| The End of Oak Street | |
|---|---|
Theatrical release poster | |
| Directed by | David Robert Mitchell |
| Written by | David Robert Mitchell |
| Produced by |
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| Starring | |
| Cinematography | Michael Gioulakis |
| Edited by | John Axelrad |
| Music by | Michael Giacchino |
Production companies |
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| Distributed by | Warner Bros. Pictures |
Release dates |
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Running time | 99 minutes |
| Country | United States |
| Language | English |
| Budget | $80–92 million |
| Box office | $122 million |
The End of Oak Street is a 2026 American science fiction survival film written, co-produced, and directed by David Robert Mitchell. It stars Anne Hathaway, Ewan McGregor, Maisy Stella, and Christian Convery as a family whose suburban neighborhood has been transported from 1982 into the age of dinosaurs.
Development of the film began in March 2023, with Hathaway in the lead role. McGregor was cast in February 2024, and in March, Stella and Convery joined the cast. Later that month, the film's name, until this point left untitled, was given as Flowervale Street. Filming began on March 22 and ended on June 4, with location filming in Atlanta. Though scheduled for a May 16, 2025, release, this was delayed to March 13, 2026, and then delayed further. Also in March, it was revealed that the film had been renamed to The End of Oak Street and that Michael Giacchino would compose its soundtrack.
The End of Oak Street premiered at the Steven J. Ross Theater on August 9, 2026, and was theatrically released in the United States on August 14 by Warner Bros. Pictures. The film received positive reviews from critics and has grossed $122 million worldwide against a production budget of $80–92 million.
On July 10, 1982, aspiring novelist Denise Platt lives with her husband Greg, children Audrey and Brian, and dog Starbuck on Oak Street, in the suburban neighborhood of Flowervale, Michigan. The couple's marriage is strained—Denise privately contemplates divorce, while Greg lies about his work. He has told his family that he does pizza deliveries on the side, but it is actually his only job after being laid off.
The following day, Denise photographs a mysterious plant that suddenly appears in her neighbor's yard. Local librarian Mrs. Valcourt identifies it as Pleuromeia, a type of vegetation which went extinct millions of years ago. A giant pile of animal feces appears in neighbor Mel's yard. Radio broadcasts report increased solar-flare activity. During a storm, a powerful white light suddenly engulfs Flowervale neighborhood, accompanied by a change in atmospheric pressure and a power outage.
The next morning, Denise and Greg search for Starbuck, who went missing in the storm, and discover that Flowervale is surrounded by a prehistoric landscape from which dinosaurs emerge and start hunting and killing people in the neighborhood. Greg and Denise run back to their home while being chased by a vicious Coelophysis. The family boards up their windows and doors, and Audrey concludes the flashes of light were wormholes that transported the neighborhood millions of years into the past.
Greg reveals he is aware of Denise's wish to divorce and confesses to losing his job. They witness their neighbor Mel shooting at a flock of Pterodactylus from his roof with a revolver, before he is violently killed and eaten. Later, Brian and Audrey venture outside after Brian sees Starbuck in their yard. Denise and Greg follow in their car after realizing the children are missing; they crash it while trying to escape from a Spinosaurus, starting a fire. Jeannette Christiansen, Brian's neighborhood crush, joins Brian and Audrey after revealing her parents have been killed. Denise and Greg see a flash of light while searching for the children and follow it to a house containing a wormhole. They refuse to travel through the wormhole without their children, and it disappears. They evade a stampeding herd of dinosaurs, reconcile, and reunite with their children. The family heads back toward their home, but discover that the fire Denise and Greg had started now threatens to engulf the neighborhood.
When an Allosaurus attacks the group, Greg is killed while defending the others, leaving Denise and her children devastated. After returning home, the group escapes a Titanoboa and discovers another wormhole, on the roof of Mrs. Valcourt's house. They make their way to the house and observe that the wormhole appears and disappears at regular intervals. Jeannette jumps in and disappears, but Brian misses the opening and falls. An Ornithocheirus grabs him, but Starbuck appears and attacks it. The group attempts to shelter inside the house, but are cornered by a group of Ornithosuchus; Mrs. Valcourt appears and kills one of the Ornithosuchus with a double-barreled shotgun before being mauled by another, giving the group an opportunity to escape back up to the roof. They jump through the wormhole together.
