Performance Network Theatre, founded in 1981, was Ann Arbor, Michigan's premiere professional Equity theatre. It produced a wide variety of dramas, classics, comedies, Pulitzer Prize and Tony award-winners, many of which were World or Michigan Premieres. Its professional season included five to seven main stage productions. Other programming included seasonal productions that ran in repertory over the holiday season, the Northern Writers' Project—a week-long playwriting intensive, children's programming, the Fireside Festival of New Plays, the Open Table Series, the Open Stage series, music and more.
On December 18, 2015, the Theatre announced that it would close at the conclusion of the year.
Overview
Performance Network was a 501 (c)(3) nonprofit organization that began its tenure in Ann Arbor in 1981. Performance Network became Ann Arbor's professional theatre in September 1997 and built an elegant theatre in the heart of downtown in September 2000.
Performance Network's primary stage, the Shure Theater, was an intimate space that seated 139 patrons.
History
David Bernstein and Jim Moran founded the Performance Network Theatre in 1981 as an arts collective. In addition to Bernstein and Moran, active collective members in the playwriting group included Lyn Coffin, Davi Napoleon, Judith Ottmar, Al Sjoerdsma and Rochel Urist. The theatre evolved into a nonprofit corporation in the mid-eighties. After the departure of the original founders, the organization continued to produce and present experimental, original and socially relevant work under the cooperative direction of Linda Kendall, Annemarie Stoll, Johanna Broughton, (and in time, Peter Knox). Eventually, the early 1990s saw departures from the artistic staff leave the artistic direction in the hands of Johanna Broughton, who (with her husband Dan Walker, along with Carla Milarch and David Wolber) led the theatre from the 'Warehouse Years' to professional status and in 2000 moved it from Ann Arbor's Washington Street location to the corner of 4th and Huron, near the Kerrytown district. In 1997, Performance Network secured a contract with Actors’ Equity and established itself as Ann Arbor's professional theatre. In doing so, it was able to
Increase the reputation of the Network by placing it in a higher tier of theatres nationally
Gain access to plays of nationally recognized merit, unavailable to community theatres
Increase artistic quality by hiring more experienced actors, directors, and designers
Gain listing in respected theatrical publications and presentation by participating in the Michigan Equity Theatre Alliance, the National New Play Network, and Theatre Communication Group
Expand the audience base by gaining press coverage in Southeastern Michigan publications.
In 2003, direction of the theatre was turned over to Milarch and Wolber. Under Milarch and Wolber, Performance Network excelled at choosing a wide range of artistically challenging shows and began receiving multiple awards for artistic quality. In order to continue producing high quality work Milarch decided to join Wolber in the Artistic department. In 2012, Performance Network switched to a dual leadership structure and hired Erin Sabo to partner with Wolber. In May 2014, the Board of Directors suspended all operations, as the theater did not have resources to pay its staff, actors and vendors in a timely manner, and to make debt payments. In July 2014, the Board announced that the theatre would reopen under the management of local actor-directors John Manfredi and Suzi Regan. Under the new management team, the Network produced one and a half seasons. Despite excellent reviews for some of the productions, both ticket sales and donations dropped precipitously. In October 2015, the theatre announced that unless it could raise $50,000 before Thanksgiving, it would need to close its doors permanently. The funding campaign failed to reach its goal. In December, the staff and Board of Directors announced that the theatre company was no longer sustainable.
Programs
Professional Season
The professional season included classic and contemporary plays under a Small Professional Theatre contract with Actors’ Equity Association. Performance Network strived to include a classic play, musical, and world premiere in each season. The season began in the fall and ran a full year.
Patrons could purchase a subscription to the professional season that gives them tickets at a discounted rate. Alternatively, patrons could purchase "Flex Tickets" or anytime tickets to use in any combination for any number of shows they pleased over the course of the season.
Apprenticeships and Internships
Performance Network's Apprenticeship program offered a year-long paid position. It offered hands-on training in the areas of stage management, house management, development, marketing, and technical theatre. Apprentices developed experience in every aspect of theatre management.
Internships provided applicants a comprehensive experience in all elements of professional theatre, including box office, house management, and technical and clerical skills. Unlike the apprenticeship, which allowed apprentices to experience multiple areas of theatre, interns selected which field they would like to focus on.
