Shulgi

King Shulgi foundation tablet
(c. 2094–2046 BC)

𒀭 𒐏𒋰𒁀
𒎏𒀀𒉌
𒂄𒄀
𒍑𒆗𒂵
𒈗 𒋀𒀊𒆠𒈠
𒈗𒆠𒂗
𒄀𒆠𒌵𒆤
𒂍𒀀𒉌
𒈬𒈾𒆕

^dnimin-tab-ba.............. "For Nimintabba"
nin-a-ni..................... "his Lady,"
šul-gi.................... "Shulgi"
nitah kalag-ga...... "the mighty man"
lugal........................"King"
urim^ki-ma............... "of Ur"
lugal ki-en-............... "King of Sumer"
gi ki-uri-ke₄................. "and Akkad,"
e₂-a-ni.......................... "her Temple"
mu-na-du₃................... "he built"

Foundation tablet of king Shulgi (c. 2094–2047 BC), for the Temple of Nimintabba in Ur. ME 118560 British Museum.

Shulgi (𒀭𒂄𒄀 ^dšul-gi,(died c. 2046 BC) formerly read as Dungi) of Ur was the second king of the Third Dynasty of Ur. He reigned for 48 years, from c. 2094 – c. 2046 BC (Middle Chronology). His accomplishments include the completion of construction of the Great Ziggurat of Ur, begun by his father Ur-Nammu. On his inscriptions, he took the titles "King of Ur", "King of Sumer and Akkad", adding "King of the four corners of the universe" in the second half of his reign. He used the symbol for divinity (𒀭) before his name, marking his apotheosis, from at least the 21st year of his reign and was worshipped in the Ekhursag palace he built. Shulgi was the son of Ur-Nammu king of Ur and his queen consort Watartum.

Shulgi apparently led a major modernization of the Third Dynasty of Ur. He improved communications, reorganized the army, reformed the writing system and weight and measures, unified the tax system, and created a strong bureaucracy. He also wrote a law code, now known as the Code of Ur-Nammu because it was originally thought to have been authored by Ur-Nammu. He also built or rebuilt numerous temples throughout the empire.

Shulgi is best known for his extensive revision of the scribal school's curriculum. Although it is unclear how much he actually wrote, there are numerous praise poems written by and directed towards this ruler. He had proclaimed himself a god by his 21st regnal year (there are indications this occurred as early as S12), and was recognized as such by the whole of Sumer and Akkad.

Some much later chronicles castigate Shulgi for his impiety: The Weidner Chronicle (ABC 19), a literary composition written in the 1st millennium BC, states that "he did not perform his rites to the letter, he defiled his purification rituals". CM 48, written late in the 1st millennium BC, charges him with improper tampering with the rites, composing "untruthful stelae, insolent writings" on them. The Chronicle of Early Kings (ABC 20), written in the mid-2nd millennium BC, accuses him of "criminal tendencies, and the property of Esagila and Babylon he took away as booty."

The manner of death is unknown, only that it occurred in his 48th regnal year, in or before the 11th month. In the 3rd month of his successor, libations to the dead were first recorded for Shulgi and two wives Geme-Ninlila and Shulgi-simti. All three appear to have died in the year 48. Several researchers have suggest Shulgi was assassinated, partly based on omen texts, including one based on an eclipse. He was succeeded by Amar-Sin. The name Amar-Sin was not recorded before his ascension and is a "throne name". His original name, and whether he was actually the son of Shugi, is unknown.

Early uncertainties about the reading of cuneiform led to the readings "Shulgi" and "Dungi" being common transliterations before the end of the 19th century. However, over the course of the 20th century, the scholarly consensus gravitated away from dun towards shul as the correct pronunciation of the 𒂄 sign. The spelling of Shulgi's name by scribes with the diĝir determinative reflects his deification during his reign, a status and spelling previously claimed by his Akkadian Empire predecessor Naram-Sin.

