| Trapper John, M.D. | |
|---|---|
| Genre | Medical drama |
| Created by | Richard Hooker |
| Developed by | |
| Starring | |
| Theme music composer | John Parker |
| Country of origin | United States |
| Original language | English |
| No. of seasons | 7 |
| No. of episodes | 151 (list of episodes) |
| Production | |
| Executive producers |
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| Camera setup | Single-camera |
| Running time | 45–48 minutes |
| Production companies |
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| Original release | |
| Network | CBS |
| Release | September 23, 1979 – September 4, 1986 |
| Related | |
Trapper John, M.D. is an American medical drama television series and spin-off of the film M*A*S*H (1970). Pernell Roberts portrayed the title character, a lovable surgeon who became a mentor and father figure in San Francisco, California. The show ran on CBS for seven seasons, from September 23, 1979, to September 4, 1986. Roberts played the character more than twice as long as had Wayne Rogers (1972–75) on the TV series M*A*S*H. The role of Trapper John was played by Elliott Gould in the film.
Trapper John, M.D. focuses on Dr. "Trapper" John McIntyre (Pernell Roberts) 28 years after his discharge from the 4077th Mobile Army Surgical Hospital (MASH) in the Korean War. During that time after the war, the character had mellowed considerably. He did not merely learn how to stop fighting the system but became a part of it, in a sense, as the Chief of Surgery at San Francisco Memorial Hospital. However, Trapper shows tremendous compassion toward his patients, often violating "established hospital procedures".
Working with Trapper is an aspiring young professional named Dr. George Alonzo Gates (Gregory Harrison), usually referred to as Gonzo, who has a lot in common with Trapper, having also served in a MASH unit (albeit during the later Vietnam War). His sense of humor and love of life also reflect elements of Trapper's younger days. Gonzo resides in his Winnebago motor home (dubbed "The Titanic") in the hospital parking lot.
The show also involves several other characters that serve as hospital staff.
The show underwent a number of changes during Trapper John's seventh and final season.
Only nine further irregularly-scheduled episodes of Trapper John were produced after Harrison's departure.
After Harrison's last episode, the show was off the air for three weeks, then brought back on a different night (Tuesday) before being pre-empted three times in the next four weeks. A top 30 hit for most of its run when it aired on Sunday, Trapper John, M.D. fell out of the top 30 during season seven, and was canceled by season's end.
The final four episodes were aired on Thursday nights late in the summer of 1986, well after the show's cancellation had already been announced.
In a suit filed in New York state court, Ingo Preminger, producer of the 1970 motion picture M*A*S*H, claimed that under his deal with 20th Century Fox, his production company had both the right of first refusal to produce any spin-off of the movie, and the right to fees from the use of the book and film's material. New York State Supreme Court Justice Martin Stecher found that Preminger's agreement with Fox did not give him the right to produce Trapper John M.D., but did entitle him to a 25% share in profits from the show. This decision was later cited by the same court in its 2008 decision in Kellman v. Mosley, involving a claim for royalties involving the Easy Rawlins detective series.
It has sometimes been reported that the producers of the television series M*A*S*H (1972-1983) filed suit claiming they were entitled to royalties from the new show, arguing that it was based on the character as portrayed in their series by Wayne Rogers, but the producers of Trapper John, M.D successfully argued that it was based only on the earlier film and Richard Hooker's MASH: A Novel About Three Army Doctors. This appears to be a misconception of the aforementioned suit filed by Ingo Preminger. In fact, the M*A*S*H television series and Trapper John, M.D. were both produced under deals with 20th Century Fox Television, and the M*A*S*H film was produced by parent company 20th Century Fox; as such, the properties were all essentially owned by the same entity.
The Trapper John, M.D. pilot episode includes video clips (part of a dream) taken from the M*A*S*H film and TV series, as well as a camera pan across mementoes in Trapper's office including a publicity photo of Trapper (as portrayed by Wayne Rogers) and Hawkeye (Alan Alda), implying Trapper John, M.D. is a continuation of the M*A*S*H television series (and not the film, as is often claimed). Trapper mentions Radar and Hawkeye by name, while waking up from a dream about his time at M*A*S*H. However, none of the other M*A*S*H characters appeared as characters, and references to Trapper's time in Korea were rare.
In 2010 via his blog, Ken Levine, who was a showrunner for M*A*S*H from 1977 to 1979, revealed his production team pulled a practical joke on CBS regarding M*A*S*H episode story outlines submitted to the network: "On M*A*S*H we were only required to write up loglines (a sentence or two)... John Rappaport, one of the M*A*S*H producers, pulled a classic stunt on CBS. The series Trapper John, M.D. was about to premiere that fall on CBS. Among the loglines John submitted was “Hawkeye is devastated to learn that his buddy Trapper John has died back in the States.” John gets a frantic call from the network. “You can’t do that!” they pleaded. “We have a show starring Trapper John.” Rapppaport shrugged and said, “That’s not our problem.” The network insisted they drop the story. John said, “It’s too late. We already filmed it.” The network rep was absolutely apoplectic until John told him it was a goof."