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Stepan Rostomyan Ստեփան Ռոստոմյան | |
|---|---|
| Born | 4 April 1956 |
| Education | Yerevan Komitas State Conservatory |
| Occupation | Composer |
Stepan Rostomyan (Armenian: Ստեփան Ռոստոմյան, born 4 April 1956) is an Armenian composer. He is one of Armenia's key figures of the contemporary music scene, as well as a composer whose works have been performed and broadcast internationally.
Rostomyan studied in Yerevan Komitas State Conservatory composition faculty in the classes of Professor Ghazaros Saryan and Avet Terteryan. He became one of the most well known post Soviet Union composers who commissioned pieces for leading soloists and ensembles such as Oleg Kogan, Yuri Bashmet, David Geringas, London Sinfonietta, Ensemble Modern, and the Paragon Ensemble, among others. The Scottish Arts Council funded commissions from Rostomyan four times, and each of the premieres and performances was highly rated according to Herald. Rostomyan has written chamber and symphony works, mono opera, and vocal and instrumental compositions. One of his recent pieces "Tagh of Angels" a triple of Taghs (medieval form of Armenian sacred song) has been numerously performed in Switzerland, the United Kingdom and the United States to high acclaim. Rostomyan has written music to multiple films and theatrical performances. He is a frequent lecturer on Armenian music and culture in international conferences. In 1989 he was invited to work at Glasgow University's electro acoustic music studio and has afterwards established an electronic music department at the Yerevan Conservatory. Students of Rostomyan's class are leading young composers of Armenia who are winners of the first places at prestigious international composing competitions. Mr. Rostomyan is one of "...about 500 leading composers of the second half of our century..." from all over the world whose life and activity are included in the Contemporary Composers reference book from Gale Research International.
"Atmospheric sounds of the Armenian Church music mingled with electronic strings and piano timbres and the acoustic instruments in a slow and solemn movement that reached a searingly intense climax. Those two pieces rate as the most sincere works so far played in the "New Beginnings" Festival."
Janet Beat ("Scotsman", 28 November 1989)
"Rostomyan's Third Symphony-the great popular success of "New Beginnings" - carried its listeners inexorably from its wonderfully atmospheric opening, to the voluptuous, Holywoodish glamour of its heavenly chorus."
Michael Timelty ("Glasgow Herald", 29 November 1989)
"I was most intrigued by the Third Symphony. It is a fascinating work and beautifully composed."
Harold Hagopian (RCA/Victor BMG producer, 2002)
"Stepan Rostomyan's music reflects a synthesis of European and Oriental traditions, In Rostomyan's music one can hear influences of the ancient Armenian monody; it is very coloristic and religious. His Symphony and some miniatures – for example "The Angeles'" Canticles are popular in the West."
Mark Rais ("A Special Issue of Leonardo", USA Volume 24:2, 1991)