| Lovely Trash | |
|---|---|
| Directed by | Mohsen Amiryoussefi |
| Written by | Mohsen Amiryoussefi |
| Produced by | Mohsen Amiryoussefi |
| Starring |
|
| Cinematography | Touraj Aslani |
| Edited by | Mostafa Kherghehpoush |
| Music by | Afshin Azizi |
| Distributed by | Nasim Saba |
Release date |
|
Running time | 88 minutes |
| Country | Iran |
| Language | Persian |
Lovely Trash (Persian: آشغالهای دوستداشتنی is a film directed, written, and produced by Mohsen Amiryoussefi, made in Iran in 2012. The film, which addresses the aftermath of the 2009 election protests, was denied a screening permit during Mahmoud Ahmadinejad's presidency and failed to secure one even during Hassan Rouhani's administration to be shown in the 32nd Fajr Film Festival. After a six-year ban, it finally received a screening permit in late February 2019 and gained wide public attention. In December 2019, it was revealed that Behrouz Vossoughi had portrayed a character in the original version of the film, which had contributed to its seven-year ban in Iran.
The film portrays the events following the 2009 election. The story takes place in the house of an elderly woman who lives with her middle-aged cousin, Sima. On a day after the election, when protesters flood Tehran’s streets, several demonstrators, fleeing from security forces, take refuge in the woman’s home. After they leave, she notices a mark on her door. Following rumors, she is warned that authorities might search her house soon, so she is advised to remove any suspicious or problematic items from her home. This is where the story truly begins.
On a wall of the elderly woman’s room, there are four framed photographs of four men. The largest photo is of her husband, who was reportedly a supporter of Mohammad Mossadegh and was affected by the 1953 coup. Although he initially supported the monarchy, he later went on pilgrimage after the Iranian Revolution. The second photo is of her eldest son, who was martyred in the Iran–Iraq War. The third picture is of her brother, a member of a communist group who was executed during the conflicts of the 1980s. The fourth photo is of her youngest son, who studied abroad and now resides outside Iran.
The plot unfolds over the course of a single night, as the elderly woman imagines having a conversation with these four men, believing that the authorities will come for her the next day.