Bertha Hope-Booker | |
|---|---|
Playing piano in Bryant Park, New York | |
| Background information | |
| Born | Bertha Jean Rosemond November 8, 1936 Los Angeles, California, US |
| Genre | Jazz |
| Occupations | Musician, band leader |
| Instrument | Piano |
Bertha Hope-Booker (née Rosemond; born November 8, 1936, Los Angeles, California) is an American jazz pianist and jazz educator. She is the widow of fellow pianist Elmo Hope, with whom she collaborated. She has toured Europe and Japan and played with a diverse group of artists. In the 1990s, she had her first CDs as a leader and additionally worked with her second husband, bassist Walter Booker.
Born Bertha Jean Rosemond in Los Angeles in 1936, Hope-Booker was the child of performing artists. Her mother, Corinne Meaux Rosemond, worked as a chorus line dancer, and her father, Clinton Rosemond, was a well known actor, as well as a stage manager and singer who had worked with Mabel Mercer and Eubie Blake. She began studying classical piano with her parents at the age of three. Her interested in jazz came from listening to Shelly Manne, Shorty Rogers and, most importantly, Bud Powell. Seeing Powell play at the Haig in the early 1950s influenced Hope-Booker's decision to play jazz herself. Hope-Booker attended Los Angeles City College where she befriended Eric Dolphy. Dolphy introduced her to Max Roach and Clifford Brown. Hope-Booker was encouraged to play by musicians such as Les McCann, Teddy Edwards and Vi Redd. For six months, Hope-Booker studied piano under Richie Powell.
Hope-Booker started playing professionally in Johnny Otis's band as well as local trios. In 1958, Hope-Booker met Elmo Hope who was touring with Sonny Rollins. Hope-Booker married Elmo in 1960 and the following year they moved to New York City. Together they recorded an album, Hope-Full, for Riverside which featured Hope-Booker on three songs. After Elmo's death in 1967, Hope-Booker gave up her music career despite being offered a place in Art Blakey's band.
An asterisk (*) indicates that the year is that of release.
| Year recorded | Title | Label | Notes |
|---|---|---|---|
| 1990 | In Search of Hope | SteepleChase | |
| 1991 | Elmo's Fire | SteepleChase | Sextet, with Eddie Henderson (trumpet), Junior Cook and Dave Riekenberg (tenor sax), Walter Booker (bass), Leroy Williams (drums) |
| 1992 | Between Two Kings | Minor | Trio, with Walter Booker (bass), Jimmy Cobb (drums) |
| 1999 | Nothin' But Love | Reservoir | Trio, with Walter Booker (bass), Jimmy Cobb (drums) |
| Year recorded | Leader | Title | Label | Notes |
|---|---|---|---|---|
| 1961 | Elmo Hope | Hope-Full | Riverside | Duo, with Elmo Hope (piano) |
| 2009* | Jon Irabagon | The Observer | Concord | Duo, with Jon Irabagon (tenor saxophone) |
| 2018 (2022*) | Félix Lemerle | Blues For The End Of Time | Tzim Tzum Records | Quartet/quintet, with Félix Lemerle (guitar), Samuel Lerner (piano), Ari Roland (bass), Jimmy Cobb (drums) |
Among the participants was three-year-old Bertha Jean Rosemond, daughter of the well known actor, Clinton Rosemond. Little Miss Rosemond has studied for only four months. Others included Francis Douglass, and Coris Miles, both of 8 months standing.
Charles Bickford, Barton MacLane, Charley Grapewin, John Qualen, Robert Gleckler, Clinton Rosemond, each and every one of them contribute outstanding performances, and all except the really villainous two have showstopping scenes.