Harman's artistic practice includes drawing and illustration, beadwork, textiles, humour, zines, and wordplay. He often references his identity as a queer, trans member of Carrier Wit’at nation living away from his territories and his involvement in the punk music scene. His work explores the ways in which art can be used as a tool of resistance, to interpret questions of identity and relation, and to prioritize internal community dialogue over colonial frameworks. His work is held in numerous collections, including at the Morris and Helen Belkin Art Gallery at the University of British Columbia.
Harman's curatorial practice prioritizes emerging queer and BIPOC cultural workers and artists.
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In spring 2019, Harman developed the These Ones (formally Together Apart) zine series following the Together Apart, Queer Indigeneities 2S/Indigiqueer Symposium.
In 2020, Harman designed a "Land Back" sewn patch that was used in a collaboration with musical group The Halluci Nation as the cover for a song with the same title.
Harman's text-based works, including his 2020 mural Body as Vessel/Body as Blockade, are often intentionally difficult to read, forcing the viewer to slow down and put in the labour to decipher what is being said. This work is a response to the frequent question of anyone doing land defense work being asked why they do it.
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Solo Exhibitions
Potlatch Punk World Tour, Neutral Ground, Regina, April 5 - May 31, 2025
chew the bones, they’re soft, Open Space, Victoria, February 5 - April 30, 2022