Stephen Nowlin is an American curator/artist whose practice superimposes art and science and is associated with the national ArtScience movement. He is a vice president at Art Center College of Design and founding director of the college's Alyce de Roulet Williamson Gallery.
Telematic Connections: The Virtual Embrace (traveling exhibition hosted at Williamson Gallery, 2000);
Russell Crotty: The Universe from My Backyard (2001);
Paul De Marinis (2001);
Christian Moeller (2001);
Situated Realities: Works from the Silicon Elsewhere (traveling exhibition hosted at Williamson Gallery, 2002);
GHz: The Post-Analog Object in L.A. (co-curated with John David O'Brien, 2002);
Paradise Now: Picturing the Genetic Revolution (traveling exhibition hosted at Williamson Gallery, 2003);
NEURO (collaboration with the Center for Neuromorphic Systems Engineering, a Caltech NSF-funded lab exploring sensory systems in machines and biological organisms, 2003);
Lita Albuquerque (site-specific installation at Caltech campus, 2004);
Michael McMillen (site-specific installation at Caltech campus, 2004);
EAR(th) (with Steve Roden/AnnMarie Thomas, 2004);
Michael Naimark (2005);
AxS: At the Intersection of Art & Science (co-curated with Jay Belloli);
In the Dermisphere (2007);
OBSERVE (collaboration with Caltech's Spitzer Science Center and NASA-JPL Spitzer Space Telescope, 2008);
TOOLS (co-curated with John David O'Brien, 2009);
ENERGY (2010);
Things That Float (online exhibit for NASA Images, 2010);
Hyperbolic: Reefs, Rubbish, and Reason (Institute for Figuring traveling exhibition curated by Margaret/Christine Wertheim hosted at Williamson Gallery, 2011);
WORLDS (2011);
The History of Space Photography (traveling exhibition curated by Jay Belloli, hosted at Williamson Gallery, 2012);
PAGES (co-curated with John David O'Brien, 2012);
Intimate Science (traveling exhibition curated by Andrea Grover, hosted at Williamson Gallery, 2013)
Co-organizer with Pasadena Arts Council, AxS: Pasadena Festival of Art and Science (2011, 2014)
Recognition
Muchnic, Suzanne, "Under the Microscope," ARTnews Magazine, cover story.
Nowlin Essay, "Art Meets Science! Get Over It . . .", STEAM Journal
Article on Stephen Nowlin ENERGY exhibition, The Center for Sustainable Practice in the Arts.
Guest Showcase, NASA Images
Nowlin Essay, Why is Science Important?
Article on "Art, Science, Engineering, Unite," Caltech News
Article, "Art and Science Collide at Pasadena Gallery," L.A. Times
Honoree, 2009.
Honoree, 2004.
Article, on Stephen Nowlin's Jim Campbell exhibition, L.A.Times.
↑"Stephen Nowlin . . . organizes art-and-science crossover shows that are often seen as curiosities or spectacles," Suzanne Muchnic in ARTnews cover story article on leaders in the ArtScience movement, ″Under the Microscope,″ March 2013.
↑"Stephen Nowlin is the first participant of NASA Images’ “Guest Showcase,” a monthly presentation of digital exhibitions curated by leading professionals in the fields of science, education, art, entertainment, business, and academia." Video, "Things That Float," 2010.
↑"A collection of thoughts from leading scientists, public figures, ...and you." Why is Science Important?, March 7, 2009.
↑"At Art Center, Williamson Gallery director Stephen Nowlin has emphasized the common borderlines of art and science through a decade-long series of crossover exhibitions." By Jill Perry, Caltech NewsArchived 2015-01-23 at the Wayback Machine, 3/28/2003.
↑"The 'Worlds' exhibit at the Art Center College of Design examines how scientific knowledge shapes our understanding of the world. Meteor rocks, moon portraits and other works are on display." by Eryn Brown, "Art and Science Collide at Pasadena Gallery," L.A.Times science writer, December 16, 2011.
↑L.A. Artcore 16th Annual Award Benefit, Omini Los Angeles Hotel, October 9, 2004. Award for contributions to the cultural life of Southern California.
↑"The exhibition was organized by gallery director Stephen Nowlin. He has by now established a track record of shows that place him among the most thoughtful and inventive curatorial talents in this geography." William Wilson, "Jim Campbell's Poetic Engineering of Choices," Los Angeles Times art review, May 1997.