| Baththa | |
|---|---|
Theatrical release poster | |
| Directed by | Balaji Tharaneetharan |
| Written by | Balaji Tharaneetharan |
| Produced by |
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| Starring |
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| Cinematography | Selvakumar S. K. |
| Edited by | R. Kalaivanan |
| Music by | Sai Abhyankkar |
Production companies |
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| Distributed by | AGS Entertainment |
Release date |
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Running time | 158 minutes |
| Country | India |
| Language | Tamil |
| Budget | est. ₹28 crore |
| Box office | est. ₹33.16 crore |
Baththa is a 2026 Indian Tamil-language comedy drama film written and directed by Balaji Tharaneetharan and produced by Cine1 Studios, A for Apple Studios and Star Studio18. The film stars Vijay Sethupathi in the titular role, Master Sai Prithviraj and Lijomol Jose, with Baby Sahasra Shree, Santhy Balachandran, Hari Krishnan and Arjun Chidambaram in supporting roles. It follows a dreaded gangster who is accidentally locked in a school bathroom and the effects it has on his life.
The film was officially announced in August 2026, by which point filming was already complete. The music was composed by Sai Abhyankkar, cinematography was handled by Selvakumar S. K. and editing by R. Kalaivanan.
Baththa was released in theatres on 1 October 2026 and received positive reviews from critics. Despite a slow start, the film emerged as a sleeper hit at the box office.
In 1986 Madras, Baththavachalam "Baththa" is a ruthless and dreaded local gangster. He commands total authority on the streets by instilling deep fear in everyone around him. Sabhari is a young boy in the same neighbourhood. He witnesses Baththa brutally assaulting an enemy Jyoti and is terrified of him. Baththa is affectionate towards his tween daughter Themozhi "Thenu", and frequently mistreats his wife Kannima.
Sabhari's toy is confiscated by his teacher right before the start of summer vacation. Sabhari breaks into the school at dawn to secretly retrieve the toy. After using the toilet, he promptly locks the bathroom and is terrified when someone knocks from the inside. He freezes with fear when the locked person identifies himself as Baththa, and threatens to kill whoever locked him up. Sabhari runs away in fear, while Baththa contemplates which one of his enemies would have locked him up.
Sabhari returns to the bathroom with some rusks, crushes and feed them through the door creek. For several days, Baththa only threatens him with violence, thinking he is being held by one of his opponents. A few days later, Baththa relents and begs to be set free, promising he will not cause any harm. Sabhari, still being shaken by fear, only feeds him rusks, without speaking a word.
One day Sabhari's mother asks him to get ready to leave to their native town. He gathers the courage to set Baththa free, but is shocked to find him unconscious. He calls out for help and Baththa is saved. Baththa's men identify Sabhari as Baththa's rescuer and the family shower him with love. Baththa apologises to Kannima for his past behaviour and starts treating her with respect.
Baththa devises a plan to find his "kidnapper"- inviting each of his opponents to Thenu's puberty ceremony and finding the perpetrator through their body language. However, he rekindles his camaraderie with them after being the first to apologise.
Sabhari eventually reveals the truth to Baththa, choking up with tears but Baththa fondly hugs him. Jyoti considers his apology an insult and attempts to thrash him. Baththa overpowers him but does not kill him. Sabhari questions Baththa why he was in the school bathroom, and he tells him the truth. Baththa loved singing, but was bad at it and was constantly ridiculed by his friends. Once he became a gangster, he used the terror to get back at people who would mock him. Sabhari motivates him to sing in Thenu's ceremony. He sings, and though the crowd initially disapproves of his singing, they eventually see through his sincerity and applaud him.
On 12 August 2026, it was announced that actor Vijay Sethupathi would reunite with director Balaji Tharaneetharan for their third collaboration, following Naduvula Konjam Pakkatha Kaanom (2012) and Seethakaathi (2018). The film, titled Baththa, was revealed to be produced by Atlee under his A for Apple Studios banner in association with Cine1 Studios and Star Studio18. Sai Abhyankkar was signed as the composer, marking his first collaboration with Sethupathi. Selvakumar S. K. was announced as the cinematographer and R. Kalaivanan as the editor. Principal photography was complete by then. Because the film is set in the 1980s in North Madras, the area was recreated for the film with the help of art director T. Muthuraj. Balaji said the film was also inspired by incidents and people he witnessed during his formative years in the 1980s.
