This article needs more citations. (June 2025) |
Captain Underpants is an American illustrated children's novel series and multimedia franchise created by author and illustrator Dav Pilkey. The series revolves around two fourth graders, George Beard and Harold Hutchins, living in Piqua, Ohio, and Captain Underpants, an aptly named superhero from one of the boys' homemade comic books, who accidentally becomes real when George and Harold hypnotize their cruel, bossy, and ill-tempered principal, Mr. Krupp.
As of 2026, the series includes 12 main novels, two activity books, colored versions, and 4 spin-off series with 24 books in total for all 4 of them. The series has been translated into more than 37 languages, with more than 90 million books sold worldwide, including over 50 million in the United States.
In 2015, the original novel series concluded with a 12th book, Captain Underpants and the Sensational Saga of Sir Stinks-A-Lot. The finale was followed by a spin-off series titled Dog Man, released the following year in 2016.
Since its debut in 1997, Captain Underpants has been among the most frequently challenged books in American schools and libraries, as educators hold varied opinions regarding the series. Despite the controversy, the series has continued to have success, and began releasing manga adaptations of the books starting in April 2026.
DreamWorks Animation acquired the rights to the series to make an animated feature film adaptation, Captain Underpants: The First Epic Movie, which was released on June 2, 2017, followed by a television series, The Epic Tales of Captain Underpants, which aired on Netflix from July 13, 2018 to December 4, 2020.
List indicators:
In 2012, the American Library Association's Office for Intellectual Freedom reported that the Captain Underpants series was the single most-challenged title in the United States that year, and it repeated as the most-challenged title in 2013. The organization reported 464 formal, written complaints about library or school materials nationwide in 2012, an increase from 326 in 2011, which officials partly attributed to a new online reporting portal. Readers filing complaints cited "offensive language" and content "unsuited for age group" as the most common reasons for seeking to restrict the series. In response to the 2012 ranking, Pilkey said that he found it notable to appear on a list alongside authors such as Mark Twain, Harper Lee, and Maya Angelou but expressed concern that the designation could discourage parents from allowing their children to read the books.
In the Journal of LGBT Youth, children's-literature scholar Thomas Crisp analyzes the representation of Harold as gay as both notable and limited. In Captain Underpants and the Sensational Saga of Sir Stinks-A-Lot, the two protagonists travel 20 years into the future and encounter adult versions of themselves alongside their families. In that scene, the adult George is depicted with a wife and two children, while the adult Harold has a husband named Billy and twin adopted children, making Harold the only explicitly queer-identified character in the series. Crisp argues that Pilkey's depiction of Harold as gay is significant because the disclosure is written explicitly in the text rather than announced outside the books. At the same time, Crisp notes that the representation is minimal, and further observed that a teacher reading the book aloud could omit the single word "husband" and remove the queer content entirely without disrupting the narrative. In the fall of 2015, at least one Michigan elementary school removed the 12th book from a Scholastic book fair after parents objected to the same-sex marriage reference, a decision that generated national press coverage.
The Captain Underpants series has created sustained debate among teachers, librarians, and parents about its appropriateness for elementary-school audiences. In a 2008 commentary published in American Teacher, former high-school teacher Gary D. Askins argues that the books rely on bodily-function humor and depictions of disrespect toward adults. He questions whether schools should promote them as reading material for children aged seven to ten. In the same issue, school librarian Sara Kelly Johns defends the series as a tool for reaching reluctant readers, particularly boys, and quoted elementary librarians who praised Pilkey for embracing silliness as a route into reading for pleasure. An accompanying reader poll conducted by the publication reports that approximately 63% of respondents agreed that schools should promote the series, while 37% percent disagreed.
Individual teachers and librarians interviewed for that feature offered mixed views. A Chicago-area teacher describes any reading material that draws children in as a benefit, while a New Jersey teacher reiterates the appeal of the series to reluctant readers. A Texas school librarian took an opposing position, stating that she discouraged students from purchasing the books at school book fairs because she did not consider them to have literary value.
