| "Bella ciao" | |
|---|---|
| Song | |
| Language | Italian |
| Published | 1953 |
| Genre | Folk |
"Bella ciao" (Italian: [ˈbɛlla ˈtʃaːo]) is an anti-Nazi and anti-fascist Italian folk song dedicated to the partisans of the Italian resistance, who fought against the occupying troops of Nazi Germany and the collaborationist fascist forces during the liberation of Italy.
The exact origins are not known, but it is theorized to be based on a folk song of the late 19th century, sung by female workers (mondine) of the paddy fields in Northern Italy in protest against harsh working conditions. There is little evidence of the song being used during World War II, with the current partisan version becoming widespread only after it ended. Versions of "Bella ciao" continue to be sung worldwide as a hymn of resistance against Nazism, fascism, injustice and oppression.
The origins of the song are unclear, although one hypothesis is that "Bella ciao" was originally sung as "Alla mattina appena alzata" ("In the morning as soon as I woke up") by seasonal workers of paddy fields of rice, especially in Italy's Po Valley from the late 19th century to the first half of the 20th century, with different lyrics. They worked at mondare (weeding) the rice fields in Northern Italy, to help the healthy growth of young rice plants. This work was performed during the flooding of the fields, from the end of April to the beginning of June every year. During this time, the first stages of the rice plants' development, the delicate shoots needed to be protected from the difference in temperature between the day and the night. It consisted of two phases: transplanting the plants and pruning the weeds.

This exhausting task was carried out primarily by women known as mondine, recruited from the poorest social classes. They spent their workdays barefoot in water up to their knees, their backs bent continuously. Poor working conditions, excessive hours and low pay led to constant dissatisfaction and, occasionally, rebellious movements and riots in the early 20th century. Struggles against the supervising padroni (an employer who completely controls his or her workers, especially one who exploits Italian immigrants) were even harder, with plenty of clandestine workers ready to compromise even further the already low wages just to get work. Besides "Bella ciao", similar songs of the mondina included "Sciur padrun da li beli braghi bianchi" and "Se otto ore vi sembran poche".
Other versions of the antecedents of "Bella ciao" appeared over the years, indicating that "Alla mattina appena alzata" must have been composed in the latter half of the 19th century. The earliest written version is dated to 1906 and comes from near Vercelli, Piedmont.
There are no indications of the relevance of "Bella ciao" among the partisan brigades, nor of the very existence of the 'partisan version' prior to the first publication of the text in 1953. There are no traces in the documents of the immediate postwar period nor is it present in important songbooks. It is not found, for example, in Pasolini's 1955 Canzoniere Italiano nor in the Canti Politici of Editori Riuniti of 1962. The 1963 version of Yves Montand shot to fame after the group Il Nuovo Canzoniere Italiano presented it at the 1964 Festival dei Due Mondi at Spoleto both as a song of the mondine and as a partisan hymn, and the latter so "inclusive" that it could hold together the various political souls of the national liberation struggle (Catholics, Communists, Socialists, Liberals...) and even be sung at the end of the Christian Democracy (Democrazia Cristiana) 1975 congress which elected the former partisan Zaccagnini as national secretary.
As reported in the text by Roberto Battaglia History of the Italian Resistance popular songs of the era were Fischia il vento and the famous Soviet folk aria Katyusha, which became the official anthem of the Garibaldi Partisan Brigades.
Even the well-known journalist, former partisan and historian of the partisan struggle, Giorgio Bocca publicly stated:
"Bella ciao"... song of the Resistance, and "Giovinezza"... song of the Fascist period... Neither one nor the other born from partisans or fascists, one borrowed from a Dalmatian song, the other from the Tuscan student spirit and over the years it has become the official or de facto anthems of anti-fascist Italy and that of the Mussolini regime... In the twenty months of the partisan war I have never heard people sing "Bella ciao", an invention of the Spoleto Festival.
— Luigi Morrone, The true story of "Bella ciao," which was never sung in the Resistance, "Our Story," "Corriere della Sera," 10 July 2018.
These statements were later verified by Carlo Pestelli in his book Bella ciao. The song of freedom, in which he reconstructs the origins and spread of the song.
Historians of Italian music, including Antonio Virgilio Savona and Michele Straniero, agree "Bella ciao" was not sung or only rarely sung during the partisan war and became popular only after WW2 ended.
Only a few voices, such as that of the historians Cesare Bermani and Ruggero Giacomini, claim that some version of "Bella ciao" was sung by some brigades during the Resistance, although not necessarily in the now popular 'partisan version', of whose existence, as specified above, there is no documentary evidence until the 1950s.
The text as sung today was first published in 1953 in the magazine La Lapa, and then in L'Unità in 1957.[citation needed]
A possible origin of the melody was identified by researcher Fausto Giovannardi, following the discovery of a Yiddish melody (Koilen song) recorded by a Russian Klezmer accordionist, Mishka Ziganoff, in 1919 in New York. According to the scholar Rod Hamilton of The British Library in London, "Koilen" is a version of "Dus Zekele Koilen" (The bag of coal), of which there are various versions dating back to the 1920s.