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  Portraits of Shulgi from his Nuska seal. Louvre Museum
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  Portrait of Shulgi as a builder, on a foundation nail. Metropolitan Museum of Art

Shulgi was a contemporary of the Shakkanakku rulers of Mari, particularly Apil-kin and Iddi-ilum. An inscription mentions that Taram-Uram, the daughter of Apil-kin, became the "daughter-in-law" of Ur-Nammu, and therefore the Queen of king Shulgi. In the inscription, she called herself "daughter-in-law of Ur-Nammu", and "daughter of Apil-kin, Lugal ("King") of Mari", suggesting for Apil-kin a position as a supreme ruler, and pointing to a marital alliance between Mari and Ur.

Nin-kalla, Amat-Sin, and Ea-niša were queens of Shulgi. This had influence and performed official functions which continued even after the death of Shulgi. Another queen, Shulgi-simti, who is known from a high number of texts presenting evidence for her economic power, had similar status. The archive shows she selected various large animals to use in rituals for deities including Belet-Šuḫnir and Belet-Terraban, Annunitum, Ulmašītum, Nanna, Ninlil and Enlil. From thirty-second to forty-seventh year of Shulgi's reign she was in charge of the acceptance of ritual animals. On their death "libation places" for her and Shulgi were established. Another important woman was Geme-Ninlilla who appears in texts at the end of the king's reign. Other, less well known royal women are Šuqurtum, Simat-Ea and Geme-Su'ena.

Shulgi, with many wives and concubines, is known to have had at least sixteen sons including Etel-pū-Dagān, Amar-^dDa-mu, Lu-^dNanna, Lugal-a-zi-da, Ur-^d,Suen, and possibly Amar-Sin (his throne name) as well as one daughter, Peš-tur-tur. The name of another daughter, Šāt-Kukuti, is known from a cuneiform tablet. A daughter, Taram-Šulgi was married to the ruler of Pašime, Šudda-bani.

Shulgi also boasted about his ability to maintain high speeds while running long distances. He claimed in his 7th regnal year to have run from Nippur to Ur, a distance of not less than 100 miles. Kramer refers to Shulgi as "The first long distance running champion."

Shulgi wrote 26 royal hymns to glorify himself and his actions. In one Shulgi claimed that he spoke Elamite as well as he spoke Sumerian. In another he refers to himself as "the king of the four-quarters, the pastor of the black-headed people".

While Der had been one of the cities whose temple affairs Shulgi had directed in the first part of his reign, in his 20th year he claimed that the gods had decided that it now be destroyed, apparently as some punishment. The inscriptions state that he "put its field accounts in order" with the pick-axe. His 18th year-name was Year Liwir-mitashu, the king's daughter, was elevated to the ladyship in Marhashi, referring to a country near Anshan and her dynastic marriage to its king, Libanukshabash. Following this, Shulgi engaged in a period of expansionism at the expense of highlanders such as the Lullubi, and destroyed Simurrum (another mountain tribe) and Lulubum nine times between the 26th and 45th years of his reign. He is also known to have destroyed Karaḫar, Harši, Šašrum, and Urbilum. In his 30th year, his daughter was married to the governor of Anshan; in his 34th year, he was already levying a punitive campaign against the place. He also destroyed Kimaš and Ḫurti (cities to the east of Ur, somewhere near Elam) in the 45th year of his reign. An inscribed brick recorded:

As with many Mesopotamian rulers he dealt with nomadic incursion in his 37th year, he was obliged to build a large wall in an attempt to keep out the Tidnumite nomads.

