Simon Dinnerstein (born February 16, 1943) is an American artist, best known for the painted work, The Fulbright Triptych (1971).
Early life and education
Dinnerstein was born in Brownsville, Brooklyn, New York, in 1943 to pharmacist Louis and homemaker Sarah Dinnerstein. The second of two sons, he has an older brother, Harvey Dinnerstein, who also became an artist.
Dinnerstein's most notable painting, The Fulbright Triptych, was started in Germany in 1971 while he served as a Fulbright Scholar in Graphics. It was completed in 1974. A largely autobiographical work, it combines stark realism with American figurative tradition to produce a secular rendering of the usually religious form, the triptych.
Writer Jonathan Lethem commented: "Simon Dinnerstein's The Fulbright Triptych is one of those singular and astonishing works of art which seem to imply a description of the whole world merely by insisting on a scrupulous gaze at one perfect instant." The oil-on-wood painting consists of three panels approximately 14 feet wide, depicting a graphic artist's studio. Three figures, representing the Dinnerstein family, occupy the outer panels. The central panel consists of the artist's desk, engraving tools, a copper disk of the commissioned Fulbright engraving project, and an outward view in perspective of Hessisch Lichtenau (near to Kassel). Plants, photographs, old master's paintings, children's grade school writing, and an exit visa from Russia, appear tacked to the wall of the studio. The Triptych is noted for its symmetry, meticulous detail, mixture of textures, and sense of space.
Widely praised, with each viewer bringing a different sensibility and interpretation of the work, the painting is the subject of numerous essays, articles, and books, including The Suspension of Time: Reflections of Simon Dinnerstein's 'The Fulbright Triptych' edited by Daniel Slager, published 2011.
What interests me is the ability of Degas, Balthus, Lucian Freud and Antonio López García ... to deal with the figure ... to create art ... rich in scale, yet abstract adventurous, experimental ... deeply human ... a combination of modernism and tradition of skill medium and ... a fresh, personal response to the human form in art ... Hopefully my work speaks to these issues.
Often the human figures are portrayed against a background of hyperreality, or in dreamy surreal landscapes. Light plays an important role in Dinnerstein's work achieving "an inwardness ... in the play of light that radiates from the object and renders it mysterious" or makes "Brooklyn sunlight on an ordinary floor seem supernatural." The use of light contributes to Dinnerstein's paintings being described as "magical realism". In early Dinnerstein works, strong left-right symmetry prevails, although later works are noted for their asymmetry. Dinnerstein draws on diverse sources for inspiration: Northern European art (Albrecht Dürer, Hieronymus Bosch), Mexican art (Frida Kahlo, Diego Rivera), as well as literature (D. H. Lawrence, August Strindberg)
and film (Ingmar Bergman, Alfred Hitchcock).
Personal life
In 1965, Dinnerstein married Renée Sudler, a noted educational consultant. Renée Dinnerstein is the author of the book Choice Time: How to Deepen Learning Through Inquiry and Play, PreK-2 published in August 2016. She runs the popular blog, Investigating Choice Time: Inquiry, Exploration and Play. They have a daughter, Simone Dinnerstein, a concert pianist. Both wife and daughter (as an infant) figure prominently in The Fulbright Triptych as well as other works.
Dinnerstein resides in Brooklyn, where, in addition to practicing his art, he teaches classes on art history and appreciation.
Videos and podcasts
Simone Dinnerstein and Simon Dinnerstein In Conversation: An Interview with Robin Quivers at Consulate General of Germany, 2011
Triptych: An Evening of Painting and Music (Simon Dinnerstein, The Fulbright Triptych and Robert Sirota, "Triptych", performed by the Chiara String Quartet)
Simon Dinnerstein Exhibit at the Tenri Gallery: A Walk Through with Francis Cunningham, 2011
Simon Dinnerstein and The Fulbright Triptych, audiocast interview with James McElhinney, Huffington Post, April 1, 2013
“Simone Dinnerstein and Simon Dinnerstein: A Conversation on the Mysteries of Art and Family, 2018
2014–2015 - The Fubright Triptych, University of Arkansas School of Law, Fayetteville, Arkansas, on extended loan from the Palmer Museum of Art at Penn. State University
Richard Mertens, Essential Realities: Simon Dinnerstein Draws the Essence of Art from the Commonplace, The Concord Monitor, October 25, 1991
Rudolph Arnheim, Pictures of the Lasting World, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, (October 12, 1999) ISBN978-0965048545
Deborah McLeod, From Visceral Portraits to Romanticized Nymphs, Bodies of Work, Richmond Times, September 1, 2000
Edward Sullivan, The Urban View in the Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, 2000
Roy Proctor, Exploring the Edge: No Slave to fashion, artist draws us into other states of mind, Richmond Times-Dispatch, August 20, 2000
Joe Maniscalco, An Artist at Work: Park Slope Painter Lets You in on the Creative Process, Park Slope Courier, January 31, 2000
Ilana Abramovitch, From Brownsville to Park Slope: An Interview with Simon Dinnerstein, Jews of Brooklyn, Brandeis University Press; 1st edition (November 1, 2001) ISBN978-1584650034
Featuring: Simon Dinnerstein, Colored Pencil magazine, December 2014
Books
The Art of Simon Dinnerstein, The University of Arkansas Press, Fayetteville, London, 1990. Essays by Albert Boime, Thomas M. Messer, George Tooker.
Simon Dinnerstein: Paintings and Drawings, Hudson Hills Press, New York, 1999. Essays by Rudolf Arnheim, Guy Davenport, Robert L. McGrath, John Russell, Edward J. Sullivan, Miller Willams.
The Suspension of Time: Reflections on Simon Dinnerstein and 'The Fulbright Triptych', Daniel Slager (Editor), Publisher: Milkweed Editions; First Edition (June 14, 2011). Forty-five essays on The Fulbright Triptych.
1234Boime, Albert (November 1990). The Art of Simon Dinnerstein. The University of Arkansas Press. ISBN978-1557281425.
1234Messer, Thomas M. (November 1990). The Art of Simon Dinnerstein. Foreword: The University of Arkansas Press. ISBN978-1557281425.
12Slager, Daniel, ed. (June 14, 2011). The Suspension of Time: Reflections on Simon Dinnerstein and The Fulbright Triptych. Milkweed Editions. ISBN978-1571313263.
↑Proctor, Roy (August 20, 2000). "Exploring the Edge: No Slave to Fashion, Artist Draws Us Into Other States of Mind". Richmond Times-Dispatch.
12Abramovitch, Ilana (2002). Jews of Brooklyn. Brandeis University Press. p.169. ISBN978-1584650034.
123Davenport, Guy, essayist (2000). The Art of Simon Dinnerstein, Simon Dinnerstein: Paintings and Drawings. Hudson Hills Press. ISBN0965048543.{{cite book}}: CS1 maint: multiple names: authors list (link)
↑Arnheim, Rudolph, essayist (2000). Simon Dinnerstein: Painting and Drawing. Hudson Hills Press.{{cite book}}: CS1 maint: multiple names: authors list (link)