Egon Eiermann (29 September 1904 – 19 July 1970) was one of Germany's most prominent architects in the second half of the 20th century. He was also a furniture designer. From 1947, he was Professor for architecture at Technische Hochschule Karlsruhe (today Karlsruhe Institute of Technology).
Biography
Eiermann was born in Neuendorf bei Potsdam[de] (now part of Babelsberg, Potsdam), the son of Wilhelm Eiermann (1874–1948), a locomotive engineer and his wife Emma Gellhorn (1875–1959). He archived his Abitur at the Althoff-Gymnasium and studied architecture at Technische Universität Berlin. From 1925 to 1928, he was master student of Hans Poelzig. After graduating in 1928, he gained professional experience in the construction departments of Karstadt AG in Hamburg and the Berlin electricity works (Bewag (Berlin)[de]). From 1931 to 1945, he was an independent architect in Berlin and initially planned residential buildings. Before World War II he had an office with fellow architect Fritz Jaenecke[de]. During the Nazi era, he mainly created industrial architecture. In 1945, he escaped to Buchen in West Germany, the birthplace of his father. From 1946 to 1965, he had a shared office with Robert Hilgers. In 1948, the office was relocated to Karlsruhe. He joined the faculty of the Technische Hochschule Karlsruhe in 1947, working there on developing steel frame construction methods. Students were Oswald Mathias Ungers and Julia Bolles-Wilson[de]. During a study trip to the United States in 1950, he met Walter Gropius, Marcel Breuer and Konrad Wachsmann in Boston and in 1956 also Ludwig Mies van der Rohe. In 1967, Eiermann chaired the jury in the architectural competition for the Olympic Park in Munich.
Personal life
In 1940, he married in Berlin interior designer Charlotte, née Friedheim (1912–2001) and in 1954 in Berlin architect Brigitte, née Feyerabendt (1924–2019). He had two children: with his first wife Andreas (born 1942), from his second marriage Anna (born 1956).
He died in Baden-Baden, aged 65. He is buried at the Buchen Cemetery.
Works
During the years of reconstruction, his steel-frame industrial buildings became exemplary. The buildings were transparent, inviting, democratic, making order visible.
From 1949, the first functional and serially produced seating furniture made of wood and tubular steel was created in cooperation with the Esslingen company Wilde + Spieth[de].
↑Gerbing, Chris (2013). Leuchtende Wände in Beton: die Matthäuskirche Pforzheim (1951–1953) von Egon Eiermann: ihre Vorbilder, ihre Vorbildfunktion (in German). Regensburg: Schnell & Steiner. ISBN978-3-7954-2704-7. OCLC854991909.
↑Kappel, Kai (2011). Egon Eiermann: Kaiser-Wilhelm-Gedächtnis-Kirche Berlin, 1961–2011 (in German). Lindenberg im Allgäu: Kunstverlag Josef Fink. ISBN978-3-89870-677-3. OCLC761844798.
↑Boyken, Immo (2004). Egon Eiermann: German embassy, Washington (in German). Stuttgart: Axel Menges. ISBN978-3-930698-54-7. OCLC56616948.
↑Pehnt, Wolfgang (2019). Egon Eiermann: Deutsche Olivetti, Frankfurt am Main (in German). Munich: Hirmer Publishers. ISBN978-3-7774-3312-7. OCLC1120181909.
↑Castillo, Greg (2012). "Making a Spectacle of Restraint: The Deutschland Pavilion at the 1958 Brussels Exposition". Journal of Contemporary History. 47 (1). SAGE Publications: 97–119. doi:10.1177/0022009411422362. ISSN0022-0094. S2CID159768465.
↑Boyken, Immo (2007). Egon Eiermann / Sep Ruf: Deutsche Pavillons, Brüssel 1958 (in German). Stuttgart: Edition Axel Menges. ISBN978-3-932565-62-5. OCLC153580897.
Eiermann, Egon (1984). Egon Eiermann 1904 – 1970 Bauten u. Projekte (in German). Stuttgart: Deutsche Verlags-Anstalt. ISBN978-3-421-02805-1. OCLC613275675.
Eiermann, Egon (2004). Egon Eiermann (1904–1970): die Kontinuität der Moderne, anläßlich der Ausstellung (in German). Ostfildern-Ruit: Hatje Cantz. ISBN3-7757-1436-7. OCLC249312450.
Fiell, Charlotte; Fiell, Peter (2005). Design of the 20th Century (25th anniversaryed.). Köln: Taschen. p.239. ISBN978-3-8228-4078-8. OCLC809539744.
Hildebrand, Sonja (1999). Egon Eiermann, die Berliner Zeit: das architektonische Gesamtwerk bis 1945 (in German). Basel: Birkhäuser. ISBN978-3-7643-6690-2. OCLC633882868.
Kielmeyer, Barbara (1999). Egon Eiermann – die Möbel, Ausstellung im Museum beim Markt, Außenstelle des Badischen Landesmuseums Karlsruhe, 16. September – 14. November 1999; Ausstellung des Badischen Landesmuseums Karlsruhe in Verbindung mit dem Südwestdeutschen Archiv für Architektur und Ingenieurbau an der Universität Karlsruhe (in German). Karlsruhe: INFO-Verl. ISBN978-3-88190-236-6. OCLC215049760.
Lampugnani, Vittorio (1983). Hatje-Lexikon der Architektur des 20. Jahrhunderts (in German). Stuttgart: G. Hatje. ISBN3-7757-0174-5. OCLC10511350.
Boyken, Immo; Oestmann, Hans J. (1 June 1990). "Ludwig Mies van der Rohe and Egon Eiermann: The Dictate of Order". Journal of the Society of Architectural Historians. 49 (2). University of California Press: 133–153. doi:10.2307/990473. ISSN0037-9808. JSTOR990473.
Bauer, Anneke (2004). Egon Eiermann, die Wohnhäuser ... aus der Feder der Studenten (in German). Karlsruhe: Inst. für Baugestaltung. ISBN978-3-9805818-2-0. OCLC76482179.