Roy's practice is cross disciplinary, with a focus on drawing, painting and animation. Her work investigates material intelligence in a post-humanist perspective. The evolution of her practice draws upon Freud and Bataille, demonstrating modes of fantasy, eroticism, and compulsion by way of changed symbols and recognized icons. The Canadian artist's use of cartoons also aligns her with the domain of the death drive: According to Žižek, characters like Wile E. Coyote occupy a libidinal space where one can live through any catastrophe.
Collaborations
Roy has collaborated with artist Natasha McHardy as the group "Roy & McHardy", in video performance productions of a DIY ethos. Roy has also collaborated on a web-site project with David Clark and Graham Meiser, creating an online extension of her book Sign After the X. She has also collaborated with artist Abbas Akhavan in artworks, such as the video installation Victoria Day (Bombay Sapphire), wherein they update Manet, with a performance titled "liquid luncheon on the grass", as well as duo exhibitions such as Neighbours and Fire/Fire.
Select exhibitions
2018: Leaning Out of Windows, Michael O'Brian Exhibition Commons, Emily Carr University, Vancouver
2017: Landfall and Departure: Prologue, Nanaimo Art Gallery
2017: Becoming Animal/Becoming Landscape, Kamloops Art Gallery
J.J. Kegan McFadden, When the Mood Strikes Us..., Platform Gallery
Lorna Brown, "Marina Roy: Trappings", Vancouver Public Library
Seamus Kealy, "The King and I," Morris and Helen Belkin Art Gallery
Seamus Kealy, "A Few Notes on an Everyday Exhibition,"Blackwood Gallery
Sydney Hermant, "Roy and McHardy," in d'Or (Goin' Solo), Vancouver: Or Gallery
Jeremy Todd, "Some errant thoughts" in d'Or: Explorations in Psychic Geography, Vancouver: Or Gallery
Reviews
Claer, José "Menage a trois: entre l'humain, l'animal et l'art,"
Dahle, Sigrid "When the Mood Strikes Us..."
Milroy, Sarah "Pictures are out—experience is in"
Witt, Andrew "Contemporary Public Art at Vancouver Library"
Tomic, Milena "Everyday Every Other Day"
Writing
Marina Roy's art practice and writing inform and intersect in their investigation of material, language, history and ideology. She published Sign after the x (Artspeak/Arsenal Pulp Press) in 2001. She contributes reviews and critical essays, for artists such as Lyse Lemieux and Abbas Akhavan, in various magazines and catalogues.
Select publications
Roy's first book, Sign After the x (with Artspeak Gallery) was published in 2002.
Her second book Queuejumping, was published in 2022 with Information Office.
In Haguenau Forest (short story), in there's something I want to show you
Holy Shit C Magazine, December 2010
Honours
VIVA Award, 2010
References
↑University of British Columbia, Department of Art History, Visual Art and Theory. "Marina Roy". Archived from the original on 2015-04-02. Retrieved 2015-03-07.{{cite web}}: CS1 maint: multiple names: authors list (link)
↑Tomic, Milena (2006). "Everyday Every Other Day". Border Crossings. 25 (4): 107–08.
↑Vancouver, 520 East 1st Avenue; Canada, BC V5T 0H2 (2018-01-10). "Leaning Out of Windows | Step One". Emily Carr University of Art + Design. Retrieved 2019-03-09.{{cite web}}: CS1 maint: numeric names: authors list (link)