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Claudio Edinger | |
|---|---|
| Born | Claudio Henrique Edinger May 3, 1952 Rio de Janeiro, Brazil |
| Education | Studied with Philippe Halsman |
| Known for | Photographer, Writer, Art Director, editor, Curator |
| Notable work | 29 photo books and 1 novel |
| Movement | Fine Art Photography |
| Spouse(s) | Pamela Duffy (from 1983 to 1996), Christina Cunali (from 1996 to 2006), Betina Samaia (2013 to present) |
| Children | Ana Edinger |
| Awards | Leica Medal of Excellence, Ernst Haas Award, Higashikawa Award, etc. |
| Website | http://www.claudioedinger.com |

Claudio Edinger is a Brazilian photographer born in Rio de Janeiro in 1952. He lived in New York from 1976 to 1996.
Edinger studied economics at Mackenzie University in São Paulo, Brazil. At the same time, in the beginning of the Seventies, he began taking photographs. In 1975 he had his first individual exhibition, at the São Paulo Museum of Art, with photographs of the Martinelli Building, a vertical slum in downtown São Paulo. The following year he moved to New York City and lived there until 1996.

During the time Claudio lived in New York City, he published three books: Chelsea Hotel –1983, Venice Beach –1985 both by Abbeville Press, (both received the Leica Medal of Excellence), and The Making of Ironweed, published by Viking Penguin, about the film directed by Hector Babenco, written by William Kennedy, with Meryl Streep and Jack Nicholson. In 1986 Claudio started photographing for a book about India.
In 1989 and 1990 Claudio photographed the Juqueri Psychiatric Hospital, in São Paulo, where he lived for two weeks. Madness was published by DBA, DAP and by Dewi Lewis Publishing in 1997. Edinger received the Ernst Haas Award in 1990 for this work.

From 1991 to 1996, Claudio photographed carnaval in Brazil's five different regions: Rio de Janeiro, Salvador, Recife/Olinda, São Paulo, and Paraty. When he returned to Brazil in 1996, Edinger published Carnaval, by DBA, DAP and Dewi Lewis (England). In 1999 Carnaval won the Higashikawa Prize in Japan.
Between 1994 and 1996, Claudio photographed the old part of Havana, Cuba. Old Havana was published in 1997 by Dewi Lewis, Edition Stemmle, DBA and DAP. That same year the book was named by American Photo as one of the best books of the year.

In 1999, the book Vitória, city of the islands, about the capital of the Espirito Santo State in Brazil, was published by Abooks. In 2000 Edinger published Cityscapes, with photographs of New York. In 2001, Portraits, a collection of photos done for his books and for magazines. Both books were published by DBA.
In 2006 the book Flesh and Spirit, an anthology of 30 years of his work, was published by Umbrage and DBA.
Claudio began working with a large format, 4x5 camera, in 2000, to photograph the city where he was born, Rio de Janeiro. Rio was published in 2003 by DBA. It was named one of the best books of the year by Photo District News.


This section contains wording that promotes the subject in a subjective manner without imparting real information. (October 2026) |

Edinger's first series of photographs began in 1975 when he chose to explore the Martinelli Building in São Paulo, his home city. At one time the Martinelli was the tallest and most exclusive apartment building in São Paulo. When Edinger began his (photographic) essay on the Building, it had been reduced to a vertical slum. One can say that by exploring a subject in depth, Edinger had set the template of his aesthetic that the camera can be used to explore in depth which has resulted in over thirteen books dealing with specific subjects.
Upon his return to Brazil Edinger had to cope with the reality of trying to understand the consequences of Alzheimer's disease on a most personal nature. His beloved grandmother had been affected by the disease and he was moved to bring attention to the treatment of madness and dementia in Brazil and possibly in other places in the world where the mentally ill are often warehoused in asylums and become even more truly mad, This led to his series of photographs inside the Juqueri, Latin America's largest insane asylum. In order to seek out and understand the depth of what occurs there Edinger moved inside the asylum to live among the people housed there. The result of his search was the receipt of the Ernst Haas Award from the Maine Photographic Workshop. When he showed these harrowing photographs to Cornell Capa, he was met with the question, "Who would want to see this?" After seven years of showing the work around to various publishers it was finally accepted and published by DBA (Brazil) and Dewi Lewis (UK) and it is now a seminal work of photography depicting the mentally ill.