They return to July 11, 1982, and land in a backyard swimming pool, approximately 20 minutes before Flowervale was teleported away. Denise tells the neighborhood's residents to leave the area by calling them from a payphone, while Jeannette runs off to warn her parents. Greg appears after Denise orders a pizza to their location, where he is embraced by her and their children. The powerful white light appears, engulfing the area before them as Flowervale disappears and is replaced by a prehistoric landscape.
Two years later, the military has contained the area while scientists study the prehistoric environment and its wildlife, attempting to investigate the wormholes. Denise's warnings to the disaster's survivors have made her a hero, and her book, titled The End of Oak Street, has made her family moderately wealthy. The film ends with the Platts and Christiansens having a barbecue with their neighbors and two identical Jeannettes.
In March 2023, an untitled film directed, written and co-produced by David Robert Mitchell was in development at Warner Bros. Pictures, with J. J. Abrams and Hannah Minghella producing for Bad Robot and with Matt Jackson and Tommy Harper producing for Jackson Pictures. Anne Hathaway was cast in the lead role.
By February 2024, it was revealed that Ewan McGregor had been cast, with Maisy Stella and Christian Convery joining in March. In late March, the title was revealed to be Flowervale Street. In April, Jordan Alexa Davis, P. J. Byrne and Chris Coy joined the cast.
In January 2026, Warner Bros. Motion Picture Group co-chairs Pamela Abdy and Michael De Luca revealed that the film would be getting a new title. In March 2026, with the release of the trailer, the official title was announced to be The End of Oak Street.
Principal photography began on March 22, 2024, in London and Atlanta, and wrapped on June 4. Filming on soundstages took place at Electric Owl Studios in DeKalb County while location filming in Atlanta was used to represent Oak Street. The production chose to film on Westwood Avenue SW, Erin Avenue SW, Dover Boulevard SW, Howell Drive SW, and Manford Road SW due to their detached houses, broad lawns and mature trees that were typical of American suburbs during the 1980s when the film is set.
As with the Jurassic Park franchise, Industrial Light & Magic became the lead visual effects vendor and handled the creation of the dinosaurs for the film. Jay Cooper served as Production VFX Supervisor.
In March 2026, it was announced that Michael Giacchino would compose the score. The soundtrack album contains 27 cues and was released on August 7, 2026.
| No. | Title | Length |
|---|---|---|
| 1. | "A Thin Flowervale Between Life and Death" | 1:18 |
| 2. | "Horticulture Club" | 2:06 |
| 3. | "A Good Fence Is the Best Defense" | 0:37 |
| 4. | "Father and Father Away" | 1:24 |
| 5. | "The Family Loners" | 0:56 |
| 6. | "The Light in the Static" | 1:11 |
| 7. | "Let Sleeping Dogs Library" | 0:55 |
| 8. | "Something Weird This Way Comes" | 1:19 |
| 9. | "No More Mr. Nice Geyser" | 2:33 |
| 10. | "A Den of Coelophysis or The Swamp Drains You" | 10:12 |
| 11. | "Strung Out Theory" | 2:48 |
| 12. | "A Few Fries Short of a Happy Mel" | 1:51 |
| 13. | "Spoiled Platts, Pt. 1" | 3:12 |
| 14. | "Spoiled Platts, Pt. 2" | 3:13 |
| 15. | "Lurch and Rescue" | 2:09 |
| 16. | "Sphere Street Blues" | 1:36 |
| 17. | "Reunion Station" | 1:43 |
| 18. | "One Good Mate Deserves Another" | 1:04 |
| 19. | "Once and for Allosaurus" | 4:49 |
| 20. | "Don't Be Sorrow with Me" | 1:27 |
| 21. | "Mi Casa Boo Casa" | 6:06 |
| 22. | "The Starbuck Stops Here" | 2:39 |
| 23. | "Old Pool Politics" | 3:15 |
| 24. | "I Need a Little Space-Time" | 2:28 |
| 25. | "The Swap of the Ages" | 1:12 |
| 26. | "Main on End of Days" | 1:44 |
| 27. | "The End of Oak Suite" | 4:45 |
| Total length: | 68:32 | |
Commercial songs from the film, but not on the soundtrack
The film's marketing campaign was criticized on social media for using generative AI. In particular, a now-deleted video shared by Warner Bros. featured the dog Starbuck from the film interviewed in the AI-generated dog podcast Goldie & Frenchie, owned by DogPack, a social media platform tailored to dog owners.