Italian folksinger Giovanna Daffini recorded the song in 1962. The music is in quadruple meter.
| Italian lyrics | English translation |
|---|---|
Alla mattina appena alzata |
In the morning I got up |
| Italian lyrics | English translation |
|---|---|
Una mattina mi son svegliato, |
One morning I awakened, |
| Part of a series on |
| Anti-fascism |
|---|
One of the most famous recordings is that of the Italian folk singer Giovanna Daffini who recorded both the mondina and the partisan versions. It appears in her 1975 album Amore mio non piangere. Many artists have recorded the song, including Herbert Pagani, Mary Hopkin, Sandie Shaw, Goran Bregovic and Manu Chao.
In addition to the original Italian, the song has been recorded by various artists in many different languages, including Albanian, Arabic, Armenian, Belarusian, Bosnian, Breton, Bengali, Bulgarian, Burmese, Catalan, Chinese, Croatian, Czech, Danish, English, Esperanto, Finnish, German, Greek, Hindi, Hungarian, Hebrew, Japanese, Kashmiri, Kurdish, Persian, Macedonian, Malayalam, Marathi, Norwegian, Occitan, Punjabi, Russian, Serbian, Sinhalese, Slovak, Spanish, Syriac, Swedish, Tagalog, Tamil, Telugu, Thai, Tibetan, Turkish, Ukrainian and Yiddish.
As an internationally known hymn of freedom, it was intoned at many historic and revolutionary events. The song originally aligned itself with Italian partisans fighting against Nazi German occupation troops, but has since come to merely stand for the inherent rights of all people to be liberated from tyranny.
In 2017 and 2018, the song received renewed popularity due to the singing of "Bella ciao" multiple times in the Spanish television series Money Heist. The character Tokyo recounts in one of her narrations, "The life of the Professor revolved around a single idea: Resistance. His grandfather, who had fought against the fascists in Italy, taught him the song and he taught us." The song is played in emblematic moments in the series as a metaphor for freedom.
In the German protests against the rising right-extremist party AfD in January 2025, the song was chanted by around 600 people in Würzburg. The event produced a viral TikTok video with 3.4 million views within 4 days, documenting the chants during the protest.
| Date | Title | Performer(s) | Charts | |||||||
|---|---|---|---|---|---|---|---|---|---|---|
| FRA | AUT | BEL (Fl) |
BEL (Wa) |
GER | NLD | POL | SWI | |||
| 14 April 2018 | Bella Ciao (La Casa de Papel Remix) | Meder | — | — | — | — | — | — | — | — |
| 14 April 2018 | Bella Ciao | Bella Ciao | 119 | — | — | — | — | — | — | — |
| 14 April 2018 | Bella Ciao | The Bear | 45 | — | — | — | — | — | — | — |
| 14 April 2018 | Bella Ciao (1995 version) | Thomas Fersen | 153 | — | — | — | — | — | — | — |
| 14 April 2018 | Bella Ciao | Red Army Choir (Les Chœurs de l'Armée rouge) | 147 | — | — | — | — | — | — | — |
| 21 April 2018 | Bella Ciao | Sound of Legend | 29 | — | — | — | — | — | — | — |
| 21 April 2018 | Bella Ciao (Hugel Remix) |
El Profesor | 11 | 1 | 13 | 4 (Ultratip) |
2 | — | 27 |
14 |
| 28 April 2018 | Bella Ciao | Ska J | 159 | — | — | — | — | — | — | — |
| 5 May 2018 | Bella Ciao | Manu Pilas | 27 | — | — | — | — | — | — | — |
| 12 May 2018 | Bella Ciao | Rémy | 66 | — | — | Tip | — | — | — | — |
| 12 May 2018 | Bella Ciao | El Profesor & Berlin | 4 | 35 | — | 21 (Ultratip) |
— | — | — | — |
| 19 May 2018 | Bella Ciao | Naestro, Maître Gims, Vitaa, Dadju, Slimane | 1 | — | — | 13 | — | — | — | 57 |
| 25 May 2018 | Bella Ciao | Young Ellens | — | — | — | — | — | 27 | — | — |
| 29 June 2018 | Bella Ciao | Mike Singer | — | 59 | — | — | 44 | — | — | 80 |
Video of Italian Catholic priest Andrea Gallo singing the song during mass with the congregation was recorded in 2012. In 2016, Jacobin magazine uploaded the video to social media, receiving hundreds of thousands of views, and occasionally re-uploads the Don Gallo rendition.
In April 2018, supporters from the Portuguese football club F.C. Porto adapted the song with the lyrics "Penta Xau" ("Bye bye fifth"), as a taunt referring to the lost opportunity by rival club S.L. Benfica to win a fifth consecutive national championship, a feat realized in Portugal by F.C. Porto.
