| Abunai Deka | |
|---|---|
| Genre | Police procedural Action drama Comedy drama |
| Directed by | Tōru Murakawa Takahito Hara Yasuharu Hasebe Haruo Ichikura Yusuke Narita Kiyoshi Nishimura Hiroyoshi Tezeni |
| Starring | Hiroshi Tachi Kyōhei Shibata Atsuko Asano Tōru Nakamura Shizuo Chujō Michihiro Yamanishi Haruo "Bengal" Yanagihara Takeshi Akiyama Kenji Kinugasa Kanae Hasebe Nana Kinomi |
| Opening theme | Hiroshi Tachi "She's So Good" |
| Ending theme | Hiroshi Tachi "Tsumetai Taiyō" (lit. 'Cold Sun') |
| Country of origin | Japan |
| No. of seasons | 1 |
| No. of episodes | 51 |
| Production | |
| Producers | Hirokichi Okada Norio Hatsukawa |
| Running time | 54 minutes |
| Original release | |
| Network | Nippon Television |
| Release | October 5, 1986 – September 27, 1987 |
Abunai Deka (あぶない刑事; lit. 'Dangerous Detective'), often shortened to Abudeka (あぶデカ), is a Japanese television drama aired by Nippon Television between 1986 and 1987. It stars Hiroshi Tachi as Toshiki "Taka" Takayama and Kyōhei Shibata as Yūji "Yūji" Ōshita, two detectives of Minato Police Station, a fictional police station located in Naka-ku, Yokohama, Kanagawa Prefecture.
This "buddy cop" series depicts the unconventional, aggressive investigative methods of two detectives; while its production concept was explicitly billed as a Japanese take on Starsky & Hutch or a live-action Dirty Pair, the show's content also drew comparisons to Miami Vice, which began airing in Japan the same year.
Regarding its tone, the show initially followed the hard-boiled style typical of conventional police dramas. However, as the episodes progressed, it incorporated witty banter, rapid-fire exchanges, and ad-libbed dialogue, ultimately establishing a comedic style that largely abandoned the somber, tragic atmosphere usually associated with the genre.
This thoroughly "trendy drama" appeal resonated with viewers; the first TV season—originally slated for a six-month run—was extended by another two-quarter block. The series became a social phenomenon, primarily appealing to younger audiences—a demographic different from that of previous police dramas—and has continued intermittently for over 40 years, with theatrical film adaptations and novels and musical theatre by the Takarazuka Revue.
One of the features of this series is its opening and ending themes composed by Hiroshi Tachi, insert songs performed by Kyōhei Shibata, and original tracks written specifically for the show by various Japanese artists. From the planning stage, the production aimed for a Western-style musical aesthetic inspired by Miami Vice; by featuring exclusively English lyrics for the opening and original songs, the series pursued a stylish aesthetic that was rare for Japanese police dramas of that era. Tachi and Shibata have continued to provide songs for subsequent installment as well.
Three insert songs performed by Shibata were used in the first TV series: "Running Shot" (Episodes 10 and 12–24), "WAR" (Episodes 25–40), and "FUGITIVE" (Episodes 41–51). Each was featured during scenes highlighting the Ōshita. Among them, "Running Shot" has continued to be used in subsequent installment—excluding the Matamata and Motto.
Since Returns, the series has shifted towards emphasizing original music unique to each installment (especially instrumental tracks), and English songs are rarely used anymore. On the other hand, In Forever TV Special '98, Final 5 Days and Home Coming, remixes of original tracks from their early installment (up to Motto) are used as an homage.
One of the features of this series was its relatively detailed depiction of firearms. This was unusual for Japanese television dramas in 1986. Hundled by "BIGSHOT"—a company specializing in firearm special effects established just before the first TV series—realistic prop guns based on modelguns were created.
Attention was paid to the detailing of Takayama's handguns; a 4-inch Smith & Wesson Model 586 and an Model 49 Bodyguard, reflecting the Hiroshi Tachi's preferences, the guns was fitted with rubber grips to improve handling. From Returns onwards, the Model 586 was replaced by a custom-made Colt M1911. Takayama also frequently uses a long gun, and from Matamata onwards, scenes of him firing a Remington Model 31 while riding a motorcycle became a staple of the series.
For Ōshita, the 2-inch Colt Lawman—the same model used by the other detectives—was adopted. Unlike Takayama's, Ōshita's gun frequently changes, a 2.5-inch Colt Python (in Motto and Mottomo), a 2.5-inch Colt King Cobra (in Returns and Forever), a 3-inch S&W Model 586 in (in Madamada), and a 2-inch S&W Model 10 (in Final 5 Days and Home Coming).
