Bingham was born on 21 June 1952, in Nottingham. Her parents are Jack Bingham and Peggy Bingham (née McGowan). She was educated at High Storrs Grammar School for Girls in Sheffield, and began learning singing from bass John Dethick from the age of 16. Bingham attended the Royal Academy of Music from 1970 to 1973, where she received the Principal’s Prize for Music in 1972 and was elected as an associate in 1997. Her teachers included Malcolm MacDonald, Eric Fenby, Alan Bush and John Hall (composition) and Jean Austin-Dobson and Eric Vietheer (singing).
After graduation, she continued her composition studies privately with Hans Keller (1974–80). Bingham won the BBC Young Composer Award in 1977, although she has since withdrawn the work that won.
Career
From the late 1970s Bingham was a professional singer as well as a composer. She was a member of the BBC Singers from 1983 to 1995, and has composed music for them and the Finchley Children's Music Group.
Her compositions - including much choral music as well as orchestral, brass band and chamber music - have been widely performed and broadcast, and she has also composed music for television and radio. Giles Easterbrook identified two pivotal works - Chartres (1988) and Irish Tenebrae (1990) - as establishing her reputation as a composer and exhibiting her mature style: "an individual approach to structure based on organically-related, through-composed mosaics extended over long time-scales". He also identifies her interest in unusual instrumental combinations, and a recurring fondness for brass (ensembles and band) and the voice, combined in the 1996 BBC Proms commission Salt in the Blood. The chamber music and song shows her use of a wide range of literary sources, most recently in a series of works concerning Dr. Johnson and Boswell, including Strange Words (2018) and Hodge, Dr. Johnson’s Cat (2023).
In 1985, she married Andrew Petrow but the marriage dissolved in 2011.
List of works
Most of Bingham's compositions are voice or choral, but she also began composing for brass bands in the 1980s. She writes church and organ music, and has composed seven Missa Brevis. Works include:
Flynn, opera, subtitled Music-theatre on the life and times of Errol Flynn, in three scenes, three solos, four duets, a mad song and an interlude, 1977–78.
Chartres (orchestral), 1988
Irish Tenebrae, (choral), 1990, rev. 1992 and 2007
Beyond Redemption (orchestral), 1994–5
The Temple at Karnak (orchestral), 1996
Passaggio (concerto no.1 for bassoon and orchestra), 1998
The Shooting Star (concerto for trumpet and orchestra), 1999
Salt in the Blood (for choir and brass orchestra), 1995
The Darkness Is No Darkness (for choir and organ), 1993
Chapman's Pool, piano trio, 1997
The Snows Descend (for brass orchestra), 1997
First Light (for choir and brass orchestra), 2001
Bright Spirit (for wind ensemble), 2001
Mass 2003
The Secret Garden (Botanical fantasy for SATB and organ), 2004
Shadow Aspect (for choir, youth choir, organ and timpani), 2009. Commissioned by Edinburgh Royal Choral Union for its 150th anniversary season
Leonardo (concerto no.2 for bassoon and thirteen strings), 2012
The Angel of Mons (concerto for oboe and thirteen strings), 2014
12345678Calam, Toni (1994). Sadie, Julie Anne; Samuel, Rhian (eds.). The New Grove Dictionary of Women Composers (1sted.). MacMillan. p.63. ISBN0-333-515986.
