| Possible Love | |
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| Hangul | 가능한 사랑 |
| RR | Ganeunghan sarang |
| MR | Kanŭnghan sarang |
| Directed by | Lee Chang-dong |
| Written by |
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| Produced by |
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| Starring | |
| Cinematography | Kim Ji-yong |
| Edited by | Kim Da-won |
| Music by | Jung Jae-il |
Production companies |
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Release dates |
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Running time | 164 minutes |
| Countries |
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| Language | Korean |
Possible Love (Korean: 가능한 사랑) is a 2026 drama film directed by Lee Chang-dong, and co-written with Oh Jung-mi. A co-production of South Korea and the United States, starring Jeon Do-yeon, Sul Kyung-gu, Zo In-sung, and Cho Yeo-jeong, it follows the story of two married couples — a laid-off worker and his spouse, and a documentary filmmaker and her spouse — crossing paths to film a documentary and facing their different lives and hidden desires.
Possible Love premiered in the main competition of the 83rd Venice International Film Festival on September 6, 2026, where it won the Grand Jury Prize and the FIPRESCI Prize. It was theatrically released in South Korea on September 23, followed by the United States on October 23, and a worldwide release by Netflix on November 6.
It was also selected as the South Korean entry for the Best International Feature Film category for the 99th Academy Awards.
The automaker firm SP Heavy Industries, which runs a plant where respected welder Choi Ho-seok works, announces massive layoffs. The metalworkers' union rejects the cuts and barricades themselves on the factory roofs; the strike is broken when police commandos execute a brutal helicopter raid on the roofs, leading to the deaths of several of Ho-seok's friends. In the aftermath, Ho-seok and his fellow survivors are fired, and begin bitterly referring to themselves as "the dead" and to those who kept their jobs as "the living".
Two years later, a drunken Ho-seok reluctantly attends a funeral for the suicide of another of his co-workers. Ho-seok's wife, Ahn Mi-ok, a mask factory worker, and ten-year-old son Cheol also attend, alongside ambitious documentarian Lee Ye-ji and her wealthy husband Sang-woo. When Mi-ok confronts Ho-seok over his drinking, he notices Ye-ji training a camera on their argument. Infuriated by her intrusion, Ho-seok shouts at her. Embarrassed, Mi-ok steps outside and accidentally drops her loose wedding ring; Sang-woo helps her recover it. Observing the tensions between the couple, Ye-ji decides to make Ho-seok and Mi-ok the primary subjects of her next documentary, a film about the "invisible laborer," conceptualized in the wake of a vacation she and Sang-woo took to Qatar.
Ye-ji meets Mi-ok at an upscale café, hoping to entice Ho-seok to agree to the film. During their conversation, Mi-ok shares a childhood memory of playing with a hose at her mother's manual car wash job to catch a glimpse of a rainbow, only for her mother to angrily snatch the hose away out of fear Mi-ok would end up in such a lowly position. Seeing the power of the story, Ye-ji asks Mi-ok to retell it on camera. Mi-ok continues being interviewed by Ye-ji over several weeks as she recounts the events of the SP strike, which are shown throughout the film in flashbacks, and corroborated by various encounters with former SP workers. Wanting to overcome Ho-seok's reluctance to be interviewed, Ye-ji invites him, Mi-ok and Cheol for a weekend getaway at Sang-woo’s lavish estate on the west coast of Korea, where they are treated luxuriously.
Ho-seok finally agrees to sit for an interview, but demands that Mi-ok leave the room. On camera, he suffers a panic attack as he vents his bottled-up rage, revealing feelings of betrayal by his former union. He angrily denounces the slogans his union chanted, including "solidarity, struggle, and workers' rights", as "all bullshit". As the interview continues, Mi-ok and Sang-woo walk along the beach and partake in flirtatious conversation. Meanwhile, Cheol wanders into the groundskeeper's shed and watches the four adults through the house's closed-circuit television cameras, observing in silence. Cheol befriends the groundskeeper and Mi-ok later witnesses him standing alongside the groundskeeper hosing down a bush, forming a rainbow. One night at dinner, Mi-ok and Ye-ji both share memories from their youth of staring at the full moon in the night's sky.
Mi-ok's trust in Ye-ji fades after she surreptitiously follows Ho-seok out of the house into the forest to find him screaming and writhing on the ground, only to turn around and discover Ye-ji had followed her with a camera. After Sang-woo closes a major deal with a client, Mi-ok and Sang-woo's flirtations culminate with the two skinny-dipping on the beach; as they exit the water, Mi-ok taunts Sang-woo with her clothing in a manner reminiscent to a bullfight, and then leaves. The two return to the estate to find Ye-ji conducting another emotionally charged interview with Ho-seok, at which point Mi-ok demands that filming cease and tells her husband that their family must leave. As they depart, Cheol waves goodbye to the groundskeeper from their car's back seat, revealing that he stole a valuable whistle from the estate.
