Michael worked for New Deal art projects from 1933 to 1937, and during this time painted murals for U.S. post offices, high schools and the Hall of Pharmacy for the 1939 New York World's Fair. Loew chose to share his private commission with close friend and fellow artist, Willem de Kooning.
From 1939 to 1940 Loew traveled to Mexico and the Yucatán, gathering inspiration for his future work. Joining the U.S. Navy Seabees in 1943 as a Battalion Painter, Loew documented the work being done on the airbase on Tinian Island. It was from this airbase that the Enola Gay would later take off from to drop the atomic bombs. Loew captured much of the work done on the island by the Navy in dozens of watercolors.
Returning to New York after the war, having lost much of his hearing, Loew started over with his art studies. He studied with Hans Hofmann at the Hans Hofmann School in New York and Provincetown, and with Fernand Léger at Atelier Leger in Paris. Loew became a member of the American Abstract Artists and The Artist's Club as well as The Spiral Group. His works were shown at the Stable Gallery Annuals of 1951–1955.
↑Loew, Michael; Kingsley, April; Gallery, Thomas Mccormick (April 2008). Michael Loew, 1907–1985. McCormick Gallery. ISBN9780967101378. Archived from the original on April 15, 2016. Retrieved December 8, 2019.
↑"Michael Loew". John Simon Guggenheim Memorial Foundation. Retrieved January 21, 2025.
↑"Michael Loew". Post WWII Modernism on Monhegan, Monhegan Museum of Art & History. Retrieved January 21, 2025.
↑"Michael Loew". Smithsonian American Art Museum (SAAM). Retrieved January 21, 2025.
↑"Michael Loew". Whitney Museum of American Art. Retrieved January 21, 2025.
Further reading
American Abstract Artists (1957). "The World of Abstract Art", pp.167
Archives of American Art, Smithsonian Institution, Washington, D.C. 20560
Baur, J. (1974). Whitney Museum of American Art, Catalogue of the Collection, pp.235
Campbell, L. (1984). "Michael Loew at Marilyn Pearl Gallery", Art in America, pp.193
Curtis, J., Lieberman F. (1995). "Monhegan The Artists' Island"
Falk, Peter Hastings, (1999) Who Was Who in American Art, 1564–1975, 3 Volumes, pp.3724
Gordon, J. (1962). "Geometric Abstraction in America", pp.68
Herskovic M. (2000). New York School Abstract Expressionists Artists Choice by Artists, (New York School Press, 2000.) ISBN0-9677994-0-6
Kingsley, A. (1973). "New York Letter", Art International, Apr. 1973, pp.52–53
Kingsley, A. (2008). "Michael Loew 1907–1985: The Beginning Works from the Estate" (Chicago and New York: Mc Cormick Gallery/ Vincent Vallarino Fine Art, 2008)
Larsen, S. C. (1979). "A Painter's Geometry: The Art of Michael Loew", Arts Magazine, pp.130–134
Larsen, Susan C (1997) "Michael Loew: Nature into Abstraction", The Farnsworth Art Museum
Slivka, Rose C.S. (1989). "Willem de Kooning", Art Journal 48 no. 3, Fall '89, pp.219–221
Stevens, M., Swan, A. (2006). "De Kooning an American Master"
Stuart P. (1949). "Abstract Quartet", New York Times, November 27, 1949