Eric Wesley (born 1973) is an American artist who works with a variety of media including sculpture and painting. He is based in Los Angeles.
Wesley was born and raised in Los Angeles, California, the son of two social workers. As a child, he planned to become an aeronaturical engineer. He earned a fine arts degree from University of California, Los Angeles in 1996. While Wesley primarily works from Los Angeles, he previously had a studio in Berlin.
Wesley's work encompasses sculpture and painting, among other media, and have been displayed around the world. He has held solo exhibitions at galleries including the Museum of Contemporary Art, Los Angeles and Foundation Morra Greco, Naples, Italy. He has participated in group shows at the Hammer Museum in Los Angeles; CAPC musée d'art contemporain, Bordeaux; Fundación/Colección, Mexico City; ARCOS Museo d’Arte, Benevento, Italy;[citation needed] the Prague Biennial in 2007; Institute of Contemporary Arts, London; P.S. 1, New York; the Whitney, New York; and the Studio Museum in Harlem. His work was part of the collection TV executive Dean Valentine donated to the Hammer Museum in 2007. He has worked extensively with China Art Objects Galleries, Bortolami Gallery, and Maureen Paley. He was included on ArtReview's Future Greats list in 2005 and 2008.
He is also the co-founder of Mountain School of Art (MSA) in Los Angeles, an artist-run nomadic school that he opened in January 2006 with Piero Golia. They accept 15 fellows annually to a three-month program. The classes are free and all staff are volunteers. In 2008, Wesley told ArtReview that it was less of an art school and more of "an institution patterned on the university model and devoted to general education, with a curriculum grounded in science, philosophy and law."
| Year | City | Gallery | Title | Notes | Refs |
|---|---|---|---|---|---|
| 1999 | Los Angeles | China Art Objects Galleries | Camper | ||
| 2000 | Kicking Ass | ||||
| 2001 | Pasadena | Caltech | Two Story Clock Tower | Erected on the Caltech campus | |
| 2002 | New York City | Metro Pictures Gallery | New Amsterdam | ||
| Karlsruhe | Meyer-Reigger Galerie | Enchilada “The Endless Burrito” | |||
| Turin | Galeria Franco Noero | Ouchi | |||
| 2003 | Basel | Art Basel | Jeans Theory, Statements | ||
| 2004 | Los Angeles | China Art Objects Galleries | Pico Youth Center | ||
| Miami | Locust Projects | Eric Wesley I love WW2 | |||
| 2005 | Amsterdam | Bowie-Van Valen Gallery | |||
| 2006 | Karlsruhe | Meyer-Riegger Gallery | Audi | ||
| Naples | Galleria Fonti | You say Tomato, I say Tomato | |||
| Los Angeles | China Art Objects Galleries | Erik Wesley | |||
| Museum of Contemporary Art | MOCA FOCUS: Eric Wesley | ||||
| Pacific Design Center | Thirty Three Point Three Three Three | ||||
| 2007 | New York City | Bortolami Gallery | Spaference Room | ||
| Naples | Foundation Morra Greco | Spa fice | |||
| Münchenstein | Kunsthaus Baselland | ||||
| Turin | Galeria Franco Noero | ||||
| 2008 | Berlin | Feurig59 | Ship Shape Shit Shelf and the Empfang Box | ||
| 2009 | London | Maureen Paley | New Realistic Figures | ||
| 2010 | New York City | Bortolami Gallery | D’Carts Blanche and New Paintings | ||
| 2011 | Los Angeles | China Art Objects Gallery | The Same ‘Ol New Frontier | ||
| 2012 | New York City | Bortolami Gallery | 2 new works | ||
| 2015 | Los Angeles | 356 Mission | Some Work | ||
| 2016 | Minneapolis | Midway Contemporary Art | ISOSCELES TRAPEZOID ARCH | ||
| 2019 | Los Angeles | TIMESHARE | Turning Tables | ||
| Pico Pico | Timbuctoo | Alternate title: Sticks and stones may break my bones but words fucking kill me | |||
| London | Sprovieri Gallery | Reputation | |||
| 2022 | New York City | Bortolami Gallery | Eric Wesley/St Louis | ||
| 2024 | Martos Gallery | Three Sleeping Philosophers |
| Year | City | Gallery | Exhibition title | Notes | Refs |
|---|---|---|---|---|---|
| 1998 | Santa Monica | Rosamund Felsen Gallery | I-Candy | [citation needed] | |
| Los Angeles | Brent Petersen Gallery | Drawings for Works in Progress | |||
| 1999 | L.A. Edge Festival | Organized by Simon Watson | [citation needed] | ||
| 2000 | ACME Gallery | Young and Dumb | Curated by Pentti Monkkonen | ||
| 2001 | New York City | Studio Museum in Harlem | Freestyle | Sculpture: Kicking Ass | |
| Santa Monica | Santa Monica Museum of Art | ||||
| San Diego | Museum of Contemporary Art, San Diego | Ultrabaroque: Aspects of Post-Latin American Art | |||
| Los Angeles | UCLA Hammer Museum | Snapshot: New Art From Los Angeles | |||
| Miami | Museum of Contemporary Art | [citation needed] | |||
| New York City | Artists Space | Purloined | Ran September 6 - October 13 | ||