Staff, Board of Directors, and Associate Artists
In the Theatre's final 18 months, its staff members included:
Performance Network Theatre was a member of the Theatre Communications Group (TCG), the National New Play Network (NNPN), Americans for the Arts, the Cultural Alliance of Southeast Michigan (CASM), the Ann Arbor Convention and Visitors Bureau (AACVB), and the Ann Arbor Chamber of Commerce. The Theatre's activities were supported by the Michigan Council for Arts and Cultural Affairs, and the National Endowment for the Arts.
Awards
National Awards:
2013 Edgerton Foundation New American Play Award: County Line by David Wells
2011 Edgerton Foundation New American Play Award: Dead Man's Shoes by Joseph Zettelmaier
2009 Edgerton Foundation New American Play Award: It Came From Mars by Joseph Zettelmaier
Organizational Awards::
Voted "Best Local Theatre" by Metro Times readers, 2009
2006 Critics Choice and Angel Award for Outstanding Service to the LGBT
CommunityVoted "Best Theatre" by Current Magazine readers 1996–2008.
Best Overall Season by the Oakland Press 2005
The DeVine Award for Outstanding Contributions by the Detroit Free Press 2001 & 2005
Non-Profit Excellence Award nomination - Non-profit Enterprise at Work, 1997 & 2000
Governor's Arts Award nomination, 1998 & 2000
Wilde Awards:
2014
Best Performance, Actor - Drama: John Manfredi - An Iliad
Best Performance, Actress - Comedy: Maggie Meyer - Venus in Fur
2013
Best Music Direction: R. MacKenzie Lewis - Little Night Music
Best Musical: Phil Simmons, director - A Little Night Music
Best Performance, Actor - Comedy: John Seibert - In the Next Room or The Vibrator Play
Best Performance, Actor – Musical: John Seibert - A Little Night Music
Best Performance, Actress – Musical: Naz Edwards - A Little Night Music
2012
Best Design - Sets: Monika Essen - Red
Best New Script: Joseph Zettelmaier - Dead Man's Shoes
2011
Best Comedy: John Seibert, director - Circle Mirror Transformation
Best New Script: Kim Carney - The War Since Eve
Best Performance, Actor - Musical: Phil Powers - The Drowsy Chaperone
2010
Best Actor - Comedy: Jacob Hodgson - It Came From Mars
Best Actress - Comedy: Suzi Regan - The Blonde, the Brunette and the Vengeful Redhead
Best Design - Lights: Andrew Hungerford - K2
Best Design - Props: Charles Sutherland - It Came From Mars
Best Drama: Tim Edward Rhoze, director - K2
Best Musical: Carla Milarch, director - Little Shop of Horrors
Best Production of a New Script: Tony Caselli, director - It Came From Mars
Best Support - Musical: Aaron T. Moore - Little Shop of Horrors
Best Teamwork: James Bowen & John Michael Manfredi - K2
2009
Best Actress – Drama: Inga Wilson - A Feminine Ending
Best Improv, Cabaret or Original Production: Malcolm Tulip, director - The Day Everything Went Wrong
Best Performer – Play with LGBT Themes or Characters: Roxanne Wellington - The Little Dog Laughed
Best Production with LGBT Themes or Characters: Ray Schultz - The Little Dog Laughed
2008
Best Actor – DRAMA: Jon Bennett - Doubt
Best Actress – DRAMA: Jan Radcliff - Doubt
Best Actress – ORIGINAL / IMPROV / LGBT THEMES: Carla Milarch - Dirty Blonde
Best Local Professional DRAMA: John Seibert, director - Doubt
Best Local Professional Production with LGBT Themes or Characters: Jim Posante, director - Dirty Blonde
Best Technical Design - Set: Monika Essen - The Baker's Wife
2007
Best Actor – DRAMA: Malcolm Tulip - Amadeus
Best Local Professional DRAMA: Malcolm Tulip, director - Amadeus
Best Local Professional Production with LGBT Themes or Characters: Gillian Eaton, director - I Am My Own Wife
