Paul Laffoley

Paul Laffoley
Laffoley in January 2015
BornAugust 14, 1935
Cambridge, Massachusetts, U.S.
DiedNovember 16, 2015 (aged 80)
Boston, Massachusetts, U.S.
EducationBrown University
MovementVisionary Art
Websitehttps://paullaffoley.net

Paul Laffoley (August 14, 1935 – November 16, 2015) was an American visionary artist and architect based in Boston, Massachusetts.

Early life

Laffoley was born in Cambridge, Massachusetts, to an Irish Catholic family on August 14, 1935.[citation needed]

Laffoley wrote that his first spoken word was "Constantinople" at the age of six months, and that he did not speak again until he was four years old. As a child, he was diagnosed with Asperger's syndrome. He attended the Mary Lee Burbank School in Belmont, which utilized Waldorf education. As a draftsman, he was ridiculed by his abstract expressionist teachers. After studies at the Mary Lee Burbank, Laffoley completed undergraduate studies at Brown University and graduated in 1961 with honors in classics, philosophy, and art history. According to his "Phenomenology of Revelation," while at Brown in 1961, Laffoley was given eight electroshock treatments after "about a year of weekly sessions with a psychiatrist, who had treated [him] for a mild state of catatonia."

Career

Following his studies in architecture at Brown University and Harvard, he went to New York in 1963, to work with the artist and architect Frederick Kiesler, and was also hired to watch late-night TV for Andy Warhol in exchange for housing.

Laffoley painted in the basement of his family home in Belmont on the weekends, where he completed his first fully mature vision: "The Kali-Yuga: The End of the Universe at 424826 A.D". From this point forward, Laffoley began to formulate his trans-disciplinary approach, combining philosophy, science, architecture and spirituality into the practice of painting. Laffoley first started to work in a format related to Eastern mandalas, partially inspired by the patterns he watched for Warhol on late-night television. This quickly developed into five general subcategories of paintings: operating systems, psychotronic devices, meta-energy, time travel, and lucid dreaming. Conceived as "structured singularities", Laffoley did not work in series but approached each project as a unique schematic. Each 73 ½ x 73 ½ inch canvas would take up to three years to paint and code. By the late 1980s, Laffoley began to shift from the spiritual and the intellectual to viewing his work as an interactive, physically engaging psychotronic device.[citation needed]

In 2001, Laffoley was seriously injured in a fall in his studio. Complications from diabetes led to the amputation of his right leg below the knee. At Laffoley's request, Stan Winston made him a custom prosthetic leg that resembled a lion's paw, symbolizing Laffoley's astrological sign, Leo.

Following the destruction of the World Trade Center towers in the September 11 attacks, Laffoley was among several architects who submitted designs in 2002 for the competition to plan the Freedom Tower. Laffoley's design was inspired by the work of Catalan architect Antoni Gaudí and was conceived as a hotel in the style of Gaudí's Sagrada Família church in Barcelona.

After the Austin Museum of Art organized a traveling survey of his career in 1999, Laffoley gained a following among curators. The Palais de Tokyo in Paris had an entire room with his work in its 2009 exhibition "Chasing Napoleon", and several of his works were included in "The Alternative Guide to the Universe" at the Hayward Gallery in London in 2013. Other major shows include "Premonitions of the Bauharoque" at the Henry Art Gallery, Seattle, "Secret Garden" at the Hamburger Bahnhof, Berlin, and the monograph The Essential Paul Laffoley edited by Douglas Walla and published by the University of Chicago Press in Spring 2016.

Works

Laffoley's paintings combine words and imagery, typically on large canvases, to depict a spiritual architecture of explanation. They address concepts like dimensionality, time travel (through "hacking" relativity), connections between conceptual threads shared by philosophers, and theories about the cosmic origins of mankind.

