Anthea Williams | |
|---|---|
| Born | |
| Education | University of New South Wales, Victorian College of the Arts |
| Known for | Theatre Direction, Film Direction, Dramaturgy |
| Notable work | Hir, Since Ali Died, Mother’s Ruin: A Cabaret about Gin, Kill the Messenger, Safety Net |
| Awards |
|
| Website | antheawilliamsdirector |
Anthea Williams is an Australian and New Zealand theatre director, film director, and dramaturg based in Sydney. She has been directing theatre productions since at least 2008, and made a short film in 2020 titled Safety Net.
Anthea Williams was born and raised in Christchurch, New Zealand.[citation needed]
She is a graduate of the University of New South Wales (Sydney) and the Victorian College of the Arts (Melbourne).
She has had rheumatoid arthritis since she was two. She has written that the way disability is understood affects her every day and believes that directors have a responsibility to people they represent.
Williams was associate director bushfutures at the Bush Theatre in London, England, from 2007 to 2011. She was associate director new work at Belvoir from 2011 to 2017. She has also worked in development at Causeway Films and Screen Australia.
She is a former presenter for the 2RPH program and podcast Activated Arts.
Williams was the recipient of a Churchill Fellowship.
For Hir, Williams won the award for Best Direction of a Mainstage Production, and the production won Best Mainstage Production, at the 2017 Sydney Theatre Awards.
Since Ali Died won Best Cabaret Production in the 2018 2018 Sydney Theatre Awards.
| Year | Title | Director | Writer | Notes | Ref. |
|---|---|---|---|---|---|
| 2008 | 50 Ways to Leave Your Lover | Yes | No | ||
| Two Cigarettes | Yes | No | |||
| 50 Ways to Leave Your Lover at Christmas | Yes | No | |||
| 2009 | Sudden Loss of Dignity | Yes | No | ||
| 2010 | The Great British Country Fete | Yes | No | ||
| 2012 | Old Man | Yes | No | ||
| 2013 | Forget Me Not | Yes | No | ||
| 2014 | Cinderella | Yes | No | Also original concept | |
| 2015 | Kill the Messenger | Yes | No | ||
| 2016 | #KillAllMen | Yes | No | ||
| 2017 | Hir | Yes | No |
|
|
| Mother’s Ruin: A Cabaret about Gin | Yes | Co-writer | Nomination, Best Cabaret Production, 2017 Sydney Theatre Awards | ||
| 2018 | Flight Paths | Yes | No | ||
| Since Ali Died | Yes | No | Winner, Best Cabaret Production, 2018 Sydney Theatre Awards | ||
| The Colby Sisters of Pittsburgh, Pennsylvania | Yes | No | |||
| The Humans | Yes | No | |||
| 2019 | Fat Musicals | Yes | No | ||
| Winyanboga Yuringa | Yes | No | |||
| The Pink Hammer | Yes | No | |||
| 2021 | Revolt. She Said. Revolt Again. | Yes | No |
| Year | Title | Director | Writer | Notes | Ref. |
|---|---|---|---|---|---|
| 2020 | Safety Net | Yes | No |
|
I've had chronic rheumatoid arthritis since I was two years old...the way disability is understood by the broader public affects me every day of my life...Directors have a responsibility to the people they represent on stage, particularly when representing people from a minority group. This is not a limitation; it makes the work better.
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