As they drive home, news breaks that SP Heavy Industries has been acquired by an American private equity firm, limiting Ho-seok's hopes of ever regaining his job. This leads to the possibility that Sang Woo's company is the one that bought out SP Heavy Industries. When Mi-ok and Ho-seok arrive at their house, Mi-ok discovers that Ye-ji has texted her asking if they safely arrived home. She considers replying with a picture of the full moon in the sky but ultimately leaves it unsent.
A co-production by South Korea and United States, the film is produced by Pinehouse Film, Anonymous Content and NOWFILM.
The film was originally part of Maciej Musiał's project to remake all ten episodes of Krzysztof Kieślowski's Dekalog as feature films, alongside Asghar Farhadi's Parallel Tales. According to Lee, once Netflix joined the project, the "project fell into an ambiguous state. Although this film originated from there, it does not adapt an episode of Dekalog and is a completely different story. However, it is related to one of the commandments." Lee's first draft of what became Possible Love had been written over a decade prior. Upon reading the finished script, Netflix immediately signed on and "guaranteed [Lee] artistic autonomy."
Jung Jae-il was hired to compose the score.
The film had its world premiere in the main competition of the 83rd Venice International Film Festival on September 6, 2026, where it won the FIPRESCI Prize. It also screened at the 2026 Toronto International Film Festival, and in the Main Slate of the 2026 New York Film Festival.
Possible Love was released first in South Korean cinemas through Next Entertainment World on September 23; followed by select U.S. theaters on October 23, and released worldwide by Netflix on November 6.
Possible Love had its Dutch premiere on October 10 at the Leiden International Film Festival, making it the only theatrical screening in the Benelux.
It was also selected as the South Korean entry for the Best International Feature Film category for the 99th Academy Awards, marking director Lee's fourth film selected, following Oasis (2002), Secret Sunshine (2007), and Burning (2018).
On the review aggregator website Rotten Tomatoes, 98% of 90 critics' reviews are positive, with an average rating of 8.8/10. The website's critical consensus states: "A perfectly poised drama that's seething with the chaos of modernity beneath its polished surface, Possible Love is a masterful exploration of fidelity and inequality from director Lee Chang-dong". Metacritic, which uses a weighted average, assigned the film a score of 95 out of 100, based on 32 critics, indicating "universal acclaim".
Peter Bradshaw of The Guardian rated the film 4 out of 5 stars, describing it as "a finely judged, beautifully acted and rather novelistic work".
| Award | Date of ceremony | Category | Recipient(s) | Result | Ref. |
|---|---|---|---|---|---|
| Venice Film Festival | September 12, 2026 | Golden Lion | Lee Chang-dong | Nominated | |
| Grand Jury Prize | Won | ||||
| FIPRESCI Prize | Won | ||||
| ARCA CinemaGiovani Award for Best Film of Venezia 83 | Won | ||||
| TIFF Tribute Awards | September 13, 2026 | Ebert Director Award | Honored | ||
| Toronto International Film Festival | September 20, 2026 | International People's Choice Award | Possible Love | Runner-up | |
| Mill Valley Film Festival | October 3, 2026 | Auteur Award | Lee Chang-dong | Honored | |
| Marie Claire Asia Star Awards | October 7, 2026 | Actor of the Year Award | Zo In-sung | Won | |
| Montclair Film Festival | October 18, 2026 | Fiction Feature Competition | Possible Love | Won | |
| Korean Association of Film Critics Awards | November 4, 2026 | Top 10 Films of the Year | Won | ||
| Best Film | Won | ||||
| Best Actress | Jeon Do-yeon | Won | |||
| Blue Dragon Film Awards | November 25, 2026 | Best Actress | Pending | ||
| Best Actor | Sul Kyung-gu | Pending | |||
| Best Supporting Actor | Zo In-sung | Pending | |||
| Best Supporting Actress | Cho Yeo-jeong | Pending | |||
| Best Screenplay | Lee Chang-dong, Oh Jung-mi | Pending | |||
| Best Editing | Kim Da-won | Pending | |||
| Best Cinematography and Lighting | Kim Ji-yong, Jo Gwon-su | Pending | |||
| Best Music | Jung Jae-il | Pending | |||
| Gotham Independent Film Awards | November 30, 2026 | Best International Feature | Lee Chang-dong, Lee Joon-dong, David Levine, Chadwick Prichard | Pending | |
| Best Original Screenplay | Lee Chang-dong and Oh Jung-mi | Pending | |||
| Outstanding Lead Performance | Jeon Do-yeon | Pending | |||
| British Independent Film Awards | December 6, 2026 | Best International Independent Film | Lee Chang-dong, Oh Jung-mi | Pending | |