Zexter began embroidering her photography following an artist's residency program in the Catskills. Her works typically begin with her own digital or analogical photography, to which she adds a layer of hand-stitched embroidery. The overlaid embroidery pattern in her works fits the context of the scene's theme. She uses various embroidery styles, "ranging from seemingly random stitches of different colors, to pattern-like stitches of single or complementing hues." Zexter prefers to photograph women and her themes include representations of femininity and the exploration of female identity.
Zexter's works have been reviewed and published in The New York Times, The Boston Herald, Time Out Chicago, and The New Yorker. She exhibited at the Bronx Museum of the Arts in 1994. She has also participated in exhibitions at the Muriel Guepin Gallery, Kenise Barnes Fine Art, Hallspace Gallery, Creiger Dane Gallery, Robert Mann Gallery, Triennale Design Museum, and the Marcia Wood Gallery in Atlanta.
2014 "The Embroidered Image", Robert Mann Gallery, New York, NY
2014 "Workwear" (Abiti da Lavoro), Triennale, Milan, Italy
2015 Bold (Feminine), Marcia Wood Gallery, Atlanta, GA
2017 Past and Present, Muriel Guepin Gallery, New York, NY
2018 "In Her Hands", Robert Mann Gallery, New York, NY
2019 "Home Sweet Home", Ann Street Gallery, Newburgh, NY
2020 "Nimble", Edward J and Helen Jane Morrison Gallery, University of Minnesota, MN
2021 "Tools of the Trade" Blue Spiral Gallery, Asheville, NC
2022 "Tactile", Delaware Arts Alliance, Narrowsburg, NY
2023 "PHOTOFAIRS", Robert Mann Gallery, Javits Center, NY, NY
2023 "Phantom Web", Delaware Valley Arts Alliance, Narrowsburg, NY
2024 "Memento", Secret Studio, Columbus, Ohio
See also
Maurizio Anzeri, Italian artist who is also known for embroidered photographs
References
↑"Melissa Zexter". The Raw Book. April 18, 2014. Archived from the original on 3 March 2016.
↑Conti, Gaia (Summer 2015). "Intimate Stitching"(PDF). AI Magazine. No.70. pp.71–73. Archived(PDF) from the original on 2016-03-13. Retrieved 2016-02-23.