The music was composed by Sai Abhyankkar with his maiden collaboration with both Vijay Sethupathi and Balaji Tharaneetharan.
| No. | Title | Writer(s) | Singer(s) | Length |
|---|---|---|---|---|
| 1. | "Magale" | Karthik Netha | Sai Abhyankkar, Harini | 4:18 |
| 2. | "Ooroda Oththa Don" | KK Nagar Gana Jeeva | Sai Abhyankkar, Vangal Pulla Vicky, Thamizh Aadhavan | 3:46 |
| 3. | "Jiguchikkan" | Thamizh Aadhavan | Deepthi Suresh, Padmaja Sreenivasan, Priyanka NK, Gayathry Rajiv | 1:48 |
| 4. | "Mozhiye" | Karthik Netha | Sid Sriram | 3:52 |
| 5. | "Vaazhanum Baththa" | Karthik Netha | Sai Abhyankkar | 3:31 |
| 6. | "Cheen Dapak Dum Dum" | Thamizh Aadhavan | Sai Abhyankkar, Thamizh Adhavan | 2:30 |
| 7. | "Baththa Avatharam" | Thamizh Aadhavan | Thamizh Adhavan | 0:29 |
| 8. | "The Feel of Baththa" | Karthik Netha | Sai Abhyankkar, Harini, Indu, Lavanya, Narmada | 1:13 |
| 9. | "Baththa Lacrimosa" | The Indian Choral Ensemble | 2:27 | |
| 10. | "Chellame Magale" (Mohan Kannan version) | Karthik Netha | Mohan Kannan | 4:15 |
| Total length: | 27:49 | |||
Baththa was released in theatres worldwide on 1 October 2026. AGS Entertainment distributed the film in Tamil Nadu, and E4 Entertainment in Kerala. The overseas distribution rights were acquired by Panorama Studios and Zee Studios.
The film is scheduled to begin streaming on Netflix from 29 October 2026.
Bhuvanesh Chandar of The Hindu wrote, "The first half of the film sails smoothly, thanks to the period setting and Vijay Sethupathi returning to a zone he long mastered through films like Idharkuthane Aasaipattai Balakumara and Kadhalum Kadandhu Pogum [...] Even when the momentum dips in the second half, something in Balaji's screenplay commands your attention or makes you chuckle". Manivasagan Namasivayam of DT Next wrote, "Baththa works because it doesn't make the transformation of its eponymous character overly complicated: it places a violent man in a simple survival situation and gives him time to confront his demons, managing to derive humour, emotion and warmth from this premise". M. Suganth of The Times of India wrote, "The tonal swings between drama and comedy can feel somewhat dissonant, but Baththa remains consistently fresh and moving throughout", comparing the title character's redemption favourably to that of Assault Sethu from Jigarthanda (2014).
Yashaswini Sri of The Indian Express wrote, "After a stretch of films where Sethupathi seemed to be coasting, choosing projects for commercial reasons rather than creative ones, Baththa feels like a return to the actor who made Naduvula Konjam Pakkatha Kaanom, Super Deluxe and Vikram Vedha. You laugh when he laughs, and you cry when he cries". Prashanth Vallavan of Cinema Express wrote, "Everything that makes Vijay Sethupathi unique as a performer is on glorious display in Baththa, like an art display with its own room and spotlight". Janani K of India Today called it a "moving comedy drama that's wholesome and beautiful. With minor shortcomings, the film brings laughter and emotion effortlessly".
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In its 4 day opening weekend, Baththa grossed ₹11.68 crore worldwide. Despite a slow start, the film picked up. After 18 days of release the film's collections in Tamil Nadu were ₹27 crore, through which it reached break-even point, though trade analysts noted that it could have earned significantly more had the market conditions been more favourable during its release. As of 25 October, the film had collected ₹33.16 crore worldwide.