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| Translations of ṣaḍāyatana | |
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| English | six cognitive functions, six sense bases, six sense spheres |
| Sanskrit | ṣaḍāyatana |
| Pali | saḷāyatana |
| Chinese | 六入, 六処 (Pinyin: liùrù) |
| Japanese | 六入, 六処 (Rōmaji: rokunyū, rokusho) |
| Korean | 육입, 육처 (RR: yuk-yip, yuk-tcher) |
| Tagalog | ayatana |
| Tibetan | skye.mched |
| Thai | อายตนะ (RTGS: ayatana) |
| Vietnamese | lục nhập |
| Glossary of Buddhism | |
In Buddhism, āyatana (Pāli; Sanskrit: आयतन) is a "center of experience" or "mental home," which create one's experience. The related term saḷāyatana (Pāli; Skt. ṣaḍāyatana) refers to six cognitive functions, namely sight, hearing, smelling, tasting, body-cognition, and mind-cognition.
Āyatana may refer to both ordinary experience and the chain of processes leading to bondage, as to awakened experience centered in detachment and meditative accomplishment. The Buddhist path aims to relocate one from the ordinary, sensual centers of experience to the "mental home" of the purified, liberated awareness of the jhanas.
Traditionally, the term āyatana is translated as "sense base", "sense-media" or "sense sphere," due to the influence of later commentators like Buddhaghosa. The saḷāyatana are traditionally understood as referring to the five senses and the mind.
Āyatana (Pāli; Sanskrit: आयतन) is a Buddhist term that does not have a single definition or meaning. The standard PTS Pāli-English Dictionary by Davids & Stede (1921) gives the following meanings of āyatana:
While āyatana is usually translated as "base" or "sphere," or more specifically as "sense field," "sense base", "sense-media" or "sense sphere," according to Ellis, "these are inadequate translations because they are based on later Buddhist traditions and commentarial literature and not on an historical understanding of the term."
In Vedic literature āyatana is "used for a regular place, position, etc. occupied by a person." In some Upanishads it refers to a "dwelling place" or "resort," or a "resting place for the mind," indicating that āyatana means "the place in which experience happens" or a "center of experience." According to Ellis, "center of experience" or "mental home" is a more adequate interpretation than "base" or "sphere."
Ellis notes that āyatana in the suttas most commonly appears in compound form, namely saḷāyatana or cha phassāyatanā, the "six āyatanas of sensual experience." According to Ellis, "This context is so dominant that translators like Bodhi and Walshe translate ‘sense bases’ even if the Pāli texts only mentions āyatana, and not saḷāyatana."
Ellis further notes that saḷāyatana is traditionally interpreted anatomically, and understood as referring to the five senses and the mind. Yet, according to Olivelle, saḷāyatana refers instead to cognitive functions, and is therefore understood by Ellis as referring to sight, hearing, smelling, tasting, body-cognition, and mind-cognition.
Throughout the Pali Canon, the saḷāyatana are referenced in hundreds of discourses. In these diverse discourses, the sense bases are integrated in various mnemonic lists.
| Figure 1: The Pali Canon's Six Sextets: | |||||||||||||||
| sense bases (āyatana) | → |
feeling ︵vedanā︶ | → |
craving ︵taṇhā︶ | |||||||||||
| "internal" sense organs |
<–> | "external" sense objects |
|||||||||||||
| ↓ | ↓ | ||||||||||||||
| ↓ | contact (phassa) | ||||||||||||||
| ↓ | ↑ | ||||||||||||||
| consciousness (viññāṇa) |
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| |||||||||||||||
| Source: MN 148 (Thanissaro, 1998) diagram details | |||||||||||||||
The āyatana are further refined as six internal āyatana and six corresponding external āyatana. Together they form:
The saḷāyatana are related to the indriya, the five senses and the mind; the indriya become saḷāyatana when they are distorted by a defiled mind.[better source needed]Indriya also refers to the five spiritual facultues, which contribute to an awakened state of mind.
Based on these six pairs of āyatana, a number of mental factors arise, as described in the five skandhas. Thus, for instance, when the auditive cognitive function ('the ear') is triggered by sound, the associated consciousness (Pali: viññāṇa) arises. With the presence of these three elements ( dhātu) – hearing function, sound and hearing function-related consciousness – "contact" (phassa) arises, which in turn is apprehended as a pleasant or unpleasant or neutral "feeling" or "sensation" (vedanā). With feeling, "craving" (taṇhā) (or aversion) arises. (See Figure 1.)
Such an enumeration can be found, for instance, in the "Six Sextets" discourse (Chachakka Sutta, MN 148), where the "six sextets" (six sense organs, six sense objects, six sense-specific types of consciousness, six sense-specific types of contact, six sense-specific types of sensation and six sense-specific types of craving) are examined and found to be empty of self.
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The saḷāyatana are included in the Twelve Nidanas, a list compiled of several sublists including the five skandhas, which describes the process of becoming.
In a discourse entitled, "The All" (SN 35.23), the Buddha states that there is no "all" outside of the six pairs of the saḷāyatana. In the next codified discourse (SN 35.24), the Buddha elaborates that the All includes the first five aforementioned sextets (sense organs, objects, consciousness, contact and sensations). References to the All can be found in a number of subsequent discourses. In addition, the Abhidhamma and post-canonical Pali literature further conceptualize the saḷāyatana as a means for classifying all factors of existence.