The S&W Model 36 was chosen as Kaoru's handgun. Machida, a young detective who prefers a flashy style, initially used a 2-inch Colt Lawman, but switched to a 4-inch revolver with wooden grips midway through the first TV series. Subsequently, he used an S&W Model 29 (up through Mottomo), the S&W Model 586 (in Returns and Forever), and a Colt Python (in Madamada).
The handguns used by the other detectives are standardized as either the 2-inch Colt Lawman or the S&W Model 36, while uniformed officers carried the S&W M1917 or custom Model 36 (prop guns modeled after the New Nambu M60). These often appeared in Japanese police dramas before the 1990s, a time when mass-produced replicas of the M60 did not yet exist.
Since the 2005 Madamada, the handguns of the younger detectives have been largely standardized to the Glock 17 or 26.

Much like Starsky & Hutch and Miami Vice, a key feature of this series is the significant attention garnered by the vehicles driven by the Takayama and Ōshita. In particular, the vehicles supplied by Nissan—used from the first TV series through the 1989 Mottomo have garnered a massive fan following, and replicas of these cars have been created.
While the detectives drove only the F31 Leopard and the Y30 Cedric/Gloria during the first TV series, the lineup expanded to include the latest models of the time in subsequent installments—such as the post-facelift R31 Skyline in the 1987 movie, the Y31 Gloria in Matamata, and the post-facelift F31 Leopard and A31 Cefiro in Motto, drawing even greater attention. Aside from the Leopard, the lineup consisted of car models that were actually widely used by the Japanese police as marked and unmarked police cars, which added to the realism. These unmarked Nissan police cars were later released as scale models by Aoshima Bunka Kyozai and TOMYTEC.
The cars primarily driven by Ōshita include the Nissan Leopard (F31), Alfa Romeo 164 Super 24V, Maserati Ghibli (AM336), Maserati Quattroporte (M139), Nissan Skyline Sedan (R34), Nissan GT-R (R35), and BMW 3 Series Convertible (E46). From Returns onwards, the cars primarily driven by Ōshita was switched to a foreign model; these were provided by importers or companies specializing in vehicles for film and television productions.
Meanwhile, Takayama—whose depicted as unable to drive a car—he would frequently commandeer motorcycles from civilians or the street to pursue suspects; in the TV series, these were exclusively Suzuki sports bikes—a brand Hiroshi Tachi promoted in commercials. From the Matamata onwards, he switched to using a Harley-Davidson chopper.
Regarding the vehicle suppliers after Mottomo, Mitsubishi Motors provided the cars for Returns and Forever The Movie, Mazda for Forever TV Special '98, and Nissan once again for the 2016 Final 5 Days.
The subtitle for each episode is a two-character compound word representing the guiding principles behind the actions of Takayama, Ōshita, or the various individuals involved in the cases.
| Episode No. | Title | Directed By | Original Air Date |
| 1 | 暴走 (Bousou, lit. 'Out of Control') | Yasuharu Hasebe | October 5, 1986 |
| 2 | 救出 (Kyūshutsu, lit. 'Rescue') | Hiroyoshi Tezeni | October 12, 1986 |
| 3 | 挑発 (Chōhatsu, lit. 'Provocation') | Yasuharu Hasebe | October 19, 1986 |
| 4 | 逆転 (Gyakuten, lit. 'Turnaround') | Hiroyoshi Tezeni | October 26, 1986 |
| 5 | 襲撃 (Syūgeki, lit. 'Attack') | Yasuharu Hasebe | November 2, 1986 |
| 6 | 誘惑 (Yūwaku, lit. 'Temptation') | November 9, 1986 | |
| 7 | 標的 (Hyōteki, lit. 'Target') | Tōru Murakawa | November 16, 1986 |
| 8 | 偽装 (Gisou, lit. 'Disguise') | November 23, 1986 | |
