seat of worship of Orpheus. The Muses "were said to have frolicked about the Pierian springs soon after their birth". The spring is believed to be a fountain of knowledge that inspires whoever drinks from it.

The name of the spring comes from the Pierides, the gaggle of girls (daughters of King Pierus) who sought a contest with the Muses. When they lost, they were turned into magpies. Ovid tells this tale after explaining the origin of the Heliconian spring in his 8 AD narrative poem Metamorphoses V. The metamorphosis into magpies comes at the end of the book:

An early reference to the Pierian spring is found in the Satyricon of Petronius, from the 1st century AD, at the end of section 5

Sappho, too, refers to the roses of the Pierian spring, in her poem "To One Who Loved Not Poetry," in the mid-600 B.C.

Lines 215 to 232 of Pope's poem read:

"A little learning is a dang'rous thing;

Drink deep, or taste not the Pierian spring:

There shallow draughts intoxicate the brain,

And drinking largely sobers us again.

Fir'd at first sight with what the Muse imparts,

In fearless youth we tempt the heights of Arts,

While from the bounded level of our mind

Short views we take, nor see the lengths behind;

But more advanc'd, behold with strange surprise

New distant scenes of endless science rise!

So pleas'd at first the towering Alps we try,

Mount o'er the vales, and seem to tread the sky,

Th' eternal snows appear already past,

And the first clouds and mountains seem the last;

But, those attain'd, we tremble to survey

The growing labours of the lengthen'd way,

Th' increasing prospects tire our wand'ring eyes,

Hills peep o'er hills, and Alps on Alps arise!"

The opening stanza appears in Ray Bradbury's 1953 novel Fahrenheit 451, as Fire Captain Beatty chastizes Guy Montag, the protagonist, about reading books, which are forbidden in the society of the novel.

In his poem "Hugh Selwyn Mauberley", Ezra Pound refers to Pierian "roses" in a critique of the cheap aesthetic of his time, which in his opinion has replaced a true appreciation of art and knowledge:

Sir William Jones (1746–1794) also made reference to "the fam'd Pierian rill" (a brook or rivulet) in his 1763 poem about the origin of chess, "Caissa".

Henry Miller mentions the Pierian Spring in Moloch: or, This Gentile World, written in 1927–28 and published posthumously in 1992.

In Dorothy Parker's poem, "The Little Old Lady in Lavender Silk", the narrator reminisces about the scandal that was her "neglect of the waters Pierian" in favor of "the habit of love".

In the 1986 David Cronenberg film The Fly, the protagonist Seth Brundle succumbs to madness and disease as the result of a science experiment. He rants at the short-sightedness of his lover, proclaiming "drink deep, or taste not the plasma spring!"

In the 2018 video game Call of Duty: Black Ops 4, Nikolai says "A little learning is a dangerous thing, drink deep or taste not the Pieran Spring, so goes the poem. I understand its meaning". He is referring to the journey ahead, leading to the finale of the Aether Zombies storyline.