King Shulgi carnelian bead
(c. 2094–2047 BCE)

𒀭𒊩𒌆𒆤
𒎏𒀀𒉌
𒀭𒂄𒄀
𒍑𒆗𒂵
𒈗𒋀𒀊𒆠𒈠
𒈗𒆠𒂗
𒄀𒆠𒌵𒆤
𒉆𒋾𒆷𒉌𒂠
𒀀𒈬𒈾𒊒

^dnin-lil₂.......................... "For Ninlil"
nin-a-ni....................... "his Lady,"
^dšul-gi.................... "Shulgi"
nitah kalag-ga........ "the mighty man"
lugal urim^ki-ma..... "King of Ur"
lugal ki-en-................. "King of Sumer"
gi ki-uri-ke₄..................... "and Akkad,"
nam-ti-la-ni-še₃........... "for his life"
a mu-na-ru................... "dedicated (this)"

Carnelian bead, elongated (7 cm), Harappan style, provenance unknown. Bearing a cuneiform commemorative inscription of Shulgi, dedicating the bead to the goddess Ninlil. British Museum, BM 129493 This carnelian bead was probably imported from the Indus valley.

Shulgi is known to have made dedications at Susa, as foundation nails with his name, dedicated to god Inshushinak have been found there. One of the votive foundation nails reads: "The god 'Lord of Susa,' his king, Shulgi, the mighty male, king of Ur, king of Sumer and Akkad, the..., his beloved temple, built.". An etched carnelian bead, now located in the Louvre Museum (Sb 6627) and inscribed with a dedication by Shulgi was also found in Susa, the inscription reading: "Ningal, his mother, Shulgi, god of his land, King of Ur, King of the four world quarters, for his life dedicated (this)".

The Ur III dynasty had held control over Susa since the demise of Puzur-Inshushinak, and they built numerous buildings and temples there. This control was continued by Shulgi as shown by his numerous dedications in the city-state. He also engaged in marital alliances, by marrying his daughters to rulers of eastern territories, such as Anšan, Marhashi and Bashime.

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  Votive tablet of Shulgi, excavated in Susa: "For the goddess Ninhursag of Susa, his Lady, Shulgi, the great man, King of Ur, King of Sumer and Akkad, built her temple ". Louvre Museum, Sb 2884.
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  Foundation nail dedicated by Shulgi to the Elamite god Inshushinak, found in Susa. Louvre Museum
• 
  Carnelian bead with dedicatory inscription by Shulgi, found in Susa. Louvre Museum, Sb 6627

There are extensive remains for the year names of Shulgi, which have been largely reconstructed from year 1 to year 48 though some are fragmentary. There are no contemporary lists of year names, only partial texts from the Old Babylonian period so the order is not completely certain and a few years attribution is uncertain between Ur-Nammu and Shulgi. There are also multiple year names for some years which is not unprecedented. For example year 20 is "Year: “Ninḫursaga of Nutur was brought into her temple”" and "Year: “The sons of Ur were conscripted as lancers”". Some of the most important are:

Year name 39 of Shulgi was "The year Šulgi, king of Ur, king of the four quarters, built é-Puzriš-Dagan, a residence {palace? temple?} of Šulgi".

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  Lugal Urimkima/ Lugal Kiengi Kiuri 𒈗𒋀𒀊𒆠𒈠𒈗𒆠𒂗𒄀𒆠𒌵, "King of Ur, King of Sumer and Akkad, on a votive tablet of Shulgi. The final ke₄ 𒆤 is the composite of -k (genitive case) and -e (ergative case).
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  Shulgi completed the great Ziggurat of Ur
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  Earrings inscribed in the name of Shulgi.
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  Seal of Shulgi, with Gilgamesh fighting a winged monster: "To Shulgi, son of the king, Ur-dumuzi the scribe, his servant".
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  Seal of Shulgi, with worshipper and seated deity: "Shulgi, the mighty hero, King of Ur, king of the four regions, Ur-(Pasag?) the scribe, thy servant".
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  Mace head in the name of Shulgi (inscription upside down). British Museum.
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  Duck-shaped official weight of 2 mina, reign of Shulgi, from Ur, Iraq. British Museum.
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  A tablet from the period of Shulgi, mentioning the "Meluhha" village in Sumer. British Museum, BM 17751. "Meluhha" (𒈨𒈛𒄩𒆠) actually appears on the beginning of the other side (column II, 1) in the sentence "The granary of the village of Meluhha".
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  Weight of+1⁄2 mina (actual weight 248 gr.) dedicated by King Shulgi and bearing the emblem of the crescent moon: it was used in the temple of the Moon-God at Ur. Diorite, beginning of the 21st century BC (Ur III). Louvre Museum, Department of Oriental Antiquities, Richelieu, first floor, room 2, case 6
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  Tablet of Shulgi, glorifies the king and his victories on the Lullubi people and mentions the modern-city of Erbil and the modern-district of Sulaymaniyah, Sulaymaniyah Museum, Iraq

