| Ring | |||||
|---|---|---|---|---|---|
VHS cover art | |||||
| Japanese name | |||||
| Kanji | リング | ||||
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| Based on | |||||
| Screenplay by | Joji Iida | ||||
| Directed by | Chisui Takigawa | ||||
| Starring | |||||
| Composer | Yoshihiro Ike | ||||
| Country of origin | Japan | ||||
| Original language | Japanese | ||||
| Production | |||||
| Cinematography | Iwata Kazumi | ||||
| Running time | 95 minutes | ||||
| Original release | |||||
| Release | August 11, 1995 | ||||
Ring (Japanese: リング, Hepburn: Ringu) is a 1995 Japanese horror television film based on the novel of the same title by Koji Suzuki. In comparison to the subsequent theatrical films and television series based on the novel, it is the most accurate in relation to the original text.
Four apparently healthy young people, including reporter Kazuyuki Asakawa's niece Tomoko Ōishi, die suddenly at exactly the same time. Investigating the deaths, Asakawa discovers that the four had stayed together at a resort one week earlier. At the resort he finds and watches an unlabelled videotape containing a series of disturbing images. The recording ends with a warning that whoever watches it will die seven days later and begins to give instructions for avoiding death, but the remainder of the message has been erased.
Convinced that the threat may be genuine, Asakawa seeks the help of Ryūji Takayama, a university professor who researches extrasensory perception. The two men have a troubled history: Takayama was once suspected of killing his wife, while Asakawa damaged his own career by publicly defending him. Takayama watches the tape and asks Asakawa to make him a copy so that he can study it.
Asakawa and Takayama trace images on the videotape to psychic Shizuko Yamamura and travel to Izu Ōshima, where they learn about her daughter, Sadako Yamamura. Shizuko possessed psychic abilities and was publicly exploited by researcher Heihachirō Ikuma before eventually taking her own life. Sadako inherited even greater powers and later disappeared. Meanwhile, Asakawa discovers that his pregnant wife Shizuka has accidentally watched the cursed tape, giving him another reason to solve the mystery.
Their investigation eventually leads them to Jōtarō Nagao, who confesses that he assaulted Sadako and, after she used her psychic powers against him, threw her into a well. Asakawa and Takayama realise that the resort where the videotape appeared was constructed above the site of Sadako's death. They recover her remains from the well and believe that laying her to rest has broken the curse. Asakawa survives his own seven-day deadline.
Takayama, however, subsequently dies when his deadline arrives. Asakawa realises that the recovery of Sadako's body did not save him: he survived because he had copied the videotape and caused Takayama to watch it. The missing portion of the recording had instructed viewers to escape the curse by making a copy and showing it to another person, perpetuating Sadako's vengeance. Faced with his wife's impending death, Asakawa resolves to have her pass the tape to another victim, recognising that the curse will continue in an unbroken "ring".
Ring was broadcast on Fuji TV on 11 August 1995 as part of the network's Friday Entertainment programming block, airing from 9:02 p.m. to 10:52 p.m. Its broadcast subtitle was "Accident or Sudden Death? The Grudge of a Girl Who Takes Four Lives" (事故か!変死か!4つの命を奪う少女の怨念).
An expanded home-video edition titled Ring: Kanzenban was released in Japan on 24 November 1995. The version restored material that could not be included in the television broadcast, including additional violent and sexual content. A LaserDisc edition followed on 26 July 1996.
The film was the first screen adaptation of Suzuki's Ring and was later overshadowed internationally by Nakata's 1998 theatrical film and its subsequent remakes. Writing retrospectively for Bloody Disgusting in 2025, Paul Lê described the television adaptation as considerably more faithful to the novel than the later films, particularly in its depiction of Kazuyuki Asakawa, Ryūji Takayama and Sadako's background. He also noted that the production retained a greater balance between the story's scientific and supernatural elements, although the novel's more extensive scientific material was reduced for television.