Inna Abramovna Zhvanetskaya (20 January 1937 – 18 December 2024) was a Soviet composer and musical educator. Born in the Ukrainian SSR, she spent most of her career in Moscow before moving to Germany after the fall of the Soviet Union. She has lived in Stuttgart since 1998.
Early life
Inna Zhvanetskaya was born in Vinnytsia, Ukrainian SSR, in 1937. Her family was of Jewish origin and was forced to flee their hometown after the Nazi invasion of the Soviet Union. She has been described as a holocaust survivor in various media outlets.
Musical career
Moving to Moscow, she taught piano at music schools in Podolsk, on the outskirts of the Soviet capital, and studied composition under Nikolay Peyko at the Gnessin Musical-Pedagogical Institute, graduating in 1964. In 1964–1965 she taught piano at a vocational school. In 1965, she became a lecturer in score-reading and instrumentation at her alma mater. She was released from her position at Gnessin in 1986.
Later life
After the fall of the Soviet Union Zhvanetskaia moved to Germany, and since 1998 she has lived in Stuttgart. During the coronavirus pandemic, Zhvanetskaya was alleged to have been pressured by German authorities into getting vaccinated. Her case became a cause célèbre in right-wing, anti-vaxxer and Querdenker circles. She was claimed to have gone into hiding with anti-vaccine activists, and was reported by one such group to have passed away in late 2024.
Romances (words by V. Bryusov and other unspecified poets)
Yanvarski Stroki (words by S. Smirnov; voice and piano; 1968)
Zemiyai! (words by Tvorenye-Cholovek; chorus and orchestra; 1972)
References
↑She was an ethnic Jew born in the Ukrainian SSR who spent most of her career in Moscow and later moved to Germany. Articles variously describe her as Ukrainian, Ukrainian Jewish, Jewish, or mention Russia as her fatherland or home (and she herself devoted pieces to Russia). A former student of hers mentioned that in 2014 Zhvanetskaya expressed her desire to send aid to the Donbass. It is unclear what citizenship she held. Soviet is a compromise solution which also aptly covers the apparent peak of her career.
12Cohen, Aaron I. (1987). International encyclopedia of women composers (Second edition, revised and enlargeded.). New York. p.778. ISBN0-9617485-2-4.{{cite book}}: CS1 maint: location missing publisher (link)