2006
Best Lead Actor – DRAMA: Ray Schultz - Take Me Out
Best Lead Actress – DRAMA: Carmen Decker - Moonglow
Best Supporting Actor – DRAMA: Darrell Glasgow - Take Me Out
Favorite Local Professional Production – COMEDY: Tony Caselli, director - Jacob Marley's Christmas Carol
Favorite Local Professional Production with LGBT Themes or Characters: Jim Posante & Tony Caselli, directors - Take Me Out
2005
Best Female Performer in a Local Professional Production – COMEDY: Gillian Eaton - Humble Boy
Best Supporting Female Performer in a Local Professional Production – COMEDY: Laurel Hufano - Boston Marriage
2004
Favorite Local Professional Production with LGBT Themes or Characters: James Posante, director - The Home Team
Favorite Male Performer in a Local Professional Production – COMEDY: David Wolber - The Home Team
Favorite Performer in a Local Professional Production – MUSICAL: Rochelle Rosenthal - The Threepenny Opera
2003
Favorite Local Professional Production – MUSICAL / MUSICAL REVUE: Malcolm Tulip, director - Man of La Mancha
Favorite Performer in a Local Professional Production – MUSICAL: Robert Grossman - Man of La Mancha
2002
Best Local Professional Production – COMEDY: Carla Milarch, director - Special Relativity
Best Performer in a Local Professional Production – DRAMA: Michelle Murphy - Stop Kiss
Rogue's Gallery Award Winners
2013 Winners
Scenic Design (Proscenium Seating): Daniel C. Walker, Brill
Lead Actress (Drama): Carla Milarch, The Glass Menagerie
Lead Actress (Musical): Naz Edwards, A Little Night Music
Lead Actor (Musical): John Seibert, A Little Night Music
2012 Winners
New Play or Adaptation: Joseph Zettelmaier, Dead Man's Shoes
Lighting Design (Proscenium Seating): Justin Lang, Red
Lead Actress (Drama): Suzi Regan, Time Stands Still
Properties Design: Monika Essen, Red
Best Rogue: Drew Parker, Dead Man's Shoes [TIE]
2011 Winners
Best Musical: The Drowsy Chaperone (director Carla Milarch)
Choreography (Dance): Phil Simmons, The Drowsy Chaperone
Lead Actor (Drama): Andrew Huff, Next Fall
Rogue's Gallery Award Nominees:
2013 Nominees
Best Drama: The Glass Menagerie (director Tim Rhoze)
Best Musical: A Little Night Music (director Phil Simmons)
Sound Design: Carla Milarch, Good People
Duo or Trio: Sarab Kamoo and David Wolber, Becky Shaw
Best Rogue: Alex Leydenfrost, Good People
Lead Actress (Drama): Carollette Phillips, The Mountaintop
Lead Actor (Drama): Brian Marable, The Mountaintop
Lead Actor (Drama): Kevin Young, The Glass Menagerie
Supporting Actress (Drama): Naz Edwards, My Name is Asher Lev
Lead Actress (Comedy): Suzi Regan, Good People
Lead Actor (Comedy): Phil Powers, Brill
Supporting Actress (Comedy): MaryJo Cuppone, Good People
Supporting Actress (Musical): Leslie Hull, A Little Night Music
2012 Nominees
Best Drama: Time Stands Still (director Kate Peckham)
Best Comedy: God of Carnage (director David J. Magidson)
Best Musical: Ain't Misbehavin' (director Tim Edward Rhoze)
Scenic Design (Proscenium Seating): Monika Essen, Red
Lighting Design (Proscenium Seating): Mary Cole, Burn This
Sound Design: Will Myers, Dead Man's Shoes
Properties Design: Monika Essen, God of Carnage
Choreography (Dance): Robin Wilson, Ain't Misbehavin'
Choreography (Movement or Fight): Joseph Zettelmaier, Burn This
Ensemble (2–4): God of Carnage
Ensemble (5 or more): Ain't Misbehavin'
Best Rogue: Darrell Glasgow, Burn This
Lead Actor (Drama): Mark Rademacher, Red
Supporting Actress (Drama): Heidi Bennett, Time Stands Still
Supporting Actress (Comedy): Leslie Hull, In the Next Room or the vibrator play
