The Shamlu tribe (Persian: ایل شاملو; Azerbaijani: Şamlı, Şamlu), also known as the Shamli tribe, was one of the seven original and the most powerful Qizilbash tribes of Turkoman origin in Iran.
Ali Gholi Khan Shamlu (also known as Haji Ali Qizilbash Mazandarani, Governor of Khorassan in 1576, Governor of Herat 1577-1589 and military commander under Shah Abbas I in 1588)
Jani Beg Khan Bigdeli Shamlu (d. 1645), ishik-āqāsi-bāshi (master of ceremony) and qurchi-bāshi (head of the tribal guards) under the Safavid Shah Ṣafi I (r. 1629–42)[who?] and Shah Abbās II (r. 1642–66)
Blair, Sheila (2014). Text and image in medieval Persian art. Edinburgh: Edinburgh University Press. ISBN978-0748655786.
Yves Bomati and Houchang Nahavandi,Shah Abbas, Emperor of Persia,1587-1629, 2017, ed. Ketab Corporation, Los Angeles, ISBN978-1595845672, English translation by Azizeh Azodi.
Roman Ghirshman, Persia El reino immortal, Londres, 1971, p.141
J.P. Roux, " Histoire des Turcs", Paris, 1984, pp.253–54
David Morgan. "Shah Isma'il and the Establishment of Shi'ism"chpt. 12 of his Medieval Persia: 1040–1797, Longman, New York, 1988, pp.112–123.
Soucek, Priscilla (1990). "Sultan Muhammad Tabrizi: Painter at the Safavid Court". Persian masters: five centuries of paintings. Bombay: Marg Publications. pp.55–58. ISBN978-8185026107.
↑"Shaykhzada, a painter from Herat, added two of these paintings, probably in the late 1520s. A small graffito at the bottom of the painting often dubbed “Sermon in a mosque” says that it is his work; he probably also painted the polo scene, which is executed in a similar style. Priscilla Soucek suggested that the main figure in Shaykhzada’s two paintings may represent his patron, perhaps Husayn Khan
Shamlu, depicted in both as a mature man with a full mustache." in Blair 2014, p.239