Superflex

Superflex's Free Beer Factory workshop at the 2010 Taipei Biennial, held at the Taipei Fine Arts Museum

Superflex (stylised as SUPERFLEX) is a Danish artist collective founded in Copenhagen in 1993 by Jakob Fenger, Rasmus Nielsen and Bjørnstjerne Christiansen. Its work ranges from films and public installations to projects involving energy production, trade and communication. The group frequently collaborates with people outside the art world, including engineers, farmers, designers and local communities.

Superflex calls many of its projects tools, a term for works that others can use, adapt or help produce. Early examples include Supergas, a biogas system developed for rural households, and Guaraná Power (2003), a soft drink produced with Brazilian guarana farmers. Other projects have dealt with copyright, the circulation of goods and the rules governing who may copy or sell them.

The collective's public works include Superkilen (2012), a Copenhagen park developed with Bjarke Ingels Group and Topotek 1, and One Two Three Swing! (2017), an installation of linked swings and a large pendulum at Tate Modern. More recent projects have turned towards rising sea levels, marine habitats and the place of other species in human-built environments.

History

Superflex's early projects frequently borrowed the language and methods of business. In The Campaign (1994), the group approached companies in southern Jutland with fictitious product presentations. Other projects involved actual technical development. Supergas (1996–1997) explored small-scale biogas production, with a system tested in Tanzania in 1997. In 1999, the group launched Superchannel, an internet television project through which participating communities could produce their own programmes.

During the 2000s, the collective made works involving commercial products, alternative brands and the copying of protected designs. Projects such as Copyshop (2005) and Copy Right (2006) continued this interest in reproduction and ownership. The group also produced films, including Flooded McDonald's (2009).

In December 2013, Kunsthal Charlottenborg in Copenhagen opened a retrospective marking the collective's twentieth anniversary. Rather than arranging a single survey, Superflex invited eight curators or curatorial teams to make separate exhibitions from its body of work. The resulting show, Working Title: A Retrospective Curated by XXXXXXXXX, ran until February 2014.

The collective's later projects have included large-scale public installations. In 2017, Superflex presented One Two Three Swing! at Tate Modern in London. In 2021, Interspecies Assembly combined a sculpture installation in Central Park with a projection of the film Vertical Migration onto the United Nations Secretariat Building. The project coincided with the United Nations General Assembly.

Artistic approach

Some projects are developed with the people expected to use them. Their involvement can include testing, operating or modifying a product or system after its initial presentation.

Copyright and ownership are recurring subjects in its work. For Copy Right, Superflex modified commercially produced imitations of Arne Jacobsen's Ant Chair to make them resemble the original design more closely. A biogas-powered adaptation of Poul Henningsen's PH5 lamp drew objections from the manufacturer Louis Poulsen. The group has also used open licences and non-exclusive agreements for some of its own works, including films.

Critics have questioned how far these projects change the economic practices they address, particularly when the works themselves circulate through galleries and the art market. The political aims of participatory installations have also met with scepticism. One Two Three Swing! at Tate Modern, for example, was praised for its playfulness but questioned for its political impact.

Selected projects

Superflex has made several films built around a single, extended event. In Flooded McDonald's (2009), a life-size replica of a McDonald's restaurant slowly fills with water. Modern Times Forever (2011) imagines the decay of a building designed by Alvar Aalto over 240 hours. It was screened outdoors in Helsinki, with the actual building visible behind the screen.

Several projects have brought familiar objects into public spaces. Power Toilets (2010) reproduced the lavatories used by members of the United Nations Security Council as a functioning public toilet in Heerhugowaard, the Netherlands. For Superkilen (2012), developed with Bjarke Ingels Group and Topotek 1, residents of Copenhagen's Nørrebro district helped select benches, signs, playground equipment and other objects associated with places around the world. The park is divided into red, black and green sections.

Recent projects have also addressed marine life. Dive-In (2019) connected a drive-in cinema in California's Coachella Valley with an underwater structure off the Pacific coast, where fish were filmed occupying the installation. In Copenhagen Harbour, sculptures from As Close As We Get (2022) extend below the waterline, where their surfaces provide potential habitats for seaweed and fish. For All That We Know (2021), Superflex installed six oversized sculptures of fruits and vegetables outside Herlev Hospital in Denmark.

Selected publications

Public collections

Works by Superflex are held in several museum collections, including Copy Light/Factory (2008) at the Museum of Modern Art in New York, Copy Right (Brown version) (2007) at Museum Boijmans Van Beuningen in Rotterdam, and Kanal 11 at the Galerie für Zeitgenössische Kunst Leipzig.

The film Flooded McDonald's is held by the Queensland Art Gallery in Brisbane and the Louisiana Museum of Modern Art in Humlebæk.

