Chekhov's gun

A shotgun on display

Chekhov's gun (or Chekhov's rifle; Russian: Чеховское ружьё, romanized: Chekhovskoye ruzhyo) is a narrative principle emphasizing that every element in a story should be necessary, while irrelevant elements should be removed. For example, if a gun is included in a story, there must be a reason for it, such as being fired at some later point. The principle that all elements must eventually come into play over the course of the story is recorded, with some variation, in several letters by Anton Chekhov, as advice for young playwrights.

In recent years, the term has also taken on the meaning of a plot element that is introduced early in a story, whose significance to the plot does not become clear until later. This plot twist meaning is separate from Chekhov's original intent of narrative conservation and necessity.

Examples

Variations

Ernest J. Simmons writes that Chekhov repeated the same point, which may account for there being several variations.

Writing in 1999, Donald Rayfield noted that in Chekhov's play The Cherry Orchard, contrary to Chekhov's own advice, there are two loaded firearms that are not fired. The unfired rifles tie into the play's theme of lacking or incomplete action.

Criticism

Ernest Hemingway mocked the principle in his essay "The art of the short story", giving the example of two characters who are introduced and then never mentioned again in his short story "Fifty Grand". Hemingway valued inconsequential details, but conceded that readers will inevitably seek symbolism and significance in them. Writer Andrea Phillips argued that assigning a single role for every detail makes a story predictable and leaves it "colorless".

See also

References

  1. ↑ Bitsilli, Petr Mikhailovich (1983). Chekhov's Art: A stylistic analysis. Ardis.
  2. ↑ Daniel S. Burt (2008). The literature 100: A ranking of the most influential novelists, playwrights, and poets of all time. Infobase Publishing.
  3. 1 2 Bill, Valentine T. (1987). Chekhov: The silent voice of freedom. Philosophical Library.
  4. ↑ Delaney, Brian M. (1990). "Chekhov's gun and Nietzsche's hammer: The biotechnological revolution and the sociology of knowledge". Berkeley Journal of Sociology. 35: 167–174. ISSN 0067-5830. JSTOR 41035505.
  5. ↑ Foley, John Miles (2005). A Companion to Ancient Epic. Hoboken, New Jersey: Wiley. ISBN 978-1-4051-0524-8 – via Google Books.
  6. ↑ Updike, John (2008). Due Considerations: Essays and Criticism. New York: Random House Publishing Group. ISBN 978-0-307-55580-9 – via Google Books.
  7. ↑ Miller, Arthur (2000) [1955]. A View from the Bridge. Penguin Books. p. 24. ISBN 978-0-14-118350-3. Retrieved 9 June 2026 – via archive.org.
  8. ↑ Miller, Arthur (2000) [1955]. A View from the Bridge. Penguin Books. p. 84. ISBN 978-0-14-118350-3. Retrieved 9 June 2026 – via archive.org.
  9. ↑ Britt, Ryan (8 November 2012). "Pay attention 007! 7 Bond gadgets which defy reason and practicality". Tor.com. Retrieved 9 June 2026.
  10. ↑ Hurley, Leon (1 February 2017). "Chekhov's Gun is the movie trope that'll ruin everything once you know about it". Games Radar. Feature. Archived from the original on 5 July 2022. Retrieved 4 July 2022.
  11. ↑ "Chekhov's Gun: Definition, Examples, and Tips!". Archived from the original on 23 January 2024. Retrieved 7 October 2026.
  12. ↑ "Chekhov's Gun: Modern Examples Explained". www.literatureandlatte.com. Retrieved 7 October 2026.
  13. ↑ "Dr. Ernest Simmons Dies at 68; Backed Wider Russian Studies". The New York Times. 5 May 1972. Archived from the original on 29 January 2023. Retrieved 29 January 2023.
  14. ↑ Mathewson, Rufus W. (1972). "Ernest J. Simmons, 1903–1972". The Russian Review. 31 (4): 437–439. ISSN 0036-0341. JSTOR 127970. Retrieved 29 January 2023.
  15. ↑ "author: Ernest J. Simmons". The Atlantic. Retrieved 29 January 2023.
  16. ↑ "Simmons, Ernest Joseph 1903-1972". worldcat.org. Retrieved 29 January 2023.
  17. ↑ "Simmons, Ernest J. (Ernest Joseph), 1903–1972". The Online Books Page. upenn.edu. Retrieved 29 January 2023.
  18. ↑ Simmons, Ernest Joseph (1970) [1962]. Chekhov: A Biography. Chicago: University of Chicago Press. p. 190. ISBN 0-226-75805-2. LCCN 76117263 – via archive.org.
  19. ↑ Chekhov, A. P. (1 November 1889). "[no title cited]". Letter to Aleksandr Semenovich Lazarev (pseudonym of A. S. Gruzinsky). Cited in "Quotations cited by Isaiah Berlin". berlin.wolf.ox.ac.uk. Isaiah Berlin Virtual Library, Wolfson College, Oxford, University of Oxford. Archived from the original on 1 July 2018. Retrieved 20 August 2004. One must not put a loaded rifle on the stage if no one is thinking of firing it.
  20. ↑ Чехов, А.П. (1 November 1889). "Чехов — Лазареву (Грузинскому) А. С.". Чехов А. П. Полное собрание сочинений и писем. АН СССР. Ин-т мировой лит. Archived from the original on 13 January 2017. Retrieved 6 October 2013.
  21. ↑ Goldberg, Leah (1976). Russian Literature in the Nineteenth Century: Essays. Magnes Press, Hebrew University. p. 163.
  22. ↑ Shchukin, Sergius (1911). "Из воспоминаний об А.П. Чехове" [Memoirs]. Русская Мысль [Russian Thought]: 44.
  23. ↑ Gurliand, Ilia (11 July 1904). "Reminiscences of A.P. Chekhov". Театр И Искусство (Teatr I Iskusstvo – Theater and Art) (28): 521.
  24. ↑ Rayfield, Donald (2000). Anton Chekhov: A Life. Northwestern University Press. p. 580.
  25. ↑ Rayfield, Donald (1999). Understanding Chekhov: A critical study of Chekhov's prose and drama. University of Wisconsin Press. p. 251.
  26. ↑ "The Art of the Short Story by Ernest Hemingway". The Paris Review. Archived from the original on 27 April 2026. Retrieved 4 September 2026.
  27. ↑ Hunter, Adrian C. (April 1999). Complete with Missing Parts: Modernist short fiction as interrogative text (PDF) (Ph.D. thesis). Glasgow: Department of English Literature, University of Glasgow. pp. 126–127, 201–203. Archived from the original (PDF) on 9 December 2017. Retrieved 29 May 2019.
  28. ↑ Phillips, Andrea (6 October 2010). "The case against Chekhov's gun". Andrea Phillips (blog). Archived from the original on 24 September 2021. Retrieved 24 September 2021 – via deusexmachinatio.com.