D-flat minor

D-flat minor is a musical key based on D, consisting of the pitches D, E, F, G, A, Bdouble flat, and C. Because its key signature has eight flats, requiring one double flat and six single flats, the enharmonically equivalent key of C-sharp minor is normally used instead. Its relative major is F-flat major, which is usually replaced by E major. Its parallel major is D-flat major.

The D-flat natural minor scale is:


\header { tagline = ##f }
scale = \relative b { \key des \minor \omit Score.TimeSignature
  des^"D♭ natural minor scale" es fes ges as beses ces des ces beses as ges fes es des2 \clef F \key des \minor }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

Changes needed for the melodic and harmonic versions of the scale are written in with accidentals as necessary. The D-flat harmonic minor and melodic minor scales are:


\header { tagline = ##f }
scale = \relative b { \key des \minor \omit Score.TimeSignature
  des^"D♭ harmonic minor scale" es fes ges as beses c des c! beses as ges fes es des2 }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

\header { tagline = ##f }
scale = \relative b {\accidentalStyle modern \key des \minor \omit Score.TimeSignature
  des^"D♭ melodic minor scale" es fes ges as bes c des ces? beses? as ges fes es des2 }
\score { { << \cadenzaOn \scale \context NoteNames \scale >> } \layout { } \midi { } }

D-flat minor is usually notated as the enharmonic key of C-sharp minor, as in the second and third measures of Amy Beach's Canticle of the Sun. However, unusually, two of Verdi's most well-known operas, La traviata and Rigoletto, both end in D-flat minor (although written with the five-flat key signature of the parallel major). Mahler's thematic motif "der kleine Appell" ("call to order") from his Fourth and Fifth Symphonies uses both notations: in his Symphony No. 4 (first movement) it is in D-flat minor, but in his Symphony No. 5 it is in C-sharp minor. In the Adagio of his Symphony No. 9, a solo bassoon interpolation following the main theme appears first in D-flat minor, returning twice more notated in C-sharp minor. Likewise, in the Adagio of Bruckner's Symphony No. 8, phrases that are tonally in D-flat minor are notated as C-sharp minor.

D-flat minor is shown in Max Reger's theory text On the Theory of Modulation.

Scale degree chords

The scale-degree chords of D-flat minor are:

See also

References

Uses material from the Wikipedia article D-flat minor, released under the CC BY-SA 4.0 license.