| 9 | 迎撃 (Geigeki, lit. 'Interception') | Kiyoshi Nishimura | October 30, 1986 |
| 10 | 激突 (Gekitotsu, lit. 'Clash') | Yasuharu Hasebe | December 7, 1986 |
| 11 | 奇襲 (Kishū, lit. 'Surprise Attack') | Kiyoshi Nishimura | December 14, 1986 |
| 12 | 衝動 (Syoudou, lit. 'Impulse') | Tōru Murakawa | December 21, 1986 |
| 13 | 追跡 (Tsuiseki, lit. 'Pursuit') | Yasuharu Hasebe | December 28, 1986 |
| 14 | 死闘 (Shitō, lit. 'Deadly Fight') | Tōru Murakawa | January 4, 1987 |
| 15 | 説得 (Settoku, lit. 'Persuasion') | Yasuharu Hasebe | January 11, 1987 |
| 16 | 誤算 (Gosan, lit. 'Miscalculation') | January 18, 1987 | |
| 17 | 不信 (Fushin, lit. 'Distrust') | Tōru Murakawa | January 25, 1987 |
| 18 | 興奮 (Kōfun, lit. 'Excitement') | February 1, 1987 | |
| 19 | 潜入 (Sennyū, lit. 'Infiltration') | Haruo Ichikura | February 8, 1987 |
| 20 | 奪還 (Dakkan, lit. 'Recapture') | Yusuke Narita | February 15, 1987 |
| 21 | 決着 (Kettchaku, lit. 'Settlement') | Kiyoshi Nishimura | February 22, 1987 |
| 22 | 動揺 (Douyou, lit. 'Upset') | March 1, 1987 | |
| 23 | 策略 (Sakuryaku, lit. 'Artifice') | Hiroyoshi Tezeni | March 8, 1987 |
| 24 | 感傷 (Kanshō, lit. 'Sentiment') | March 15, 1987 | |
| 25 | 受難 (Junan, lit. 'Suffering') | Haruo Ichikura | March 22, 1987 |
| 26 | 予感 (Yokan, lit. 'Premonition') | April 5, 1987 | |
| 27 | 魔性 (Mashō, lit. 'Devilishness') | Tōru Murakawa | April 12, 1987 |
| 28 | 決断 (Ketsudan, lit. 'Decision') | April 19, 1987 | |
| 29 | 追撃 (Tsuigeki, lit. 'Chase') | Yasuharu Hasebe | April 26, 1987 |
| 30 | 黙認 (Mokunin, lit. 'Connivance') | May 3, 1987 | |
| 31 | 不覚 (Fukaku, lit. 'Blunder') | Takahito Hara | May 10, 1987 |
| 32 | 迷路 (Meiro, lit. 'Maze') | Yusuke Narita | May 17, 1987 |
| 33 | 生還 (Seikan, lit. 'Survive') | Takahito Hara | May 24, 1987 |
| 34 | 変身 (Henshin, lit. 'Transformation') | Yusuke Narita | May 31, 1987 |
| 35 | 錯覚 (Sakkaku, lit. 'Illusion') | Kiyoshi Nishimura | June 7, 1987 |
| 36 | 疑惑 (Giwaku, lit. 'Suspicion') | June 14, 1987 | |
| 37 | 暴発 (Bōhatsu, lit. 'Accidental Discharge') | Hiroyoshi Tezeni | June 21, 1987 |
| 38 | 独断 (Dokudan, lit. 'Arbitrary Decision') | June 28, 1987 | |
| 39 | 迷走 (Meisō, lit. 'Lose Direction') | Tōru Murakawa | July 5, 1987 |
| 40 | 温情 (Onjō, lit. 'Warm Heart') | July 12, 1987 | |
| 41 | 仰天 (Gyōten, lit. 'Astonishment') | Haruo Ichikura | July 19, 1987 |
| 42 | 恐怖 (Kyōfu, lit. 'Fear') | July 26, 1987 | |
| 43 | 脱線 (Dassen, lit. 'Derailment') | Yasuharu Hasebe | August 2, 1987 |
| 44 | 苦杯 (Kuhai, lit. 'Bitter Cup') | August 9, 1987 | |
| 45 | 謹慎 (Kinshin, lit. 'Restraint') | Yusuke Narita | August 16, 1987 |
| 46 | 脱出 (Dasshutsu, lit. 'Escape') | August 23, 1987 | |
| 47 | 報復 (Hōfuku, lit. 'Retaliation') | Kiyoshi Nishimura | August 30, 1987 |
| 48 | 無謀 (Mubō, lit. 'Reckless') | Haruo Ichikura | September 6, 1987 |
| 49 | 乱調 (Ranchō, lit. 'Confusion') | Kiyoshi Nishimura | September 13, 1987 |
| 50 | 狙撃 (Sogeki, lit. 'Sniping') | Takahito Hara | September 20, 1987 |
| 51 | 悪夢 (Akumu, lit. 'Nightmare') | September 27, 1987 |
1 season, 25 episodes (1988-1989). Motto Abunai Deka (もっとあぶない刑事; lit. 'More Dangerous Detective') is was essentially the second season of the show, produced in response to the success of the 1987 movie and calls for a sequel. While the style remains unchanged from the first TV series, the series has become more luxurious, with each character's costume becoming more elaborate and the in-show music newly recorded overseas. The Hiroshi Tachi's ending theme and Kyōhei Shibata's insert song were also changed to "Tsubasa wo Hirogete -open your heart-"(lit. 'Spread Your Wings -open your heart-'), and "TRASH".
