In 1935, Denis Glover and John Drew set up the Caxton Press and in 1937 printed their first art publication, Bensemann's Fantastica: Thirteen Drawings. Bensemann assisted with the printing of the book and this led to his joining Caxton Press as a partner in 1937, and staying with the business until 1978. In 1960, with architect Peter Beavan, sculptor Tom Taylor and others, Bensemann helped form the New Zealand Design Association, "to develop and raise standards of design throughout the country". Recognising the absence of a journal devoted to contemporary art, in 1966 Bensemann and Barbara Brooke produced five issues of art magazine Ascent. Art writer Ross Fraser congratulated Ascent on its ability to get their writers to push back and provide feedback good or bad. Bensemann retained a strong interest in typography throughout his career at Caxton press and in 1969 was awarded a QEII Arts Council travel grant to Europe to study typography and graphic art. After leaving the Caxton Press, Bensemann set up his own publishing house in 1978, producing several books under the imprint of The Huntsbury Press.
Artist
Study for a portrait of Lieutenant Keith Elliott by Bensemann
While flatting in Cambridge Terrace, and supported by Angus's nomination, Bensemann joined The Group in 1938. Seven of the nine works he submitted to this exhibition were portraits – including a self-portrait, a portrait of Rita Angus and one of Lawrence Baigent. He continued to show regularly as a Group member and was represented in the final exhibition in 1977 with four paintings, this time all landscapes. Bensemann was a regular exhibitor of paintings, caricatures and typography in both dealer galleries and public venues through to the 1980s. His work is represented in a number of public collections in New Zealand. The first painting to enter a public collection was Canterbury Spring (1961), purchased by the Robert McDougall Art Gallery the same year it was painted.
Solo exhibitions
Bensemann's solo exhibitions included:
1972Leo Bensemann Retrospective Rue Pompallier Gallery Akaroa. 38 paintings from 1936 to 1972. Critic G.T.M described Bensemann as one of the early artists who, ‘began to “see” New Zealand rather than just “look” at it.’
2011Leo Bensemann: A Fantastic Art Venture Christchurch Art Gallery. The exhibition was only open for 12 days closing prematurely when Christchurch suffered a major earthquake.
2025Leo Bensemann: Paradise Garden Christchurch Art Gallery Toi Wai Whetu “paintings based on the hills, beaches and intriguing karst rock formations that dominate Mohua Golden Bay”
Collections
Bensemann's work is held in public collections, including:
↑Simpson, Peter (2016). Bloomsbury South: the arts in Christchurch, 1933–1953. Auckland, New Zealand. ISBN9781869408480. OCLC945106039.{{cite book}}: CS1 maint: location missing publisher (link)