Joan La Barbara

Joan Linda Lotz La Barbara (born June 8, 1947) is an American vocalist and composer known for her explorations of non-conventional or "extended" vocal techniques.^{[full citation needed]} Considered to be a vocal virtuoso in the field of contemporary music, she is credited with advancing a new vocabulary of vocal sounds including trills, whispers, cries, sighs, inhaled tones, and multiphonics (singing two or more pitches simultaneously).

Biography

An influential figure in experimental music, La Barbara was born in Philadelphia, Pennsylvania. She is a classically trained singer who studied with soprano Helen Boatwright at Syracuse University, Phyllis Curtin at Tanglewood/Berkshire Music School and contralto Marion Szekeley Freschl at the Juilliard School in New York.

Joan La Barbara's early creative work (early to mid 1970s) focuses on experimentation and investigation of vocal sound as raw sonic material, including works that explore varied timbres on a single pitch,"circular singing" inhaled and exhaled singing inspired by horn players' circular breathing techniques, and multiphonic or chordal singing [i.e. double-stops for the voice]. In the mid 1970s, she began creating more structured compositional works, some of which include electronics and layered voice sounds.

She has accumulated a large repertoire of vocal works by 20th-and 21st-century music masters, including many pieces composed especially for her voice. She has performed and recorded works by composers including John Cage, Robert Ashley, Morton Feldman, Philip Glass, Larry Austin, Peter Gordon, Alvin Lucier, and her husband Morton Subotnick, and has collaborated with choreographers Merce Cunningham, Jane Comfort, Nai-Ni Chen and poet Kenneth Goldsmith.

In 2004, she was awarded a Guggenheim Fellowship in Music Composition. She also received a Foundation for Contemporary Arts John Cage Award (2016).

La Barbara is a guest instructor at HB Studio.

Other work

Joan La Barbara has also done work acting and composing for television, film, and dance. She composed and performed the music for the Sesame Street animated segment Signing Alphabet, for electronics and voice, and has composed a variety of chamber, orchestral, and choral works. She also appears in Matthew Barney’s 2014 film River of Fundament. La Barbara is currently on the music composition artist faculty at New York University Steinhardt School of Culture, Education, and Human Development, Department of Music and Performing Arts Professions, and on the faculty of Mannes/The New School/College of Performing Arts.

La Barbara was a staff music critic for the SoHo Weekly News from March 1974 until autumn 1975, taking off about five months in 1974 to go on tour with Philip Glass. She covered jazz and experimental music, concentrating on less-known artists, writing weekly columns that were a mix of previews of new artists and reviews of performances.

Discography

See also

• David Tudor

Sources

Further reading

• Zimmerman, Walter, Desert Plants – Conversations with 23 American Musicians, Berlin: Beginner Press in cooperation with Mode Records, 2020 (originally published in 1976 by A.R.C., Vancouver). The 2020 edition includes a cd featuring the original interview recordings with Larry Austin, Robert Ashley, Jim Burton, John Cage, Philip Corner, Morton Feldman, Philip Glass, Joan La Barbara, Garrett List, Alvin Lucier, John McGuire, Charles Morrow, J.B. Floyd (on Conlon Nancarrow), Pauline Oliveros, Charlemagne Palestine, Ben Johnston (on Harry Partch), Steve Reich, David Rosenboom, Frederic Rzewski, Richard Teitelbaum, James Tenney, Christian Wolff, and La Monte Young.

External links

• Joan La Barbara's website
• La Barbara's faculty page at NYU Steinhardt
• UbuWeb: La Barbara featuring 73 Poems (1993), text by Kenneth Goldsmith
• NewMusicBox cover: La Barbara in conversation with Molly Sheridan, January 30, 2006 (includes video) (plus a master class with La Barbara)
• La Barbara interview
• Interview with La Barbara by Bruce Duffie, August 16, 1991
• Excerpted La Barbara interview Archived December 10, 2015, at the Wayback Machine with Libby Van Cleve from the Oral History of American Music, February 17, 1998