| Episode No. | Title | Directed By | Original Air Date |
| 1 | 多難 (Tanan, lit. 'Full of Troubles') | Yasuharu Hasebe | October 7, 1988 |
| 2 | 攻防 (Kōbō, lit. 'Offense and Defense') | October 14, 1988 | |
| 3 | 閉口 (Heikō, lit. 'Nonplussed') | Hiroyoshi Tezeni | October 21, 1988 |
| 4 | 奇策 (Kisaku, lit. 'Clever Scheme') | October 28, 1988 | |
| 5 | 争奪 (Sōdatsu, lit. 'Scramble') | Yusuke Narita | November 4, 1988 |
| 6 | 波乱 (Haran, lit. 'Turbulence') | November 11, 1988 | |
| 7 | 減俸 (Genpō, lit. 'Salary Reduction') | Hiroyoshi Tezeni | November 18, 1988 |
| 8 | 秘密 (Himitsu, lit. 'Secret') | October 25, 1988 | |
| 9 | 乱脈 (Ranmyaku, lit. 'Disorder') | Yasuharu Hasebe | December 2, 1988 |
| 10 | 悪戯 (Itazura, lit. 'Mischief') | December 9, 1988 | |
| 11 | 結婚 (Kekkon, lit. 'Marriage') | Yusuke Narita | December 16, 1988 |
| 12 | 突破 (Toppa, lit. 'Breakthrough') | Takahito Hara | December 23, 1988 |
| 13 | 代償 (Daishō, lit. 'Compensation') | January 6, 1989 | |
| 14 | 切札 (Kirifuda, lit. 'Trump Card') | Yusuke Narita | January 13, 1989 |
| 15 | 不惑 (Fuwaku, lit. 'Unfazed') | Haruo Ichikura | January 20, 1989 |
| 16 | 異変 (Ihen, lit. 'Anomaly') | Yasuharu Hasebe | January 27, 1989 |
| 17 | 乱心 (Ranshin, lit. 'Derangement') | February 3, 1989 | |
| 18 | 魅惑 (Miwaku, lit. 'Fascination') | Hiroyoshi Tezeni | February 10, 1989 |
| 19 | 役得 (Yakutoku, lit. 'Perquisite') | February 17, 1989 | |
| 20 | 迷惑 (Meiwaku, lit. 'Bother') | Yasuharu Hasebe | February 24, 1989 |
| 21 | 傷口 (Kizuguchi, lit. 'Wound') | Hiroyoshi Tezeni | March 3, 1989 |
| 22 | 暴露 (Bakuro, lit. 'Exposure') | Yasuharu Hasebe | March 10, 1989 |
| 23 | 心痛 (Shintsū, lit. 'Heartache') | Haruo Ichikura | March 17, 1989 |
| 24 | 急転 (Kyūten, lit. 'Sudden Turn') | Yasuharu Hasebe | March 24, 1989 |
| 25 | 一気 (Ikki, lit. 'All at Once') | March 31, 1989 |
Produced to commemorate the 45th anniversary of Nippon TV, this project unfolded a storyline involving the international terrorist organization "NET" across two parts: a television special and a theatrical film. It pioneered a "media mix" approach that seamlessly integrated television and theatrical releases.
