Cave painting

Cave paintings are paintings on cave walls and ceilings. Usually these paintings were made in prehistoric times.

It is not known why these paintings were made. They may have been used in rituals. Some may have provided information. Many paintings in caves are difficult to get to.

Today, there are about 350 caves known to have paintings in them.^[source?] Many are in France and Spain. The best known are probably the caves of Altamira (in Spain), Lascaux (in France), or Creswell Crags (in England).

Sometimes, paintings were also done on cliff faces. Fewer of those have survived, though, because of erosion. One such example is the rock paintings of Astuvansalmi (in Finland).

Most cave paintings showed animals or hunting scenes. Sometimes hands are there too. Rarely, there are also more abstract patterns.

The paintings were drawn with red and yellow ochre, hematite, manganese oxide and charcoal. Sometimes the silhouette of the animal was put into the rock first.

Styles

André Leroi-Gourhan (1911–1986) classified the paintings into different styles:

Style	Time period	Examples	Explanation
I	Chatelperronien Aurignacien	Vulvas in La Ferassie Herbivore in Belcayre	These are schematic paintings of animals, such as horses and mammoths. Very often only the head or back of the animal is shown. Lines and dots are often used in addition. Sometimes, schematic vulvas are shown. Exact dating is difficult.
II	Gavettien, Perigoriden, Soultréen	Pair-non-Pair cave Venus of Laussel	During this time, cave paintings may have first been used for rituals and/or religious purposes. Paintings are on plates, in the entrance part of the cave, or in rock shelters. They can be found inside the cave only rarely. Paintings become more schematic, and the neck/back of the animal is often included in the painting. Venus figurines appear, and are all schematic: the legs/feet are lacking, the face and arms are only hinted at. Hips, belly and breasts are very pronounced. Impressions of hands are found for the first time.
III	Soultréen, early Magdalenien	Lascaux Pech Merle Roc de Sers El Castillo Rocamdour	These paintings show the peak of development of rock art. Lines are finer, and people tried to show animals in motion. The animals had very short legs, and bodies, which appear too large when they are compared to the head. The marked lines of the back, which are very pronounced in style II, are less pronounced. Horns and antlers of animals are often shown in a perspective view. Very often, bison and horses are painted. They are commonly shown in the same drawing. Other animals are often shown as extras. There are signs that almost always appear next to the animals. Humans are shown in relation to the animals, for the first time. Positive and negative imprints of hands are present.
IV	Magdalenien III and IV, Magdalenien V and VI	Trois Frères Les Combarelles	Most caves are in this style. Mobile objects appear, and allow a further classification of this style. Animals are shown in a very realistic manner. Horns and antlers are also shown realistically, and no longer in perspective view. Horses have a marked belly, and two lines on their shoulders. Bisons have a triangle on their loins. There are different symbols next to the animals.

Theories

There are different theories about why people created cave paintings. These are the most common explanations:^[source?]

Painting in caves could be a form of hunting magic, meant to make a hunt more successful.
Perhaps shamans made cave paintings. The shaman would retreat into the darkness of the cave, enter into a trance state, and then paint images of their visions, perhaps with some notion of drawing power out of the cave walls themselves. This theory is based on studies of modern hunter-gatherer societies.
Cave paintings could be some form of graffiti, mostly done by teenage boys of the time. Figurines have been found that show Venus at roughly the same age. According to this theory, there were many adolescents in the society at the time. Most of the adolescents who painted were male, but some were female.^[source?]
The paintings may have been made for practical reasons: There is some hidden symbolism which may show the techniques of hunting, or the routes the animals took.
People may have painted what they wished for or what they had dreamt of.
The paintings could have been seen as "art" at the time. There are several societies today who do not have a word for art, but who practice the same type of painting.

Oldest known

In general, the dates of these artifacts are not known with any accuracy. Our own dating system was invented long after the artifacts.

A painting on the wall of an Indonesian cave is about 44,000 years old. It shows a buffalo being hunted. Recently, another painting was found in Borneo.^[source?]

Gallery

from La Pasiega, Spain
from Altamira, Spain
from Chauvet, France
from Chauvet
from Lascaux, France
from Niaux cave, France
A mammuth etching, from Pair-Non-Pair, France
Hands in Gargas cave, France

Related pages

References

↑ André Leroi-Gourhan: Treasures of Prehistoric Art. Abrams, New York 1967.
↑ André Leroi-Gourhan: Le Symbolisme des Grandes Signes dans l’art Parietal Paléolithiques. In: Bulletin de la Société Préhistorique Française. 55 (3), 1958, pp 307–321.
↑ Leroi-Gourhan 1971,pp 245ff.
↑ Sulawesi art: Animal painting found in cave is 44,000 years old. BBC News.

[1] André Leroi-Gourhan: Treasures of Prehistoric Art. Abrams, New York 1967.

[2] André Leroi-Gourhan: Le Symbolisme des Grandes Signes dans l’art Parietal Paléolithiques. In: Bulletin de la Société Préhistorique Française. 55 (3), 1958, pp 307–321.

[3] Leroi-Gourhan 1971,pp 245ff.

[4] Sulawesi art: Animal painting found in cave is 44,000 years old. BBC News.