| Poireiton | |
|---|---|
Cultural hero of adventure, journey and fire | |
| Other names | Chingkhong Poireitol |
| Meitei | ꯄꯣꯢꯔꯩꯇꯣꯟ |
| Affiliation | Meitei religion (Sanamahism) |
| Abodes | Earth and Underworld |
| World | Underworld |
| Texts | Poireiton Khunthok |
| Gender | Male |
| Ethnic group | Meitei ethnicity |
| Personal information | |
| Born | |
| Consort | Lainaotabi |
| Siblings | Thongalel |
| Equivalents | |
| Greek equivalent | Prometheus |
Chingkhong Poireiton (Meitei: ꯆꯤꯡꯈꯣꯡ ꯄꯣꯢꯔꯩꯇꯣꯟ), also known as Poileiton (Old Manipuri: ꯄꯣꯢꯂꯩꯇꯣꯟ), is a prince of the Khamnung (underworld kingdom) and a younger brother of Thongalen (Thongaren), the god of death in Meitei mythology and religion of ancient Kangleipak (early Manipur). He is best known as a cultural hero, for leading a colonial immigration to the human world (Kangleipak kingdom), according to the wish of his brother. He is mentioned in the Poireiton Khunthok, an ancient treatise about his immigration to the human kingdom.
Poireiton is a cultural and legendary figure in ancient Meitei literature. He is best known as the main character in the story Poireiton Khunthok, a prose narrative that tells about his journey from the underworld to the human world, especially to the region now known as Manipur and parts of Burma (Myanmar).
In the story, Poireiton is the younger brother of Thongalen (Thongaren), who is the King of Terrors and lives in the underworld. Thongaren sends Poireiton, along with his youngest wife Leinaotabi, to explore the Earth. Their mission is to bring knowledge, skills, and civilization to the people already living there.
Poireiton and Leinaotabi leave the underworld with a large group of followers. They bring many important things with them, including:
They face many obstacles while leaving the underworld. These difficulties are overcome by a bull with gold and silver-tipped horns, which is a symbol of the pain of childbirth.
The journey of Poireiton is seen as the arrival of a more advanced culture. The group settles in different parts of the region, and their descendants become different ethnic groups, including:
Other tribes like Taring, Tarao, Maring, Khoibu, Lamsang, and Chakpa Tangba.
During their travels, Poireiton and Leinaotabi visit many places, some of which still have the same names today. The story also shows that people already living in those areas had funeral customs, such as burning the dead.
One part of the story tells how Poireiton was saddened by the early death of his children. Later, he meets the chief of a tribe called Sachung, who tells him that the names of his children, nurse, and doctor were not good. The chief advises Poireiton to change them. After this, Poireiton carefully names his surviving son Tapung Simingnaba, who is later able to return from the world of the dead.
Poireiton is one of the earliest figures in Meitei prose literature. The story Poireiton Khunthok is special because it is written in prose, not in poetry like most other works of the time. It uses allegory and animal symbols to talk about life, death, and creation. It contains old and rare words not found in later writings. It uses a catechetical (question-and-answer) style in some parts.
Poireiton is remembered as a culture-bringer, a leader, and a traveler who helped shape the early societies of Manipur and surrounding regions. His journey reflects both mythical themes and historical memory, and the story remains an important part of Meitei heritage.