| Title | Directed by | Original release date | |
|---|---|---|---|
| "Abunai Deka Forever TV Special '98" (Japanese: あぶない刑事フォーエヴァー TVスペシャル'98) Transliteration: "Dangerous Detective Forever TV Special Ninety-eight" | Haruo Ichikura | August 28, 1998 | |
|
Takayama and Ōshita arrest a gang of robbers at an oyster bar, but Ōshita is burdened with a large compensation claim due to the shootout. He is tempted by a high-paying job ad he finds online for "active police officers" and visits the warehouse designated for the interview, where he is attacked by two armed men. Ōshita shoots and kills one of them, but the other escapes. A large quantity of firearms and ammunition was seized. The escaped man is identified as Jojima, a criminal wanted by the FBI for kidnapping and bombings, and an organization called "NET" comes to light. Jojima demand the return of the confiscated firearms and ammunition, and learns that Asuka Kazefuki—a female idol who had accidentally hacked into NET's plans—is serving as the one-day police chief of Minato Police Station, Jojima launches an attack to the Minato Police. | |||
| Original Japanese title Translated title | Directed by | Original release date | |
|---|---|---|---|
| "Abunai Deka" (Japanese: あぶない刑事) Transliteration: "Dangerous Detective" | Yasuharu Hasebe | December 12, 1987 | |
|
One night, Takayama and Ōshita were pursuing a suspicious vehicle. However, the police car accompanying them was blown up by a rocket rauncher, killing two uniformed police officers. Around the same time, at a research center of a major pharmaceutical company, two engineers in charge of new drug development were murdered, and data on an anti-cancer drug under development was destroyed. Based on eyewitness accounts, the Minato Police Station issued an arrest warrant for Hyōdō, a mercenary marked by pablic security police as a professional saboteur, as a suspect in both incidents. Meanwhile, Takayama and Ōshita obtained information about an art dealer named Narumi who had made a huge profit from the surge in the stock price of a rival company following the research center attack. They apprehended Narumi's female secretary, Yūki, to try and pressure him, but Hyōdō instead kidnapped Kaoru and demanded an exchange for Yūki at Yokohama Station. | |||
| "Matamata Abunai Deka" (Japanese: またまたあぶない刑事) Transliteration: "Yet again Dangerous Detective" | Haruo Ichikura | July 2, 1988 | |
|
Takayama and Ōshita were investigating a man named Nagamine. He was a suspicious figure rumored to be involved in various illegal businesses, including gambling, prostitution, and drugs. One night, they arrested Ogata, a drug trafficker under Nagamine's influence. However, the next morning, Nagamine's legal counsel visited the Minato Police Station, and Ogata was released due to insufficient evidence. Immediately afterward, Takayama and Ōshita received a call from Ogata requesting protection, but during the call, Ogata was shot and killed by an unknown assailant. The keyword "bombing" that Ogata left behind before his death raised suspicions that Nagamine was planning a terrorist act. Therefore, Takayama and Ōshita sought the cooperation of Hagiwara, a female reporter who had been closely covering Nagamine, to exchange information. | |||
| "Mottomo Abunai Deka" (Japanese: もっともあぶない刑事) Transliteration: "The Most Dangerous Detective" | Tōru Murakawa | April 22, 1989 | |
|
One night, Takayama and Ōshita raided a illegal gun manufacturing plant. The ringleader, Miyasaka, was a subcontractor for the Ginsei-kai gang and also a key asset in their plan to dismantle the organization. However, despite their surprise attack and pursuit, Machida's carelessness allowed Miyasaka to escape. While Takayama and Ōshita were pressuring Ginsei-kai chairman Maeo, it was discovered that Miyasaka's handgun was identical to one used in a murder case involving a trading company 15 years prior. The statute of limitations for that case was only four days away. As the Minato Police Station began a full-scale investigation, pressure from the prefectural police headquarters began to mount. | |||
| "Abunai Deka Returns" (Japanese: あぶない刑事リターンズ) Transliteration: "Dangerous Detective Returns" | Tōru Murakawa | September 14, 1996 | |
|
Six years after Chief Kondō's retirement, Fukamachi arrives from the prefectural police headquarters as the new head of the Investigation Division. He is frustrated by the problematic behavior of Takayama and Ōshita and repeatedly scolds them. Meanwhile, the Minato Police Station busts a drug deal at a high-end club in Kannai district, but shortly afterward, the club is bombed. Takayama and Ōshita visit the hospital to question the injured hostess, Higuchi Asami, and stumble upon the scene where Asami is being kidnapped. After a fierce gunfight, Takayama and Ōshita manage to rescue Asami. As they continue their independent investigation behind Fukamachi's back, the existence of a cult organization called "Bremen" comes to light. | |||
| "Abunai Deka Forever The Movie" (Japanese: あぶない刑事フォーエヴァー
