Disnovation.org

Disnovation.org
Disnovation.org
Known for	Contemporary Art
Notable work	Predictive Art Bot (2015-2017), Online Culture Wars (2018-2019), Shanzhai Archeology (2015-2018), The Pirate Cinema (2012-2014)
Website	disnovation.org

Disnovation.org (sometimes referred to as the disnovation.org working group) is a contemporary art duo of Maria Roszkowska and Nicolas Maigret based in Paris, France, that develops installations, publications and events about technology and politics.

Their work has been presented at Centre Pompidou, Transmediale, Museum of Art and Design and the Science Gallery, Dublin.

Selected works

The Pirate Cinema

The Pirate Cinema (2012-2014) is a video installation that uses a computer that constantly downloads the 100 most viewed torrents on a tracker website, intercepts the currently downloading video/audio snippets, projects them on the screen with the information on their origin and destination, discards them and repeats the process with the next stream in the download que.

Predictive Art Bot

Predictive Art Bot (2015-2017) is an algorithm for predicting artistic concepts.

Publications

The Pirate Book (2015) A compilation of stories about sharing, distributing and experiencing cultural contents outside the boundaries of local economies, politics, or laws.

Notes

1 2 Wójtowicz, Ewa (2019). Sherman, Mary (ed.). The Post-Internet Way of Art Criticism. Vernon Press. pp. 199–200. ISBN 978-1-62273-413-9.
↑ De Greve, Teis; Zaman, Bieke; Schoffelen, Jessica (December 2019). "The Shanzhai City". Proceedings of the 31st Australian Conference on Human-Computer-Interaction. pp. 550–554. doi:10.1145/3369457.3369529. ISBN 9781450376969. S2CID 210867454.
↑ Maigret, Nicolas; Roszkowska, María; Renaud, Clément (2017). "Shanzhai Archeology". Inmaterial. Diseño, Arte y Sociedad. 2 (4): 117–134. doi:10.46516/inmaterial.v2.41.
↑ Cox, Geoff (2015). Real-Time for Pirate Cinema (PDF). Ljubljana: Aksioma – Institute for Contemporary Art, Ljubljana. Retrieved 17 April 2020.
↑ "Entering the Echo Chamber of the Alt-Right". Hyperallergic. 2019-09-19. Retrieved 2020-04-25.
↑ Group, DISNOVATION ORG ~ Working. "DISNOVATION.ORG ~ Working Group". disnovation.org. Retrieved 15 April 2020. {{cite web}}: |last1= has generic name (help)
↑ "Fake". Science Gallery Dublin. Retrieved 15 April 2020.
↑ Grba, Dejan (2017). "Avoid Setup: Insights and Implications of Generative Cinema". Leonardo. 50 (4): 384–393. doi:10.1162/LEON_a_01456. hdl:10356/138373. S2CID 57567360.
↑ The pirate book. Aksioma - Institute for Contemporary Art. 2015. ISBN 9789619219287.

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[Art_Bot_2019-1] 1 2 Wójtowicz, Ewa (2019). Sherman, Mary (ed.). The Post-Internet Way of Art Criticism. Vernon Press. pp. 199–200. ISBN 978-1-62273-413-9.

[2] De Greve, Teis; Zaman, Bieke; Schoffelen, Jessica (December 2019). "The Shanzhai City". Proceedings of the 31st Australian Conference on Human-Computer-Interaction. pp. 550–554. doi:10.1145/3369457.3369529. ISBN 9781450376969. S2CID 210867454.

[Shanzhai_Archeology_2017-3] Maigret, Nicolas; Roszkowska, María; Renaud, Clément (2017). "Shanzhai Archeology". Inmaterial. Diseño, Arte y Sociedad. 2 (4): 117–134. doi:10.46516/inmaterial.v2.41.

[4] Cox, Geoff (2015). Real-Time for Pirate Cinema (PDF). Ljubljana: Aksioma – Institute for Contemporary Art, Ljubljana. Retrieved 17 April 2020.

[5] "Entering the Echo Chamber of the Alt-Right". Hyperallergic. 2019-09-19. Retrieved 2020-04-25.

[6] Group, DISNOVATION ORG ~ Working. "DISNOVATION.ORG ~ Working Group". disnovation.org. Retrieved 15 April 2020. {{cite web}}: |last1= has generic name (help)

[7] "Fake". Science Gallery Dublin. Retrieved 15 April 2020.

[Leonardo_2017-8] Grba, Dejan (2017). "Avoid Setup: Insights and Implications of Generative Cinema". Leonardo. 50 (4): 384–393. doi:10.1162/LEON_a_01456. hdl:10356/138373. S2CID 57567360.

[9] The pirate book. Aksioma - Institute for Contemporary Art. 2015. ISBN 9789619219287.