Edson Secco | |
|---|---|
 2019 | |
| Occupations | Composer, musician, sound designer |
| Years active | 1998–present |
| Known for | Composer and Sound Designer for Film Industry |
| Notable work | Paulina (La Patota), Cinema Novo |
Edson Secco (1976, São Paulo, Brazil) is a Brazilian composer, musician and sound designer.
He grew up in São Paulo influenced by a wide range of music, ranging from psychedelic music to classical, hip-hop, Brazilian and electronic music. He started composing at the age of 15 using a computer and a MIDI controller and his main instruments since then have been the piano, synthesizer, drums and computer. Sound manipulation, using different sources, became a hallmark of his work, bringing him closer to electronic music and experimentalism.
He began his professional career in the late 1990s as a music producer and sound engineer. At the beginning of the first decade of the 2000s, he began producing soundtracks for theater plays, as well as performing them live. In 2005, he joined the Companhia de Ópera Seca, directed by Gerald Thomas, being responsible for the composition, sound design and live performance of the soundtracks.
In 2006 he started his film career with the documentary Days in Sintra as composer, sound editor and sound re-recording mixer.
His work on the film industry earned him two nominations for The 3rd Platino Awards For Iberoamerican Cinema (2016), and the Academy of Motion Picture Arts and Sciences of Argentina (2015), respectively, as well as three prizes of Best Sound Design at the Brazilia Film Festival (2010 and 2013) and Gramado Festival (2013).
He is best known for his work with directors Walter Salles, Marcela Lordy, Bruno Safadi e Eryk Rocha.
As a musician he is part of the Brazilian electronic duo NU (abbreviation for Naked Universe), alongside the singer and songwriter Ligiana Costa.
Since 2016 he has been the director of SONIDERIA, a label and studio specialized in original music and sound post-production for TV and Cinema based in São Paulo.
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2007
| Year | Award | Category | Nominated work | Prize |
|---|---|---|---|---|
| 2010 | Brazilia Film Festival | Best Sound Design | Transeunte, (director Eryk Rocha) | Won |
| 2013 | Brazilia Film Festival | Best Sound | Exilados do Vulcão, (director Paula Gaitán) | Won |
| Gramado Festival | Best Sound Design | Éden, (director Bruno Sáfadi) | Won | |
| 2015 | Academy of Motion Picture Arts and Sciences of Argentina | Best Sound | Paulina, (director Santiago Mitre) | Nominee |
| 2016 | 3rd Platino Awards For Iberoamerican Cinema | Best Sound | Nominee | |
| 2016 | Prêmio da Associação de Críticos de Filmes da Argentina | Best Sound | Paulina, (dir. Santiago Mitre) | Nominee |
| 2017 | Festival Guarnicê | Best Sound Design | Para Ter Onde Ir (dir. Jorane Castro) | Won |
| 2018 | Santiago del Estero Film Fest (SEFF) / ASA | Best Sound | Invisible (dir. Pablo Giorgelli) | Won |