THE MOVIE) Transliteration: "Dangerous Detective Forever The Movie" | Yusuke Narita | September 12, 1998 | |
|
Immediately after Forever TV Special '98. Jojima's plans is stopped by Takayama and Ōshita, who seriously injure and arrest him. However, that night, he brutally murdered a nurse and a police officer and escape again. Meanwhile, the prefectural police headquarters, exasperated by Takayama and Ōshita's repeated reckless behavior, was about to order them to resign. However, Fukamachi was secretly lobbying headquarters and working tirelessly to prevent their resignation. Unaware of this, the two learned of an attack by the Jojima gang and tried to stop it. A clue from one of the Jojima gang members who died led to a man named Date emerging as the mastermind. Date was a one of its top executives of the international terrorist group NET and carrying out acts of sabotage around the world. Takayama and Ōshita try to stop Date's terrorist plans. | |||
| "Madamada Abunai Deka" (Japanese: まだまだあぶない刑事) Transliteration: "Still Dangerous Detective" | Kunio Torii | October 22, 2005 | |
|
After the NET incident, Takayama and Ōshita were hired as undercover agents and were investigating criminal organizations in Asia. Then, in 2005, the two reunited in Busan, South Korea, at a scene where a Korean mafia and an international criminal organization were conducting a black market deal for a miniature nuclear bomb. Although they failed to secure the bomb, they seize control of the transaction site. After completing their major undercover assignment, the two returned to Yokohama, only to be shot by an unknown assailant. They were apprehended by Mizushima and Kanuma, two young detectives from the Minato Police Station who happened to arrive at the scene. Sensing a generational shift at the Minato Police, Takayama and Ōshita then encountered a case where Bitō, the perpetrator of a bank robbery they had arrested seven years prior, escaped from prison and began killing his former accomplices. Now reinstated as detectives, the two pursued Bitō. | |||
| "Saraba Abunai Deka" (Japanese: さらば あぶない刑事) Transliteration: "Dangerous Cops: Final 5 Days" | Tōru Murakawa | January 30, 2016 | |
|
Takayama and Ōshita were just five days away from retirement. Despite the concern of Machida and Fukamachi, the two enjoyed fighting criminals until the very end, but they also harbored dreams for their post-retirement lives. Takayama, in particular, was about to embark on a new life with his fiancé, Natsumi. Their final target as detectives was Inō, a remnant of the Ginsei-kai, who was now a high-ranking member of the newly formed organization "Tōryū-kai", controlling an black market. They raided the scene and pursued Inō, but a mysterious rider thwarted their efforts, allowing him to escape. The next day, Inō was found dead. As the power balance between the crime organizations began to crumble, Kyōichi Garcia, a Japanese-American executive of the Central American crime organization "BOB", appeared. As Garcia attempts to turn the Tōryū-kai into a puppet organization by killing key figures, Takayama and Ōshita embark on their final investigation. | |||
| "Kaettekita Abunai Deka" (Japanese: 帰ってきた あぶない刑事) Transliteration: "Dangerous Cops: Home Coming" | Hiroto Hara | May 24, 2024 | |
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After retiring, Takayama and Ōshita, who had been running a detective agency in New Zealand, got into trouble with the local police, they returned to Yokohama and reopened their "T&Y Detective Agency". Ayaka Nagamine, who had come from Nagasaki searching for her mother, appears as their client. Ayaka's mother was a well-known Yokohama singer named "Natsuko", but she had traveled to Hong Kong and had been missing for about 20 years. Meanwhile, Takumi Kaidō, the president of the giant venture company "Hydonic" and son of Maeo, the second-generation chairman of the Ginsei-kai, was promoting a casino development project in collaboration with a Hong Kong company, aiming to "revitalize the Yokohama economy". A series of murders related to this project had occurred. Takayama and Ōshita visit Machida to ask for his help in finding Natsuko, but they find themselves targeted by mercenaries from Kaidō's armed security company. | |||
| Title | Written by | Original release date | |
|---|---|---|---|
| "Abunai Deka 1990" (Japanese: あぶない刑事 1990) Transliteration: "Dangerous Detective Nineteen-ninety" | Hiroshi Kashiwabara | March 29, 2024 | |
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May 1990, shortly before Chief Kondō's retirement. A lawyer was found shot dead at a construction site in the developing Minato Mirai district. It was suspected that the murder was committed by Ebisawa, a hitman who had escaped from Takayama and Ōshita in 1985. Further investigation revealed that this murder was connected to a series of robbery-murder cases that Kondō had handled 15 years earlier. Ebisawa begins targeting individuals connected to an incident from 15 years ago. Takayama, Ōshita, and the rest of the Minato Police work hard to protect Chief Kondō and solve the case. | |||