Louise Bourgeois | |
|---|---|
Louise Bourgeois (1994). | |
| Born | Louise Joséphine Bourgeois 25 December 1911 Paris, France |
| Died | 31 May 2010 (aged 98) Manhattan, New York City, U.S. |
| Nationality | French-American |
| Education | Sorbonne, Académie de la Grande Chaumière, École du Louvre, École des Beaux-Arts |
| Known for | sculpture, installation art, painting, printmaking |
| Notable work | Spider, Cells, Maman, Cumul I, The Destruction of the Father |
| Movement | Modernism, Surrealism, Feminist art |
| Awards | Praemium Imperiale |

Louise Joséphine Bourgeois (25 December 1911 – 31 May 2010) was a French-American artist. She was best-known for her installation art and large-scale sculptures. She was also a painter and printmaker.
Bourgeois explored many themes over her career, including domesticity, family, sexuality and death.
In the late 1940s, Bourgeois made tall wooden figures that stood for people she had left behind in France. During the 1990s and 2000s, she became known for a group of room-like works called the Cells. She placed old furniture, mirrors, clothes and other personal objects inside them. These objects helped her make art about memory and family. In Spider (Cell) (1997), the spider also refers to her mother, who repaired old tapestries.