2011 Nominees
Best Drama: Sonia Flew (director David Wolber)
Best Comedy: The War Since Eve (director David Wolber)
New Play or Adaptation: Kim Carney, The War Since Eve
Lighting Design (Proscenium Seating): Daniel C. Walker, Marie Antoinette: The Color of Flesh
Properties Design: Charles Sutherland, The Piano Lesson
Ensemble (2–4): Marie Antoinette: The Color of Flesh
Ensemble (5 or more): The Piano Lesson
Ensemble (5 or more): Sonia Flew
Supporting Actor (Drama): John Seibert, Next Fall
Supporting Actress (Comedy): Sarah Ann Leahy, Circle Mirror Transformation
Lead Actress (Musical): Andrea Mellos, The Drowsy Chaperone
Supporting Actress (Musical): Naz Edwards, The Drowsy Chaperone
Supporting Actor (Musical): Matt Anderson, The Drowsy Chaperone
Supporting Actor (Musical): Scott Crownover, The Drowsy Chaperone
AnnArbor.com::
Best Local Play 2009: The Blonde, the Brunette and the Vengeful Redhead, David Wolber, director
Best Acting Performances (male) 2009: John Manfredi, A Picasso, Will Myers, A Feminine Ending, James Bowen, Fences, Malcolm Tulip, Rosencrantz and Guildenstern are Dead
Best Acting Performances (female) 2009: Inga Wilson, A Feminine Ending, Sheila Alyce Slaughter, Fences, Suzi Regan, The Blonde, the Brunette and the Vengeful Redhead
Best Tech Achievements 2009: Monika Essen's set for Fences, Daniel C. Walker's lighting design for Rosencrantz and Guildenstern are Dead and Christmas Carol'd
Best Locally Produced Show (2008): Doubt, John Seibert, director
Best Performance (female) 2008: Jan Radcliffe, Doubt; Sarab Kamoo, 9 Parts of Desire
Best Performance (male) 2008: Jon Bennett, Doubt, Robert Grossman, Exits and Entrances
Favorite On-Stage Moments 2008: Roxanne Wellington and Barton Bund's power lunch in The Little Dog Laughed; Tom Whalen & Jim Porterfield's reconciliation scene, Geoffrey and Jeffrey
Best Tech Achievements 2008: Daniel C. Walker's set for Doubt, Monika Essen's set for 9 Parts of Desire and Geoffrey and Jeffrey, Vincent Mountain's set for The Day Everything Went Wrong
Ann Arbor News:
Best New Play 2007: Language Lessons, Joseph Zettelmaier
Best Female Performance 2007 (tie): Carla Milarch, Dirty Blonde; Aphrodite Nikolovski, Language Lessons and The Clean House; Terry Heck, Language Lessons
Best Male Performance 2007 (tie): Malcolm Tulip, Amadeus; Phil Powers, Dirty Blonde; John Seibert, The Baker's Wife
Best Set Designer 2007: Monika Essen, designer
Best Performance by a New Face 2007: Jacob Hodgson, Candida
Best Production 2007: Amadeus, Malcolm Tulip, director
Best Lead Actress 2006: Carmen Decker, Moonglow
Best Lead Actor 2006: Malcolm Tulip, I Am My Own Wife
Best Supporting Actor 2006: Loren Bass, Moonglow
Best New Play 2006: Kim Carney's Moonglow
Best Lead Actress 2005: Mindy Woodhead, Summer and Smoke
Best Director 2005: Tony Caselli, Summer and Smoke
Best Technical Achievement 2005: Monika Essen's set for Summer and Smoke
Best Production 2005: Summer and Smoke
Detroit Free Press Awards:
Best Play 2006: Take Me Out
Best Director 2006: Jim Posante & Tony Caselli, Take Me Out
Best Featured Actor 2006: Darrell Glasgow, Take Me Out
Best Featured Actress 2005: Laurel Hufano, Boston Marriage
Award for Outstanding Contribution to Theater in a season 2005: Gillian Eaton, Humble Boy, Boston Marriage
Best Director 2003: Malcolm Tulip, Man of La Mancha
Best Featured Actress 2003: Terry Heck, Necessary Targets
Best Actress 2002: Gillian Eaton, Elizabeth Rex
Award for Outstanding Contributions to Theatre 2001: Johanna Broughton and Daniel C. Walker