Kino Kalaja | |
| Location | Prizren, Kosovo |
|---|---|
| Founded | 2002 |
| Awards | Stone Award |
| Directors | Linda Llulla-Gashi |
| Producers | Alba Çakalli |
| Artistic director | Veton Nurkollari |
| Website | Official website |
DokuFest is an international documentary and short film festival held in the Kosovo city of Prizren, held annually during early August. It was founded in 2002 by a group of friends. It has since grown into a cultural event that attracts international and regional artists and audiences. Films are screened throughout the eight-day festival and accompanied by programs, activities, and workshops.
In 2022, DokuFest became a nominating film festival for the European Film Awards in two categories, short film and documentary film.
DokuFest was established as a volunteer-based organization in 2002 with almost no funding at the beginning and continues to draw support from the community and agencies within Kosovo. However, its path has often been associated with major difficulties due to the unique context that organization operated in (such as the post-war situation, lack of similar referent events, lack of trust from institutions and potential donors etc.).
It was run by volunteers until the introduction of full-time and part-time contracts came into place in 2008 and led to the employment of a small number of staff. The need for an organizational structure arose when the organization became involved in implementation of yearly-based projects, in addition to organizing the festival. This led to the establishment of a core team that took over the design, planning and implementation of many initiatives resulting in successful implementation of several projects.
As well as organizing large-scale cultural events, DokuFest also concerns culture, education and activism for sound cultural policies and alternative education system in Kosovo.
Per a 2015 GAP Institute report, roughly 14,000-15,000 visitors from across the world went to Prizren during DokuFest (increasing from 2011's estimate of 10,000 visitors), bringing the festival's economic impact up to over 4.7 million euros.
Today, DokuFest is also a non-governmental organization which works to help foster media literacy through film across Kosovo, in addition to its duties as a festival.
The festival that includes the screening of films in seven improvised cinemas in the city of Prizren, the photographic exhibition "DokuPhoto", Workshops, master classes and debates, amongst others.
The festival's creative director is one of its founding members, Veton Nurkollari.

The festival's roots lie at Prizren's oldest cinema Lumbardhi Cinema, where its first edition was held. DokuFest continues to hold a strong relationship with the cinema's parent NGO Lumbardhi Foundation as the host of its two primary venues, Lumbardhi Indoor (used during the day) and Lumbardhi Outdoor (used during the night, known as "Lumbardhi Bahçe"), the two venues as of 2026 have been closed for restoration.
DokuFest also uses its native cinema DokuKino (located at the Europa Complex, next to the festival headquarters) with an indoor and outdoor silver screen known as Kino Plato.
Multiple spots of cultural and historical significance across Prizren are used as makeshift venues. These include: River Cinema (Kino Lumi) built on a platform directly over the Lumbardhi river; Sonar Cinema built on a platform just outside the Prizren Fortress and Lunar Cinema built inside the Fortress, often also the venue for musical acts (in 2026 the Fortress was closed for restoration); and Kino Klubi, a film club/pub near the Remzi Ademaj High School, often the venue for talks.
DokuFest brings top international and local music acts to perform at DokuNights every year. DokuNights has become Kosovo's premiere music event featuring international and local singers, bands and DJs past performances have including acts such as PJ Harvey. It is regularly held at the Andrra Stage in the Marash Park.
Runs simultaneous to DokuFest and concentrates on technical innovation and creativity.
DokuFest was awarded the British Academy Film Award for Home in 2017.
A program of films and workshops designed especially for young guests.