| Karlsruhe | ZKM Center for Art and Media | Circles 3: Silver Lake Crossings | Curated by Christoph Keller | [citation needed] | |
| New Plymouth | Govett-Brewster Art Gallery | Drive: Power, Progress, Desire | Curated by Gregory Burke | ||
| New York City | Metro Pictures Gallery | [citation needed] | |||
| 2002 | Richmond | Reynolds Gallery | Drive By: Nine Artists from Los Angeles | [citation needed] | |
| 2003 | Los Angeles | Craft and Folk Art Museum | Fade (1990–2003) | Curated by Malik Gaines | |
| China Art Objects Galleries | Works for Giovanni | [citation needed] | |||
| Glasgow | Transmission Gallery | More Boots = Many Routes | With Lee O’Connor and Ryan Doolan | [citation needed] | |
| Turin | Galeria Franco Noero | New Space! New Show! | [citation needed] | ||
| Guadalajara | OPA: Oficina Para Proyectos de Arte | Adios Pendejos | [citation needed] | ||
| London | Campoli Presti | Eduardo Sarabia and Eric Wesley | |||
| 2004 | New York City | Whitney Museum of American Art | Whitney Biennial | ||
| Vienna | Museum für Angewandte Kunst | 3 Fireplaces and 2 Bathtubs | |||
| San Francisco | Contemporary Jewish Museum | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | ||
| 2005 | New York City | Bortolami Dayan | Gallery opening event | ||
| Closing Down: Thanks | [citation needed] | ||||
| Los Angeles | Los Angeles Contemporary Exhibitions | A Walk to Remember | Organized by Jens Hoffmann | ||
| London | Institute of Contemporary Arts | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | ||
| Virginia Beach | Virginia Museum of Contemporary Art | ||||
| Reading | Freedman Art Center | ||||
| New York City | I-20 Gallery | Installations | [citation needed] | ||
| Having Differences | [citation needed] | ||||
| 2006 | Minneapolis | Midway Contemporary Art | Axis of Praxis | Curated by Nate Lowman | |
| Los Angeles | Black Dragon Society | Designomite | Curated by Parker Jones | ||
| London | Institute of Contemporary Arts | Alien Nation | Curated by John Gill, Jens Hoffmann and Gilane Tawadros | ||
| Long Island City | P.S. 1 Contemporary Art Center | The Gold Standard | |||
| New York City | Bortolami Dayan | Survivor | Curated by David Rimanelli | ||
| Nashville | Cheekwood Museum of Art | 100 Artists See God | Curated by John Baldessari and Meg Cranston, organized by ICA | ||
| 2007 | Prague | Prague Biennale | |||
| Los Angeles | Lizabeth Oliveria | Milieu | |||
| Angles Gallery | [citation needed] | ||||
| Venice, CA | Balmoral Gallery | One Foot High and Rising | [citation needed] | ||
| Athens | Kalfayan Gallery | Darling, Take Fountain | |||
| New York City | Bortolami | Substance & Surface | |||
| 2008 | Los Angeles | China Art Objects Gallery | The Light of the Virgo | [citation needed] | |
| Pougues-les-Eaux | Centre d'Art du Parc Saint Léger | Los Angeles Confidential | |||
| San Francisco | Wattis Institute for Contemporary Arts | Amateurs | |||
| Benevento | ARCOS Museo d’Arte | ITALIA ITALIE ITALIEN ITALY WLOCHY | [citation needed] | ||
| Los Angeles | Kathryn Brennan Gallery | Globetrotters | Curated by Katie Brennan | ||
| New York City | Parrish Art Museum | Sand- Meaning and Metaphor | [citation needed] | ||
| 2009 | Los Angeles | Hammer Museum | Second Nature: Dean Valentine Collection | [citation needed] | |
| China Art Objects Gallery | 1999 | [citation needed] | |||
| 2010 | Museum of Contemporary Art | The Artist's Museum | [citation needed] | ||
| New York City | Bortolami Gallery | RE-DRESSING | |||
| Los Angeles | China Art Objects Gallery | The Inauguration of China Art Objects in Culver City, Los Angeles | |||
| Mexico City | Fundación Colección Jumex | Les enfants terribles | |||
| Los Angeles | Cottage Home | Video Journeys | |||
| 2011 | Amsterdam | Temporary Stedelijk Museum 3 | Making Histories – Changing Views of the Collection | [citation needed] | |
| New York City | 483 Broadway, SoHo | Greater LA | |||
| Bordeaux | CAPC musée d'art contemporain | BigMinis: Fetishes of Crisis | |||
| 2014 | Los Angeles | Hammer Museum | A Public Fiction | Part of Made in L. A. 2014 | |
| Paradise Garage | LIQUOR STORE | ||||
| 2015 | Chicago | Museum of Contemporary Art | Out of Office | Organized by Grace Deveney | |
| 2016 | Cahokia | Abandoned Taco Bell at 1296 Camp Jackson Road | The Bell | ||
| 2019 | Long Island City | SculptureCenter | Searching the Sky for Rain | Curated by Sohrab Mohebbi | |
| Los Angeles | Hammer Museum | Dirty Protest: Selections from the Hammer Contemporary Collection | |||
| 2021 | New York City | Bortolami Gallery | Springweather and people | ||
| 2022 | Whitney Museum of American Art | Whitney Biennial 2022: Quiet As It's Kept | |||
| 2023 | Bortolami | SWIZZLE TWIDDLE FIDDLE STICKS | Ran 8 Sep - 4 Nov |