Bibliomancy

Bibliomancy is a kind of divination that uses books. Users select part of the book by chance, hoping to learn about possible future events.

Many religions and cultures have used bibliomancy. It often uses holy books such as the Bible, Quran, or the Vedas. Some bibliomancy uses non-religious books. These include works of the Greek poet Homer or the Roman poets Ovid and Virgil.

The word "bibliomancy" comes from the Greek βιβλίον biblion- 'book' and μαντεία -manteía 'divination by'.

In Islam

Animals gather in front of King Solomon and Queen Bilqis: a 17th century painting from the Khalili Falnama. Opening the book to this painting meant a good prediction.

Bibliomancy has a long history in the Islamic world. They used religious and non-religious books, most often the Quran. The Persian language word Falnama or Falnamah means "Book of omens" or "Book of divinations". It covers two kinds of bibliomancy from Iran, Turkey, and India: Quranic Falnamas and Falnama books. Quranic Falnamas were sections at the end of hand-written Qurans used for fortune-telling. Qurans made in India and Iran often had these section, from the late 14th century to the 19th.

Falnama books, made in the 16th century onwards, worked in a different way. People opened a random page where they would see a painting with text beside it. They interpreted the painting and text to seek a message about their own situation. Only a few illustrated Falnamas now survive. These were made for rich people and have colourful, detailed paintings.

Falnama manuscripts were unusually large books. The ones that exist today are from 40 centimetres (16 in) to more than 66 centimetres (26 in) high. The paintings combined images from religious and non-religious stories. Their paintings of religious and mythical figures influenced other works of art. Each painting told the story of an event, but their order was random. There was no story for the book as a whole. People used these books to prepare for major decisions in business or their personal lives. People also used them if they were curious about far-away relatives or friends.

To answer a question, readers washed themselves, read from the Quran, then opened the book at a random page. The text explained whether the painting's meaning was good, bad, or in the middle. For example, a painting of the Sun meant a good outcome while a villain usually meant a bad outcome. To avoid the worst outcomes, the text told the reader to pray, take a pilgrimage, or be kind to others.

The Dispersed Falnama is the oldest known Falnama manuscript. There are parts in many collections in different countries. It dates from the reign of Shah Tahmasp in mid-16th-century Iran. For that reason it is also called the Falnama Tahmasbi.

The Khalili Collection of Islamic Art has a Falnama manuscript from 17th-century Hyderabad. This Khalili Falnama is the only known illustrated Falnama from South Asia. It was most likely created between 1610 and 1630.

Four more illustrated Falnama manuscripts from the 16th and 17th centuries still exist.

References

  1. ↑ Kohler, Kaufmann; Grunwald, M. (1906). "BIBLIOMANCY". JewishEncyclopedia.com. Retrieved 2026-07-17.
  2. ↑ Oxford English Dictionary, 2nd edition, 1989.
  3. ↑ Parikh 2022, p. 123.
  4. ↑ Parikh 2022, p. 16.
  5. 1 2 Coffey, Heather (2019). "Diminutive Divination and the Implications of Scale: A Miniature Qur'anic Falnama of the Safavid Period". In Myrvold, Kristina; Miller Parmenter, Dorina (eds.). Miniature books : the format and function of tiny religious texts. Sheffield. pp. 85–87. ISBN 978-1-78179-860-7. OCLC 1082402029.{{cite book}}: CS1 maint: location missing publisher (link)
  6. 1 2 Rogers, J. M. (2008). The arts of Islam : treasures from the Nasser D. Khalili collection (Revised and expanded ed.). Abu Dhabi: Tourism Development & Investment Company (TDIC). pp. 275–9. OCLC 455121277.
  7. ↑ De La Perrière, Eloïse Brac (2016). "Manuscripts in Bihari Calligraphy: Preliminary Remarks on a Little-Known Corpus". Muqarnas. 33: 63–90. doi:10.1163/22118993_03301P005. ISSN 0732-2992. JSTOR 26551682.
  8. 1 2 3 Py-Lieberman, Beth (22 October 2009). "Falnama's Book of Omens: The Future Will Be Bright and Sunny". Smithsonian Magazine. Retrieved 2021-11-11.
  9. ↑ Gopnik, Blake (25 October 2009). "Art review: Blake Gopnik on 'Falnama: The Book of Omens' at the Sackler Gallery". Washington Post. Retrieved 2021-11-11.
  10. 1 2 3 4 Natif, Mika (6 October 2010). "Review of "Falnama: The Book of Omens" by Massumeh Farhad". CAA Reviews. College Art Association. doi:10.3202/caa.reviews.2010.110. ISSN 1543-950X. Retrieved 2023-09-25.
  11. ↑ Hadromi-Allouche, Zohar (2018). "Images of the first woman: Eve in Islamic Fāl-nāma paintings". In Exum, J. Cheryl; Clines, David J. A.; Apostolos-Cappadona, Diana (eds.). Biblical Women and the Arts. London: Bloomsbury. p. 9. ISBN 9780567685162.
  12. 1 2 3 4 5 Parikh 2022, p. 9.
  13. ↑ Parikh 2022, p. 17.
  14. 1 2 Parikh, Rachel (2020). "Faith and Fate: the Khalili Falnama and Shi'i Identity in Golconda". In Overton, Keelan (ed.). Iran and the Deccan: Persianate Art, Culture, and Talent in Circulation, 1400–1700. Indiana University Press. pp. 227, 247–248. ISBN 978-0-253-04894-3.
  15. ↑ ""Coffin of Imam 'Ali", Folio from a Falnama (The Book of Omens) of Ja'far al-Sadiq". The Met. Retrieved 2021-11-26.
  16. ↑ ""The Prophet Zakariya (Zacharias) in a Tree", folio from a dispersed copy of the Falnama (Book of Omens)". Worcester Art Museum. Retrieved 2021-11-11.
  17. ↑ Parikh 2022, p. 11.

Sources