In "The Vipers" discourse (Asivisa Sutta, SN 35.197), the Buddha likens the internal saḷāyatana to an "empty village" and the external saḷāyatana to "village-plundering bandits." Using this metaphor, the Buddha characterizes the "empty" sense organs as being "attacked by agreeable & disagreeable" sense objects.
the contact between the senses and the sense objects
gives rise to fleeting perceptions of happiness and distress.
Bhagavad Gita 2 : 14
Elsewhere in the same collection of discourses (SN 35.191), the Buddha's Great Disciple Sariputta clarifies that the actual suffering associated with sense organs and sense objects is not inherent to these saḷāyatana but is due to the "fetters" (here identified as "desire and lust") that arise when there is contact between a sense organ and sense object.
In the "Fire Sermon" (Adittapariyaya Sutta, SN 35.28), delivered several months after the Buddha's awakening, the Buddha describes all saḷāyatana and related mental processes in the following manner:
The Buddha taught that, in order to escape the dangers of the saḷāyatana, one must be able to apprehend the saḷāyatana without defilement. In "Abandoning the Fetters" (SN 35.54), the Buddha states that one abandons the fetters "when one knows and sees ... as impermanent" (Pali: anicca) the [saḷāyatana], objects, sense-consciousness, contact and sensations. Similarly, in "Uprooting the Fetters" (SN 35.55), the Buddha states that one uproots the fetters "when one knows and sees ... as nonself" (anatta) the aforementioned five sextets.
To foster this type of penetrative knowing and seeing and the resultant release from suffering, in the Satipatthana Sutta (MN 10) the Buddha instructs monks to meditate on the saḷāyatana and the dependently arising fetters as follows:
In the Four Noble Truths, one of many summaries of the Buddhist path to liberation, dukkha ('suffering') is observed to arise with craving (Pali: taṇhā; Skt.: tṛṣṇā, lit. 'thirst'). In the chain of Dependent Origination, craving arises with sensations when the saḷāyatana is activated by contact. To detach from tanha and dukkha, one should develop awareness (sati (mindfullness) and sampajañña (clear comprehension)) of the chain of events triggered by the saḷāyatana, and practice restraint and detachment (sammā-vāyāma (right effort) and dhyana ('meditation')).
Ellis notes that āyatana may also refer to the various stages of meditation (jhana), and "even the state of liberated Buddhist masters is termed āyatana."' As such, they are also a "center of experience" or "mental home," in which our normal states of mind are abandoned and one relocates in the purified, liberated awareness of the jhanas.
The Vimuttimagga, the Visuddhimagga, and associated Pali commentaries and subcommentaries all contribute to traditional knowledge about the saḷāyatana.
When the Buddha speaks of "understanding" the eye, ear, nose, tongue and body, what is meant?
According to the first-century CE Sinhalese meditation manual, Vimuttimagga, the sense organs can be understood in terms of the object sensed, the consciousness aroused, the underlying "sensory matter," and an associated primary or derived element that is present "in excess." These characteristics are summarized in the table below.
| sense organ |
sense object |
sense consciousness |
sensory matter |
element in excess |
|---|---|---|---|---|
| eye | visual objects | visual consciousness | "...the three small fleshy discs round the pupil, and the white and black of the eye-ball that is in five layers of flesh, blood, wind, phlegm and serum, is half a poppy-seed in size, is like the head of a louseling...." | Earth |
| ear | sound waves | auditory consciousness | "...in the interior of the two ear-holes, is fringed by tawny hair, is dependent on the membrane, is like the stem of a blue-green bean...." | Sounds |
| nose | odors | olfactory consciousness | "...in the interior of the nose, where the three meet, is dependent on one small opening, is like a Koviḷāra (flower in shape)...." | air |
| tongue | tastes | gustatory consciousness | "...two-finger breadths in size, is in shape like a blue lotus, is located in the flesh of the tongue...." | water |
| body | tangibles | tactual consciousness | "...in the entire body, excepting the hair of the body and the head, nails teeth and other insensitive parts...." | Heat (or lack thereof) |
| Table 1. The Vimuttimagga's characterization of sense organs. | ||||
The compendious fifth-century CE Visuddhimagga provides similar descriptors, such as "the size of a mere louse's head" for the location of the eye's "sensitivity" (Pali: pasāda; also known as, "sentient organ, sense agency, sensitive surface"), and "in the place shaped like a goat's hoof" regarding the nose sensitivity (Vsm. XIV, 47–52). In addition, the Visuddhimagga describes the sense organs in terms of the following four factors:
Thus, for instance, it describes the eye as follows:
In regards to the sixth internal āyatana of mind (mano), Pali subcommentaries (attributed to Dhammapāla Thera) distinguish between consciousness arising from the five physical saḷāyatana and that arising from the primarily post-canonical notion of a "life-continuum" or "unconscious mind" (bhavaṅga-mana):
In the fifth-century CE exegetical Visuddhimagga, Buddhaghosa identifies knowing about the saḷāyatana as part of the "soil" of liberating wisdom. Other components of this "soil" include the aggregates, the faculties, the Four Noble Truths and Dependent Origination.