| Crepes & Drapes | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | 2 November 1979 | |||
| Recorded | 1979 | |||
| Studios | Rockfield, Wales | |||
| Genres | ||||
| Length | 34:51 | |||
| Label | Arista | |||
| Producer | Showaddywaddy | |||
| Showaddywaddy chronology | ||||
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| Singles from Crepes & Drapes | ||||
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Crepes & Drapes is the fifth studio album by English rock and roll group Showaddywaddy. It was released on 2 November 1979 through Arista Records. Arista promoted the album with a national advertising campaign that included television commercials, colour window displays and in-store posters. The album entered the UK Albums Chart at number 75 on 4 November 1979 and subsequently reached a peak position of number 8. It received a gold certification from the BPI on 13 December 1979.
The album's title is a reference to the traditional "crepe" shoes and "drape" jackets popularized by the Teddy Boy subculture, which was central to Showaddywaddy's visual image.
The original UK vinyl release was issued in a distinctive textured and embossed picture sleeve. The original photography was by John Langham, this was adapted into the final sleeve design by Bob Searles.
Musically, the record featured more cover songs than previous albums with eight covers of rock and roll classics alongside four original compositions written by the band members. Building from their previous outing Red Star, Crepes & Drapes was entirely self-produced by the group.
Three singles were lifted from the album across 1979:
| Review scores | |
|---|---|
| Source | Rating |
| Record Mirror | |
| Music Week | Positive |
| AllMusic | |
| The Encyclopedia of Popular Music | |
A very brief review in Music Week two weeks after release described the album as "a rollicking good bunch of tracks." Another contemporary review, by Record Mirror's Peter Coyne, was considerably less favourable. Coyne argued that although the album had the characteristics of a greatest-hits collection, its performances relied heavily on familiar Showaddywaddy formulas and criticised what they regarded as the band's treatment of classic rock and roll material.
Dave Thompson of AllMusic described Crepes & Drapes as an example of Showaddywaddy's continued adherence to their rock and roll revival style, noting that by 1979 the group had moved considerably beyond their original association with the glam rock scene. He characterised the band as anachronistic but influential on contemporary rock and roll revival acts, citing Darts and Rocky Sharpe and the Replays as examples of groups who were also achieving chart success during the revival.
All tracks written by Malcolm Allured, Dave Bartram, Romeo Challenger, Rod Deas, Russ Field, Buddy Gask, Al James and Trevor Oakes, except where noted.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Sweet Little Rock 'n' Roller" (Joe Dolan cover) | Howdar, Peter Yellowstone, Roberto Danova | 3:27 |
| 2. | "Sea Cruise" (Huey "Piano" Smith and His Clowns cover) | Huey "Piano" Smith | 2:53 |
| 3. | "Just a Country Boy" (Frankie Allen cover) | John Allen | 3:16 |
| 4. | "Lost" | 3:32 | |
| 5. | "That’s Rock and Roll" (Eric Carmen cover) | Eric Carmen | 3:33 |
| 6. | "Twist and Shout" (The Top Notes cover) | Phil Medley, Bert Berns | 2:34 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 7. | "A Night at Daddy Gee's" (Curtis Lee cover) | Tommy Boyce, Curtis Lee | 2:45 |
| 8. | "Come On Let's Go" (Ritchie Valens cover) | Ritchie Valens | 2:10 |
| 9. | "That's Alright with Me" | 3:15 | |
| 10. | "I Appreciate the Job" | 2:24 | |
| 11. | "Win Your Heart" | 2:31 | |
| 12. | "Remember Then" (The Earls cover) | Tony Powers, Beverly Ross | 2:31 |
| Total length: | 34:51 | ||
The 2002 reissue on 7T’s Records (GLAM CD 15) included the following bonus tracks, both written by Showaddywaddy:
Showaddwaddy
Technical
| Chart (1979) | Peak position |
|---|---|
| UK Albums (Official Charts) | 8 |
| Region | Certification | Certified units/sales |
|---|---|---|
| United Kingdom (BPI) | Gold | 100,000^ |
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^ Shipments figures based on certification alone. | ||