Every year the festival is programmed and created around a theme that forges a unique annual identity.
| Year | Theme | Slogan | Artist/Designer |
|---|---|---|---|
| 2011 | 10 (X) | DokuFest | |
| 2012 | Punk Protest | Punk Protest Prizren | Bardhi Haliti |
| 2013 | Borders | You Brake Mine, I'll Brake Yours | Daniel Mulloy |
| 2014 | Change | Don't Hide | Daniel Mulloy |
| 2015 | Migration | But We Do Not Have Wings To Fly Free | Daniel Mulloy |
| 2016 | Corruption | Daniel Mulloy | |
| 2017 | Future | Is Not Dead | DokuFest |
| 2018 | Reflection | I'll Be Your Mirror / Come As You Are | DokuFest |
| 2019 | Truth | Truth Lies Here | DokuFest |
| 2020 | Transmission | Transmission, Transmission, Transformation | DokuFest |
| 2021 | Twenty Years | Re:set Re:mix Re:act | DokuFest |
| 2022 | Survival | How To Survive...? | DokuFest |
| 2023 | I Am AI Am I | I Contain Human Stories | DokuFest |
| 2024 | New Order | Rrethi | |
| 2025 | Endless Greed Mental Void | DokuFest | |
| 2026 | Twenty-Five for Twenty-Five | Show Up or It Doesn't Count! | DokuFest |
DokuFest presents awards across a number of competition sections, whose names and scope have changed somewhat over the festival's history.
| Year | Film | Director |
|---|---|---|
| 2012 | Portreti i Humbur | Lulzim Zeqiri |
| 2013 | Guri në Breg (The Stone on the Shore) | Jonada Jashari |
| 2014 | Heshtje (Silence) | Bekim Guri |
| 2015 | Të Pafajshmit | Amir Vitija |
| 2017 | Sans le Kosovo (Pa Kosovë) | Dea Gjinovci |
| 2018 | Waiting | Laura Kajtazi-Testa |
| 2019 | Zgjedhe Një Emër (Pick a Name) | Dritëro Mehmetaj |
| 2020 | She Asked Me Where I Was From | Aulona Fetahaj |
| 2021 | A Child | Bekim Gurri |
| 2022 | Ka Me Kalu | Flonja Kodheli |
| 2023 | Prishtinë, 2002 | Trëndelina Halili |
| 2024 | Like a Sick Yellow | Norika Sefa |
| 2025 | SOS | Anita Morina |
| 2026 | Searching for Poetry | Lorin Terezi |
| Year | Film | Director |
|---|---|---|
| 2012 | Letter to Dad | Srđan Keča |
| 2013 | When I Was a Boy I Was a Girl | Ivana Todorović |
| 2014 | Evaporating Borders | Iva Radivojević |
| 2015 | Flotel Europa | Vladimir Tomić |
| 2018 | Distant Constellation | Shevaun Mizrahi |
| 2019 | Timebox | Nora Agapi |
| 2020 | Once Upon a Youth | Ivan Ramljak |
| 2021 | Reconciliation | Marija Zidar |
| 2022 | Factory to the Workers | Srđan Kovačević |
| 2023 | Drifting | Somnur Vardar |
| 2024 | Another Day | Eneos Çarka |
| 2025 | A Strange Colour of Dream | Yasemin Akıncı |
| 2026 | As the Spring Arrives, Water Recalls the Nomads | Merve Dilşad Aladağ |
Introduced in 2025.
| Year | Film | Director |
|---|---|---|
| 2025 | Merging Bodies | Adrian Paci |
| 2026 | Towards Where to Breathe | Stefan Pavlović |
Awarded from 2017 to 2021.
