Matteo Corradini (born April 15, 1975, in Borgonovo Val Tidone) is an Italian writer and hebraist.
In Italy, his work is published by Bompiani, Rizzoli, Lapis, Erickson, and others. Internationally, he is published by Penguin Random House in Germany and Gallimard in France. His books are primarily aimed at young readers and have also been published in Austria, Switzerland, Spain, the United States, and Colombia. He contributes to the newspaper Avvenire. Over the years, he has expressed his ideas through various mediums, ranging from fiction and workshops to theatrical direction. His theatrical projects have been staged at venues including Teatro La Fenice and Teatro Goldoni in Venice, the Sala Verdi at the Milan Conservatory, the Auditorium Parco della Musica in Rome, Teatro Ponchielli in Cremona, Teatro Toselli in Cuneo, Teatro Foce and Teatro LAC in Lugano, the National Theatre of Genoa, the Dramma Popolare in San Miniato, the Sala dei Giganti in Padua, the Basilica Palladiana in Vicenza, and both the Teatro Municipale and Teatro dei Filodrammatici in Piacenza.

As a scholar of Jewish studies, he focuses on Jewish mysticism and the Shoah. In particular, his research on the Terezín (Theresienstadt) concentration camp led him to recover musical instruments and various artifacts. In 2013, he founded the Pavel Zalud Quartet, followed in 2015 by the Pavel Zalud Orchestra and the Pavel Žalud Trio — musical ensembles that perform scores composed in Terezín, using original instruments from that era. In 2017, he was a co-founder of the Terezín Composers Institute, an international foundation based in Prague dedicated to researching and promoting the work of artists who were interned in the Terezín Ghetto.
Since 2010, he has served as one of the curators for the scrittorincittà festival in Cuneo. Over the years, he has collaborated on various events and performances with figures including Ben Kingsley, A.B. Yehoshua, Uri Orlev, Pacifico, Ottavia Piccolo, Amanda Sandrelli, Andrea Valente, Giulio Busi, Grazia Nidasio, Michele Serra, Marina Massironi, and Michela Murgia.
On January 27, 2015, he wrote the official speech delivered by Ben Kingsley at the commemoration of the 70th anniversary of the liberation from Nazi concentration camps, held at the Theresienstadt concentration camp (Czech Republic).
In 2017, he edited the new Italian edition of The Diary of Anne Frank. On October 26, 2017, he read an excerpt from the diary prior to the Juventus vs. SPAL football match, as part of an initiative by the Italian Football Federation (FIGC) to combat racism and antisemitism.
In 2018, he edited the memoirs of Inge Auerbacher, a Jewish survivor of the Terezín Ghetto. In the same year, he won the Andersen Award as a "Leading Figure in Children's Culture," and his novel Im Ghetto gibt es keine Schmetterlinge was selected by the Leipzig Youth Literature Jury as one of the six best novels published in Germany the previous year.
To mark the 90th anniversary of Anne Frank’s birth, on June 12, 2019, he organized a complete reading of The Diary of a Young Girl in the Campo di Ghetto Nuovo in Venice; 90 people took turns reading, a process that lasted 11 hours. The final segment was performed by actress Ottavia Piccolo.
In 2022, he edited the memoirs of Virginia Gattegno, an Italian Jewish survivor of the Auschwitz concentration camp. That same year, the main production at the Dramma Popolare festival in San Miniato was based on his book, Irma Kohn è stata qui ("Irma Kohn Was Here").
In 2023, he took part in the April 25th (Liberation Day) commemorations at the Teatro Toselli in Cuneo, attended by the President of the Italian Republic, Sergio Mattarella, and jazz musician Paolo Fresu. On stage, he collaborated with actress Claudia Perossini and two members of the band Pinguini Tattici Nucleari, Simone Pagani and Elio Biffi.
In 2024, he won the Andersen Award for the second time, receiving the "Jury’s Special Award" for his book Eravamo il suono ("We Were the Sound"), published by Lapis.
In 2025, he presented a musical reading—his second such performance at Venice’s Teatro La Fenice — as part of the city’s Holocaust Remembrance Day (Giorno della Memoria) ceremony. Titled Concerto per conchiglia e orchestra ("Concerto for Seashell and Orchestra"), the performance featured Nausicaa Bono (cello), Isabella Condini (viola), and Claudia Bianchi (violin). He collaborates with the Orchestra Olimpia of Pesaro, conducted by Francesca Perrotta, on the production of the show Eravamo il suono ("We Were the Sound") — based on the book of the same name — alongside Clio Gaudenzi (actress), Valeria Fornoni (director), Zeno Piovesan (dramaturg), Danilo Comitini (music and orchestration), Helen Cerina (costume designer), Vincenzo Pedata (lighting designer), Serena Sinigaglia (artistic supervisor), and Roberta Pandolfi (artistic production director). The show premiered at the Teatro Rossini in Pesaro.
In 2026, he presents his new production, Proserpina (La memoria è un tranello) ("Proserpina: Memory Is a Trap"), an original drama that weaves together mythology and the experiences of women during the Shoah, in Armenia, in Europe during the witch hunts, in Rwanda, and in present-day Iran. Produced in collaboration with the dancer by Iranian artist Saba Poori, it features video backdrops filmed in the Venetian Lagoon and has been staged in Brescia, Piacenza, Trento, and Cuneo.
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