Awards and recognition

References

  1. ↑ Program Archived 2015-07-03 at the Wayback Machine on taipeibiennial.org "Workshop: "FREE BEER factory", Superflex Sep.7, Tue.1500-1700, Venue: GOOGLE OFFICE, TFAM, Superflex inaugurates their work for TB10 with a free workshop. Learn to brew your own beer."
  2. 1 2 3 4 5 Hansen, Kamma Overgaard. "SUPERFLEX". Lex (in Danish). Retrieved 2026-10-11.
  3. 1 2 3 4 Myers, Julian (2007-04-15). "Superflex". Frieze. Retrieved 2026-10-11.
  4. 1 2 Searle, Adrian (2017-10-02). "One Two Three Swing! by SUPERFLEX review – no escaping gravity in the Turbine Hall". The Guardian. Retrieved 2026-10-11.
  5. ↑ Friis, Nanna (2026-06-12). "It Was a Different Time". Kunstkritikk. Retrieved 2026-10-11.
  6. ↑ Giannachi, Gabriella (2022). "Reassessing the Roles and Values of Art Documentation in the Context of Environmental Practice". Critical Stages/Scènes critiques. Retrieved 2026-10-11.
  7. 1 2 3 Sangild, Torben (2013-12-23). "Copyleft – nogle tanker om Superflex og ophavsret". Art Matter (in Danish). Retrieved 2026-10-11.
  8. 1 2 Darwent, Charles (2009-01-18). "Superflex: Flooded McDonald's, South London Gallery, London". The Independent. Retrieved 2026-10-11.
  9. 1 2 Østergaard, Cecilie Høgsbro (2014-01-28). "Falsely Modest Criticism". Kunstkritikk. Retrieved 2026-10-11.
  10. ↑ Brown, Mark (2017-10-02). "In full swing: Tate's Turbine Hall turned into adult playground". The Guardian. Retrieved 2026-10-11.
  11. ↑ "Iconic United Nations building to light up with images of marine species in an artistic call for global solidarity and harmony with nature". United Nations Sustainable Development. 2021-09-17. Retrieved 2026-10-11.
  12. ↑ "Ten-Day Movie Starts in Helsinki". Yle. 2011-03-23. Retrieved 2026-10-11.
  13. ↑ Pleij, Sander (2010-07-03). "Pisbakken, andermaal". Vrij Nederland (in Dutch). Retrieved 2026-10-11.
  14. ↑ Jordana, Sebastian (2013-01-16). "Superkilen masterplan designed by BIG + Topotek 1 + Superflex Honored by AIA". ArchDaily. Retrieved 2026-10-11.
  15. ↑ Powell, James Peplow (2024). "Cities of the Sea". Future Observatory Journal. Retrieved 2026-10-11.
  16. ↑ Tækker, Christina (2022-11-23). "Stone reefs in concrete to increase marine biodiversity". Technical University of Denmark. Retrieved 2026-10-11.
  17. ↑ Vandsø, Anette (2026). "The Botanical Grotesque: Interspecies Care, Power, and Vegetal Mythologies in Contemporary Scandinavian Art". Grotesque Anthropocene. Palgrave Macmillan. pp. 159–180. doi:10.1007/978-3-032-09364-6_9.
  18. ↑ "SUPERFLEX. Copy Light/Factory. 2008". Museum of Modern Art. Retrieved 2026-10-11.
  19. ↑ Jaarverslag 2007 (PDF) (Report) (in Dutch). Museum Boijmans Van Beuningen. 2007. p. 110. Retrieved 2026-10-11.
  20. ↑ Stecker, Heidi. "Zur Geschichte der Sammlung der GfZK: 1999–2002" (PDF). Galerie für Zeitgenössische Kunst Leipzig (in German). Retrieved 2026-10-11.
  21. ↑ "Flooded McDonalds 2009". Queensland Art Gallery. Retrieved 2026-10-11.
  22. ↑ "Moving Images". Louisiana Museum of Modern Art. Retrieved 2026-10-11.
  23. ↑ "Kunstkritikerprisen". AICA Denmark (in Danish). Retrieved 2026-10-11.
  24. ↑ Dickinson, Elizabeth Evitts (2013-06-18). "2013 AIA Honor Awards: Superkilen". Architect. Retrieved 2026-10-11.
  25. ↑ "Superflex". Carl Nielsen og Anne Marie Carl-Nielsens Legat (in Danish). Retrieved 2026-10-11.
  26. ↑ "2016 Aga Khan Award for Architecture recipients announced". Aga Khan Development Network. 2016-10-03. Retrieved 2026-10-11.
  27. ↑ "Modtagere af Kronprinsparrets Priser 2021". The Danish Royal House (in Danish). 2021-09-25. Retrieved 2026-10-11.
  28. ↑ "Akademiets medaljemodtagere 2025". Akademiraadet (in Danish). 2025-03-27. Retrieved 2026-10-11.