Laffoley's writings and works of art were published in May 2016 by the University of Chicago Press in a book entitled The Essential Paul Laffoley. The book was edited by Douglas Walla, with additional texts by Linda Dalywimple Henderson, Arielle Saiber and Steven Moskowitz.[citation needed]

In his collection of essays entitled When Surface was Depth, British writer Michael Bracewell observed: "If Laffoley's work within the Boston Visionary Cell can be said to have one principal preoccupation - a common denominator of his eclectic scholarship and practice - then that preoccupation would be to understand the process by which one goes from becoming to being". Bracewell has also written that "The Boston Visionary Cell, as a concretized manifestation of its inhabitant's work and preoccupations, describes how a chaos of data - no less than a chaos of marble - can be sculpted by research to release the perfect forms within it".

The Estate of Paul Laffoley is represented by Kent Fine Art in New York.

Death

Laffoley died on November 16, 2015, in South Boston, Massachusetts, of congestive heart failure.

Exhibitions

Major works

Books and monographs

Interviews

Notable public collections

References

  1. 1 2 Larroque, Jean-Pierre (May 12, 2011). "The Mad One". Doublethink Productions. Archived from the original on December 13, 2021. Retrieved October 13, 2013.
  2. ↑ Wonderland Staff (September 24, 2009). "Paul Laffoley". Wonderland. Retrieved June 12, 2024.
  3. ↑ "Outsider Artist Paul Laffoley Illustrates The End Of The Universe". HuffPost UK. January 30, 2015. Retrieved June 16, 2025.
  4. ↑ "Paul Laffoley Bio". Kent Fine Arts LLC. Archived from the original on October 21, 2013. Retrieved October 12, 2013.
  5. ↑ Lafolley, Paul (1989). "The Dream As The Initiation" from The Phenomenology of Revelation. New York, NY: Kent Fine Arts. p. 15. ISBN 1878607057.
  6. 1 2 3 Paul Laffoley, by Rupert Howe, Wonderland Magazine; published September 2009
  7. ↑ Paul Laffoley, at the Wynn Newhouse Awards; retrieved June 24, 2019
  8. ↑ A party for the thinking Angeleno, by Shana Ting Lipton, in the Los Angeles Times; published February 19, 2004; retrieved June 24, 2019
  9. ↑ Collins, Glenn (January 21, 2003). "Postmodern, In a Manner Of Speaking; A Shape Out of 1908 Is Offered Downtown". New York Times. Retrieved October 13, 2013.
  10. ↑ GRIMES, WILLIAM (November 21, 2015). "Paul Laffoley, Painter Inspired by Time Travel and Aliens, Dies at 80". The New York Times. Retrieved January 5, 2016.
  11. ↑ Outsider Art Sourcebook. New York, NY: Raw Vision. March 2009. ISBN 978-0954339326.
  12. ↑ Johnson, Ken (January 17, 2013). "The Boston Visionary Cell". New York Times. Retrieved October 12, 2013.
  13. ↑ Johnson, Ken (April 6, 2001). "ART IN REVIEW: Paul Laffoley, 'Portaling'". New York Times. Retrieved October 13, 2013.
  14. ↑ Bracewell, Michael (July 9, 2002). when surface was depth. London: Da Capo Press. pp. 346–353. ISBN 0306811308.
  15. ↑ "VISIONARY ARTIST AND GENIUS PAUL LAFFOLEY HAS DIED". Dangerous Minds. November 16, 2015. Retrieved November 17, 2015.
  16. ↑ "Kent Fine Art". Archived from the original on October 15, 2015. Retrieved October 10, 2015.
  17. ↑ "Chasing Napoleon". e-flux. September 25, 2009. Retrieved June 2, 2014.
  18. ↑ "Paul Laffoley: The Boston Visionary Cell. New York: Kent Fine Art, 2013". Archived from the original on March 22, 2015. Retrieved March 18, 2015.
  19. ↑ Paul Laffoley at the Henry Art Gallery April 6 - September 29, 2013 Archived March 20, 2015, at the Wayback Machine
  20. ↑ "Chicago's Favorite Podcast .:. VIKING YOUTH POWER HOUR .:. Chicago Podcasters with Nuts Like Mothballs". Archived from the original on September 27, 2007. Retrieved August 24, 2007.
  21. ↑ Interview mikehagan.com
  22. ↑ "Pérez Art Museum Miami announces landmark acquisition from the Sackner Archive of Concrete and Visual Poetry". Knight Foundation. Retrieved August 23, 2023.