• Correspondence of the Kings of Ur
• History of Sumer
• List of Mesopotamian dynasties
• Sumerian king list
• Self-praise of Shulgi

• Aubaid, Nwr Saadwn, and Muhannad Ashwr Shnawah, "Some of the historical formulas with the military significant from the king shulgi", ISIN Journal 5, pp. 311-318, 2023
• Carroué, F., "Šulgi et la Temple Bagara", ZA 90, pp. 161–93, 2000
• de Maaijer, R., "Šulgi’s Jubilee: Where’s the Party?", in On the Third Dynasty of Ur: Studies in Honor of Marcel Sigrist, ed. P. Michalowski. JCS Suppl. 1. Boston: ASOR, pp. 45–52, 2008
• Falkenstein, A., "Ein Lied Auf Šulgi", Iraq, vol. 22, pp. 139–50, 1960
• Fish, Thomas, "The cult of the King Dungi during the third dynasty of Ur", Bulletin of the John Rylands Library 11.2, pp. 322-328, 1927
• Kramer, S. N., "Inanna and Šulgi: A Sumerian Fertility Song", Iraq, vol. 31, no. 1, pp. 18–23, 1969
• Kraus, Fritz R., "Zur Chronologie der Könige Ur-Nammu und Šulgi von Ur", OrNS 20, pp. 385-398, 1951
• Limet, Henri, "Au début du règne de Šulgi", Revue d’Assyriologie et d’archéologie Orientale, vol. 65, no. 1, pp. 15–21, 1971
• Michalowski, P., "Death of Šulgi", OrNS 46, pp. 220–25, 1977
• Sharlach, Tonia M., "Local and Imported Religion at Ur Late in the Reign of Shulgi", Ur in the Twenty-First Century CE: Proceedings of the 62nd Rencontre Assyriologique Internationale at Philadelphia, July 11–15 2016, pp. 429-440, 2021
• Sollberger, Edmond, "Šulgi, an 41?", Revue d’Assyriologie et d’archéologie Orientale, vol. 44, no. 1/2, pp. 89–90, 1950
• Vacín, Luděk, "Tradition and Innovation in Šulgi’s Concept of Divine Kingship", Tradition and Innovation in the Ancient Near East: Proceedings of the 57th Rencontre Assyriologique International at Rome, 4-8 July 2011, edited by Alfonso Archi, University Park, USA: Penn State University Press, pp. 179-192, 2015
• Van De Mieroop, Marc, "Gold Offerings of Šulgi", Orientalia, vol. 55, no. 2, pp. 131–51, 1986
• [12]Widell, Magnus, "The Calendar of Neo-Sumerian Ur and Its Political Significance", Cuneiform Digital Library Journal 2004 (2), 2004
• Winters, Ryan, "The Royal Herdsmen of Ur: Compensation and Centralization in the Reign of Shulgi", Journal of Cuneiform Studies. JCS, vol. 72, pp. 47–64, 2020
• [13]Zettler, Richard L., "Archaeology and the problem of textual evidence for the Third Dynasty of Ur", Bulletin of the Canadian Society for Mesopotamian Studies 38, pp. 49-62, 2003

• Shulgi's axe sold illegally in Germany from the German Middle East magazine zenith
• The face of Shulgi. A realistic statue shows us how Shulgi may have looked in real life.