| Year | Film | Director |
|---|---|---|
| 2017 | My Life Without Air | Bojana Burnać |
| 2018 | Momsy | Josip Lukić |
| 2019 | Centar | Ivan Marković |
| 2020 | not held (online edition) | |
| 2021 | Rampart | Marko Grba Singh |
| Year | Film | Director |
|---|---|---|
| 2012 | People I Could Have Been and Maybe Am | Boris Gerrets |
| 2013 | Belleville Baby | Mia Engberg |
| 2014 | Domino Effect | Elwira Niewiera & Piotr Rosołowski |
| 2015 | Machine Gun or Typewriter? | Travis Wilkerson |
| 2018 | Meteors | Gürcan Keltek |
| 2019 | Present.Perfect. | Shengze Zhu |
| 2020 | The Metamorphosis of Birds | Catarina Vasconcelos |
| 2021 | We | Alice Diop |
| 2022 | Dry Ground Burning | Adirley Queirós & Joana Pimenta |
| 2023 | Hypermoon | Mia Engberg |
| 2024 | A Fidai Film | Kamal Aljafari |
| 2025 | Action Item | Paula Ďurinová |
| 2026 | From Dawn to Dawn | Xisi Sofia Ye Chen |
| Year | Film | Director |
|---|---|---|
| 2012 | Out of Reach | Jakub Stożek |
| 2013 | Belleville Baby | Mia Engberg |
| 2014 | Emergency Calls | Hannes Vartiainen & Pekka Veikkolainen |
| 2015 | Things | Ben Rivers |
| 2018 | Aliens | Luis López Carrasco |
| 2019 | Wild Berries | Hedda Bednarszky & Marianna Vas |
| 2020 | Tender | |
| 2021 | The Rifleman | Sierra Pettengill |
| 2022 | Haulout | Evgenia Arbugaeva & Maxim Arbugaev |
| 2023 | Pacific Club | Valentin Noujaïm |
| 2024 | History Is Written at Night | Alejandro Alonso Estrella |
| 2025 | We Were the Scenery | Christopher Radcliff |
| 2026 | Normal Planet | Ekiem Barbier, Guilhem Causse & Quentin L'helgoualc'h |
| Year | Film | Director |
|---|---|---|
| 2012 | Gardfrend | Cüneyt Karaahmetoğlu |
| 2013 | A Society | Jens Assur |
| 2014 | Subtotal | Gunhild Enger |
| 2015 | Listen | Hamy Ramezan & Rungano Nyoni |
| 2018 | Fence | Lendita Zeqiraj |
| 2019 | Brotherhood | Meryam Joobeur |
| 2020 | Sun Dog | Dorian Jespers |
| 2021 | The Criminals | Serhat Karaaslan |
| 2022 | Will My Parents Come to See Me | Mo Harawe |
| 2023 | Neighbour Abdi | Douwe Dijkstra |
| 2024 | The Death of a Hero | Karin Franz Körlöf |
| 2025 | Blue Heart | Samuel Suffren |
| 2026 | Kleptomania | Jingkai Qu |
| Year | Film | Director |
|---|---|---|
| 2012 | You Don't Like the Truth: 4 Days Inside Guantánamo | Luc Côté & Patricio Henríquez |
| 2013 | Dance of Outlaws | Mohamed El Aboudi |
| 2014 | Judgment in Hungary | Eszter Hajdú |
| 2015 | Democrats | Camilla Nielsson |
| 2018 | A Woman Captured | Bernadett Tuza-Ritter |
| 2019 | Tiny Souls | Dina Naser |
| 2020 | The Earth Is Blue as an Orange | Iryna Tsilyk |
| 2021 | Our Memory Belongs to Us | Rami Farah & Signe Byrge Sørensen |
| 2022 | Myanmar Diaries | The Myanmar Film Collective |
| 2023 | A Golden Life | Boubacar Sangaré |
| 2024 | Silence of Reason | Kumjana Novakova |
| 2025 | My Dear Theo | Alisa Kovalenko |
| 2026 | The Clearing | Sabine Groenewegen |
| Year | Film | Director |
|---|---|---|
| 2012 | Kingdom of Coal | Antoneta Kastrati |
| 2013 | Future My Love | Maja Borg |
| 2014 | Metamorphosen | Sebastian Mez |
| 2015 | Virunga | Orlando von Einsiedel |
| 2018 | Wild Relatives | Jumana Manna |
| 2019 | Earth | Nikolaus Geyrhalter |
| 2020 | Smog Town | Meng Han |
| 2021 | White on White | Viera Čákanyová |
| 2022 | Foragers | Jumana Manna |
| 2023 | Last Things | Deborah Stratman |
| 2024 | Apple Cider Vinegar | Sofie Benoot |
| 2025 | Shifting Baselines | Julien Elie |
| 2026 | Krakatoa | Carlos Casas |
Introduced in 2020.
