Off-West End (2018)
The play was commissioned by Hartford Stage in Hartford, Connecticut. The play was produced in London at the Young Vic Theatre under the direction of Stephen Daldry in March 2018. The play was staged in two parts of over three hours each, intended to be viewed sequentially, and reimagines E. M. Forster's Howards End as "a lovingly wry portrait of New York's gay community", "with gay men from different generations standing in for Forster's straight people from different classes". Lopez found parallels between his own life and Forster's closeted existence before the partial-decriminalisation of homosexuality, telling The New Yorker: "We're so far apart, and yet when I read his diaries—that’s me. That's me, a hundred years ago, as a closeted white man in England". Lopez has described that the greatest theatrical influence, despite comparisons with Tony Kushner's Angels in America as being Gatz, Elevator Repair Service's 2-part, 8-hour adaptation of The Great Gatsby, inspiring his use of "self-narration".
The Inheritance examines love between gay men in contemporary New York a generation after the early AIDS crisis. It asks what the current generation owes to its forebears with Rebecca Read writing in The New Yorker that lead character Eric Glass, "as the grandson of Holocaust survivors, has a personal connection to generational catastrophe, and is therefore better primed to comprehend the history of the gay community’s devastation".
Other notable productions
A German language production of The Inheritance titled Das Vermächtnis, directed by Philip Stölzl, premiered at Munich's Residenztheater on January 30, 2022. The production was invited to the Berliner Theatertreffen as one of ten "noteworthy" productions of 2022. Das Vermächtnis also premiered in Hanover on April 22, 2022, as well as at the Theater Münster on December 3, 2022 and most recently at the E.T.A.-Hoffmann-Theater in Bamberg on October 6, 2023. Part one of the Bamberg production was invited to the Bayerische Theatertage in 2024.
In 2022, The Inheritance received its first major regional production in the United States when SpeakEasy Stage Company presented the play at the Stanford Calderwood Pavilion at the Boston Center for the Arts, running from April 22 to June 11, 2022. The production was directed by Paul Daigneault, with movement and intimacy direction by Yo-EL Cassell, and featured scenic design by Cristina Todesco, costume design by Charles Schoonmaker, lighting design by Karen Perlow, and original sound and music by Dewey Dellay. In a review for The Boston Globe, the production was described as an ambitious and emotionally resonant staging that emphasized the play’s exploration of intergenerational memory, community, and the enduring impact of the AIDS crisis. The production received eight Elliot Norton Award nominations, receiving three awards: Outstanding Play - Midsize Theater, Outstanding Featured Performance - Midsize Theater (Mishka Yarovoy), and Outstanding Ensemble.
A West Coast premiere production directed by Mike Donahue opened at the Geffen Playhouse on September 13, 2022, and had an extended run until November 27, 2022. The play was cited as "better in Los Angeles than on Broadway" by Los Angeles Times theater critic Charles McNulty. An audio adaptation was later released by Audible Theater in March 2023.
ARV, the Swedish version of The Inheritance had its premiere on November 5, 2022, at The Royal Dramatic Theatre in Stockholm. It was chosen to be part of the theatre biennale 2023 and won the Nöjesguiden award for best performance 2023 and was nominated for a QX-award for best production 2023. It ran again in 2024/2025 in a partly new version at The Royal Dramatic Theatre. ARV was directed by Carl Johan Karlson.
Brazilian Portuguese language production of The Inheritance, called A Herança, premiered at Teatro Vivo, São Paulo, on March 9, 2023, and ran until April 30, 2023. The play was translated into Portuguese by Zé Henrique de Paula, who also directs and produces it. Bruno Fagundes, the other local producer, performs the role of Eric Glass in the Brazilian version. Due to its success, a new season, this time placed at Teatro Raul Cortez, São Paulo, premiered on June 1, 2023, and ran until July 30, 2023.
A Danish language production of The Inheritance named Arven premiered at the Royal Danish Playhouse March 25, 2023 and ran until May 13 the same year. The production was staged by Thomas Bendixen. The production won the 2023 Reumert Award for Best Performance. The production opened again August 24, 2024 as part of the Royal Danish Theatre's 2024-25 season and yet again August 22, 2026 as part of its 2026/2027 season.
In April 2023, Canadian Stage announced that, as part of its 2023-24 season, it would stage a production in Toronto. The production was directed by Brendan Healy, Canadian Stage's artistic director, and ran at the Bluma Appel Theatre, Front Street East, Toronto in March and April 2024.
In January 2024, The Inheritance had its Australian premiere at Melbourne's fortyfivedownstairs in a production directed by Kitan Petkovski.
A Norwegian production of The Inheritance named Arven, like in Denmark, ran from February 8 to May 31, 2025 at Nationaltheatret in Oslo.
A Catalan language production entitled L'herència was staged at Teatre Lliure in Barcelona, and it ran from February 20 to March 16, 2025 and it was directed by Josep Maria Mestres.
In August 2025, The Inheritance made its Washington D.C. regional debut at Round House Theatre, directed by Tom Story. The production—which features the first presidential election of Donald Trump in 2016—drew attention for its proximity to the capital during the first year of Trump's second term.