The End of Oak Street had its world premiere at the Steven J. Ross Theater on August 9, 2026, and was released theatrically in the United States on August 14 by Warner Bros. Pictures. The film's release was previously scheduled for May 16, 2025, and March 13, 2026. The postponements were due to Bad Robot head Hannah Minghella leaving her position during post-production of the film and not being replaced, causing a leadership gap that hindered the film's completion, as well as Hathaway being unavailable when additional photography was required for the film, as she was involved in filming for Christopher Nolan's film The Odyssey; these factors caused the post-production of The End of Oak Street to be suspended for six months.
The End of Oak Street released on Digital HD on September 15, 2026. A DVD, Blu-ray, and Ultra HD Blu-ray release follows on November 3, 2026.
As of October 8, 2026[update], The End of Oak Street has grossed $54 million in the United States and Canada, and $68 million in other territories, for a worldwide total of $122 million. The film was produced on a budget of $80–92 million. Due to its high production and marketing costs, Variety estimated the film would lose Warner Bros. $25–40 million from its theatrical run.
In the U.S. and Canada, The End of Oak Street was released alongside Paw Patrol: The Dino Movie and The Brink of War, and was projected to gross $20–25 million from 3,446 theaters in its opening weekend. The film made $7.9 million (including $2 million from Thursday previews) on its first day. It went on to debut to $21 million, finishing in third at the box office.
On the review aggregator website Rotten Tomatoes, 86% of 346 critics' reviews are positive, with an average rating of 7.0/10. The website's consensus reads: "Tapping into the primal pleasures of the classic creature feature, The End of Oak Street is pulpy good fun carried off with a light touch and a sharp bite." Metacritic, which uses a weighted average, assigned the film a score of 69 out of 100, based on 52 critics, indicating "generally favorable" reviews. Audiences polled by CinemaScore gave the film an average grade of "B" on an A+ to F scale.
Zachary Lee of RogerEbert.com awarded The End of Oak Street four out of four, praising its combination of family drama, apocalyptic imagery, and dinosaur horror. He highlighted the film's themes of family secrets and parental sacrifice, while calling it "the most thrilling dinosaur movie in ages". Jake Coyle of the Associated Press praised the film's mixture of science fiction, horror, and 1980s adventure-film influences, as well as the performances of Anne Hathaway and Ewan McGregor. Clarisse Loughrey of The Independent was similarly enthusiastic, describing the film as "better than any of the Jurassic World films" and praising Mitchell's use of influences from films such as Jurassic Park and E.T. the Extra-Terrestrial. Nikki Baughan of Screen Daily gave the film a positive review, calling it a "fun, fast-paced creature feature", also noting that it "draws effectively on classic Spielbergian adventures" and that "most of the film plays little like Jurassic Park on steroids".
Some reviews were more mixed. David Rooney of The Hollywood Reporter described the film as "high-end trash", acknowledging its entertainment value while criticizing its reliance on 1980s Amblin-style nostalgia. Likewise, Amy Nicholson wrote in the Los Angeles Times that the Spielbergian influences would "almost satisfy our thwarted hopes for Steven Spielberg's own Disclosure Day" if Mitchell's script "wasn't such a groaner". She wrote that The End of Oak Street is emblematic of Mitchell "need[ing] to prove he can make a big-budget crowd-pleaser" while not capturing the same mood as his earlier work. Peter Bradshaw gave the film a two-star review in The Guardian, concluding that the film's Spielberg influences do not "feel like homage so much as a pastiche produced by an AI Spielbergbot". Cary Darling in the Houston Chronicle praised the film's dinosaur effects, pacing, and performances, but criticized its plot holes and occasionally illogical character decisions.
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