Research in library and information science has situated Captain Underpants within broader conversations about boys' reading preferences. A 2006 study of 43 boys aged four to twelve, reviewed in Evidence Based Library and Information Practice in 2009, found that series books including Captain Underpants, Animorphs, Magic Tree House, and Redwall appeared frequently in the boys' personal collections and that humorous and illustrated formats were consistently valued by the participants. The review argues that these preferences are often undervalued by teachers and librarians and that recognizing them can help legitimize the reading practices of young male readers.
A 2024 case study published in Frontiers in Psychology describes the use of Captain Underpants in bibliotherapy with a fourth-grade child experiencing a learning disability. The therapist reports that while reading and discussing the series provided a vehicle for the child to engage with age-inappropriate humor, it served as a means to practice writing despite his reading difficulties.
In a 2011 interview published in Book Links, Pilkey addressed the frequent characterization of the series as a "boy's" book. He believes that label stems from adults's false perception, noting that he estimated roughly 40% of his fan mail came from girls. When asked about the recurring presence of the series on lists of challenged books, Pilkey said, ironically, that he attributed part of his commercial success to the publicity generated by efforts to restrict access to the books.
Although the first few books came out regularly, the ninth book, Captain Underpants and the Terrifying Return of Tippy Tinkletrousers (advertised in a teaser at the end of the eighth book), was not released until 2012, after a six-year wait. During this time, Dav Pilkey was caring for his terminally ill father, who died in 2008. In 2009, he signed a deal with Scholastic for four new books, the first of which was The Adventures of Ook and Gluk: Kung-Fu Cavemen from the Future, released August 10, 2010. The second was Super Diaper Baby 2: The Invasion of the Potty Snatchers, released June 28, 2011. The third book, Captain Underpants and the Terrifying Return of Tippy Tinkletrousers, was released August 28, 2012. The fourth book, Captain Underpants and the Revolting Revenge of the Radioactive Robo-Boxers, was released January 15, 2013.[citation needed]
On October 20, 2011, it was reported that DreamWorks Animation had acquired rights to make an animated feature film based on the Captain Underpants series. On October 25, 2013, it was reported that Rob Letterman would direct the film, while Nicholas Stoller would write the script. It would have been the second film to have Letterman and Stoller working together, the first being Gulliver's Travels. On January 21, 2014, the cast was announced, with Ed Helms joining as Mr. Krupp/Captain Underpants; Kevin Hart as George Beard; Thomas Middleditch as Harold Hutchins; Nick Kroll as the insidious villain, Professor Poopypants; and Jordan Peele as Melvin, the nerdy nemesis of George and Harold. On June 12, 2014, the film was scheduled for release on January 13, 2017. Following DreamWorks Animation's reorganization in early 2015, the studio announced that the film would be produced outside of the studio's pipeline at a significantly lower cost. It would be instead animated at Mikros Image in Montreal, Canada, and it would look differently than most of DWA's films. A month later, Deadline reported that Letterman had left the project, and that David Soren, the director of Turbo, was in talks to direct the film, but Letterman returned to the project and served as an executive producer with Dav Pilkey. The film was expected to be released on March 10, 2017, but in September 2015, DreamWorks Animation's The Boss Baby took over its date. The film was released on June 2, 2017.
On December 9, 2020, it was announced that a feature film based on the Dog Man spin-off series is in development at DreamWorks Animation with Peter Hastings directing at the helm after his experience with Dav Pilkey's works from The Epic Tales of Captain Underpants. On October 6, 2023, the movie was confirmed to be released in 2025. On January 29, 2024, it was announced that the film would be released on January 31, 2025. A sequel is in development.
Dav Pilkey had looked to turn the books into a possible live-action TV series, and he had imagined Chris Farley in the titular role. Around the same year the first book debuted to the public, Farley died of a drug overdose. Defunct animation studio Soup2Nuts also attempted to produce an animated series based on the books in the early 2000s.[non-primary source needed]
DreamWorks Animation Television produced a television series based on (and a sequel to) the film that was streamed to Netflix. It was released on July 13, 2018.
"Trolls," set for a 2016 release, will be the first film to be made with the $120 million budget.