| Year | Film | Director |
|---|---|---|
| 2020 | Collective | Alexander Nanau |
| 2021 | Writing with Fire | Rintu Thomas & Sushmit Ghosh |
| 2022 | The Killing of a Journalist | Matt Sarnecki |
| 2023 | Total Trust | Jialing Zhang |
| 2024 | 23 Mile | Mitch McCabe |
| Year | Film | Director |
|---|---|---|
| 2012 | The Black Power Mixtape 1967–1975 | Göran Hugo Olsson |
| 2013 | Kolona | Ujkan Hysaj |
| 2014 | Përqafimi (The Hug) | Lulzim Guhelli |
| 2015 | Remake, Remix, Rip-Off | Cem Kaya |
| 2019 | The Reformist – A Female Imam | Marie Skovgaard |
| 2021 | The Driver | Valter Lucaj |
| 2022 | Love, Deutschmarks & Death | Cem Kaya |
| 2023 | Snajka: Diary of Expectations | Tea Vidović Dalipi |
| 2024 | Afterwar | Birgitte Stærmose |
| 2025 | Palace of Youth | Maddie Gwin |
| 2026 | The Beauty of the Donkey | Dea Gjinovci |
Awarded to a film from the National Competition.
| Year | Film | Director |
|---|---|---|
| 2017 | Routine | Bekim Guri |
| 2018 | Evidence | Lum Radoniqi |
| 2021 | The Driver | Valter Lucaj |
| 2022 | Shpija | Flaka Kokolli |
| 2023 | Hana e Re | Jehona Berisha |
| 2024 | reMemBer2.human | Durim Klaiqi |
| 2025 | Ndera | Endrit Qarolli |
| 2026 | Dance | Hana Bucalija |
Given by the Kosovo Cinematography Center (QKK).
| Year | Film | Director |
|---|---|---|
| 2023 | The Future Is Better, Comrade | Blerta Haziraj |
| 2024 | Workers' Wings | Ilir Hasanaj |
Discontinued after 2015.
| Year | Film(s) | Director(s) |
|---|---|---|
| 2013 | Paradox (and others) | Trim Kasemi |
| 2014 | A Day of Clear Weather (and others) | Odeta Çunaj & Alketa Ramaj |
| 2015 | Je Polic i Vetvetes (and others) | Albulena Veliu |
Additional prizes have been introduced in various years, including the Le Fresnoy Award (2023, The Future Is Better, Comrade by Blerta Haziraj), the New Wave Grant (2022, Transmission by Flutura Balaj; 2023, projects by Aurela Berila and Flaka Kokolli), the Best Youth Film award (introduced 2025, Coexistence My Ass by Amber Fares), and DokuFest's annual candidate for the European Film Award for Best Short Film (2022, Memoir of a Veering Storm by Sofia Georgovassili; 2023, Daydreaming So Vividly About Our Spanish Holidays by Christian Avilés; 2024, The Death of a Hero by Karin Franz Körlöf; 2025, Masterpiece Mommy by Dorothy Sing Zhang; 2026, Tarik by Adem Tutić).
At the 25th edition in 2026, the juries also gave special mentions in several categories: The Thing to Be Done by Srđan Kovačević (Balkan Feature Dox), A City in the Forest by Lev Omelchenko and Nolan Huber (Human Rights Dox), and Venezia Diorama by Nicolas Piret (International Shorts).
In 2023, as a guest festival, DokuFest also hosted the Doc Alliance Award: Best Feature went to Death of a City (João Rosas, special mention Disturbed Earth by Kumjana Novakova & Guillermo Carreras-Candi), and Best Short went to The Cervix Pass (Marie Bottois).
In 2010 DokuFest was voted as one of the 25 best international documentary festivals.[by whom?]