Michael Berry (Chinese:白睿文; pinyin:Bái Ruìwén; born May 1, 1974) is an American sinologist and translator specializing in Chinese literature and film. He is a professor of contemporary Chinese Cultural studies at the University of California, Los Angeles (UCLA), where he is the director of the Center for Chinese Studies.
Berry joined the faculty at the University of California, Santa Barbara (UCSB) in 2003, where he taught for over a decade and served as Director of the East Asia Center. He was promoted to Associate Professor with tenure in 2006 and to full Professor in 2011.
In 2016, he joined the faculty at the University of California, Los Angeles (UCLA) as Professor of Contemporary Chinese Cultural Studies in the Department of Asian Languages and Cultures. He also holds a courtesy appointment in the Department of Film, Television and Digital Media and serves as Director of the Center for Chinese Studies.
Berry’s research focuses on Chinese literature, cinema, trauma studies, and translation studies. He has authored and edited several scholarly works and has translated contemporary Chinese authors into English. He has also published numerous book-length oral history projects in both English and Chinese, which have chronicled the work of major Chinese culture figures such as Hou Hsiao-hsien, Jia Zhangke, Ann Hui, and Cui Zi'en. His literary translations of contemporary Chinese writers, such as Yu Hua, Wang Anyi, and Fang Fang have won numerous awards and also generated controversy.
In 2020, his English translation of Fang Fang’s Wuhan Diary became the subject of international debate and criticism amid discussions about censorship and the global reception of Chinese narratives of the COVID-19 pandemic.
Berry, Michael (2005). Speaking in Images: Interviews with Contemporary Chinese Filmmakers. Global Chinese culture. New York Chichester: Columbia University Press. ISBN978-0-231-13331-9.
Jia Zhangke on Jia Zhangke (Duke University Press, 2022; Showwe, 2021; Guangxi Normal, 2021)
Boiling the Sea: Hou Hsiao-hsien’s Memories of Shadows and Light (INK,2014; Guangxi Normal, 2015)
Voiceover: Conversations with Contemporary Chinese Filmmakers (Showwe, 2023)
Enter the Clowns: Cui Zi’en’s Chinese Queer Cinema (Showwe, 2022)
Between the Lines: Conversations with Contemporary Sinophone Writers (Two volumes, Showwe, 2025)
Boiling the Sea: Hou Hsiao-hsien on Hou Hsiao-hsien (University of California Press, 2027)