The song was the basis of a taunt by Brazilian fans used during World Cup 2018 exemplifying the Argentina–Brazil football rivalry, and the unrealized elimination during the first round in another attempt by Argentina at a 5th Cup title cut short if they were eliminated. The lyrics made references to Argentine players Di María, Mascherano, and Messi.
The song was the inspiration for the #EleNão movement against right wing Brazilian presidential candidate Jair Bolsonaro.
During nationwide protests in Colombia in 2019, the anti-fascist song was adapted by demonstrators to oppose the government of Iván Duque of the Centro Democrático party, who have been for years questioned or investigated for systematic violations of the Constitution, the environment, Human Rights and Crimes against humanity. As the presidential period of Duque ends in 2022, since 2019 the song, dubbed as 'Duque Chao', is sung and interpreted in protests in Colombia and by the diáspora, also during the national strike demonstrations of April and May 2021, in which citizens have been killed, injured and disappeared by state police forces.
In March 2020, the song once again gained international attention after Europeans and Italians in lockdown due to the COVID-19 pandemic in Italy and Europe sang "Bella ciao" from the balconies of their housing complexes.
In 2023, unionists from the Italian General Confederation of Labour, Italian Confederation of Trade Unions, and Italian Labour Union sang "Bella Ciao" to protest Prime Minister Giorgia Meloni, who has been criticized for her party's neo-fascist origins. Similarly, in 2024, left-wing MEPs sang "Bella Ciao" in the European Parliament on the occasion of a visit by Hungary's authoritarian prime minister Viktor Orbán.
In September 2025, Utah Governor Spencer Cox announced that a bullet casing from a rifle found during the investigation of the assassination of Charlie Kirk was engraved with "Oh bella ciao bella ciao bella ciao ciao ciao".
"Bella Ciao" has been used many times in soundtracks of films. Examples include:
Yves Montand, whose family fled fascist Italy for France, enhanced its fame by recording it in 1964.
The singer was open about her leftist political views and charmed the working-class milieu with her political chansons, including the famous partisan hymn "Bella Ciao," which was a constant in her repertoire.
The Chilean folk band Quilapayún famously included 'Bella Ciao' in their album 'Basta' just before the coup limited freedom of expression in the country.
Nato dall'omonima rivista che recupera la canzone popolare italiana in ottica socialista, il gruppo porta in giro per l'Italia a metà anni '60 uno spettacolo di canzoni popolari italiane che prende nome da Bella ciao. La canzone è qui interpretata da Giovanna Daffini che è stata mondina e la propone nella versione delle mondine.[Born from the magazine of the same name that recovers the Italian popular song from a socialist point of view, the group brought a show of Italian popular songs around Italy in the mid-60s, which takes its name from Bella ciao. The song is interpreted here by Giovanna Daffini who was a mondina and proposes it in the version of the mondine.]
Negli anni '90 una nuova generazione si rimpossessa del pezzo. La riscoperta del patrimonio folk italiano in chiave politica dà il via a una serie di versioni "combat" del pezzo. Quella dei Modena City Ramblers ne è il simbolo. I Ramblers ci mettono dentro un po' di Pogues e molto ritmo.[In the 90s a new generation took possession of the piece. The rediscovery of the Italian folk heritage in a political vein gives way to a series of 'combat' versions of the piece. That of the Modena City Ramblers is its icon. The Ramblers throw in some Pogues and a lot of pace.]
El boom de La casa de papel, exitazo inapelable en todo el mundo y que, entre otras cosas, ha descubierto Oh Bella Ciao para toda una generación que no vivió la segunda guerra mundial ni ha escuchado las versiones contemporáneas de los punks italianos Banda Bassotti.[The boom of Money Heist, an undeniable success in the whole world and that, between other things, has discovered Oh Bella Ciao for the generations that did not live through World War two nor listened to contemporary versions of the Italian punks Banda Bassotti.]
She closed the record with a funereal version of Italian protest song Bella Ciao. Whether intended or not, it marked Lane's own musical farewell.
En los conciertos de "Talco" era común escuchar una popular versión del "Bella Ciao" revolucionario y que ahora se ha popularizado por una serie de televisión perdiendo parte de su esencia. "Cuando empezamos a tocarla lo hicimos con la intención de cantar un himno universal que contara un momento glorioso, ahora hay dos facciones con la canción, una refugiada en la no política y otra acostumbrada a las fiestas de alcohol que despoja a Bella Ciao de su significado", aseguró.[In the concerts of "Talco", it was common to hear a popular version of the revolutionary [song] "Bella Ciao" and that now has become popularized by a television series, losing part of its essence. "When we started performing it, we did it with the intention of singing a universal anthem that will tell of a glorious moment, now there are two factions with the song, one sheltered in the "non-political" and another accustomed to the alcohol parties that strips "Bella Ciao" of its meaning," he said.]
[Steve Aoki]'s back again today to team up with Marnik for "Bella Ciao," a multi-layered main stage festival banger that hits hard, pulls back, and hits you again. As you could surmise from the title, the vocal samples in the track are all in Italian (where Marnik are from), with some especially Italian instrumentation thrown in to double down on the sound.