| The Spirit Room | ||||
|---|---|---|---|---|
| Studio album by | ||||
| Released | August 14, 2001 | |||
| Studios | Ananda, Sunset Sound, Henson (Hollywood, California) | |||
| Genres | ||||
| Length | 42:26 | |||
| Labels | ||||
| Producer | ||||
| Michelle Branch chronology | ||||
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| Alternative cover | ||||
Limited edition international cover | ||||
| Singles from The Spirit Room | ||||
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The Spirit Room is the second studio album and major-label debut by American singer-songwriter Michelle Branch. It was released by the Maverick Recording Company and Warner Bros. Records in the United States on August 14, 2001. The album was recorded at Sunset Sound, Henson Recording Studios and Ananda Studios in Hollywood, California and mastered by Stephen Marcussen at Marcussen Mastering in Los Angeles, California. Its title was inspired by a bar in Jerome, Arizona, near Branch's hometown of Sedona.
The album received generally positive critical reception, with reviewers praising Branch's songwriting, vocals, lyrical directness, and accessible pop-rock sound, although some criticized her vocal distinctiveness, production, and songwriting originality. Commercially, The Spirit Room became Branch's biggest success, selling 3 million copies worldwide, spending 86 weeks on the Billboard 200, and earning a 2× Platinum certification in the United States. Its success was boosted by hit singles, including "Everywhere," "All You Wanted," and "Goodbye to You," which reached numbers 12, 6, and 21 on the Billboard Hot 100, respectively.
Before The Spirit Room, Michelle Branch established herself as a singer-songwriter through local performances and independent recordings. Her parents supported her musical interests by helping her book performances in Sedona and financing her debut album, Broken Bracelet. Her early set lists included covers of songs by artists such as Sheryl Crow, Lisa Loeb, Jewel, and Fleetwood Mac, alongside her own compositions. In December 1999, Branch uploaded two original songs to the Rolling Stone website, which attracted the attention of pop-rock band Hanson and producer Jeff Rabhan. The exposure led to Branch opening for Hanson at two concerts in 2000, followed by the release of her debut album later that year, through Twin Dragon Records. In 2001, Branch signed with Maverick Records and began working with producer John Shanks on her major-label debut.
The album's title comes from the name of a bar in Jerome, Arizona, near Branch's hometown of Sedona. The album cover was shot in an industrial area across from an electrical substation in Los Angeles, California alongside the Los Angeles River facing north-west at the skyline during sunset.
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic | |
| Entertainment Weekly | B |
| The Guardian | |
| New York Post | |
| Q | |
| The Village Voice | C |
AllMusic's Liana Jonas praised The Spirit Room as a "worthy pop/rock debut," highlighting Branch's "substantial vocal presence" and emotionally open songwriting. She particularly praised "Everywhere" for its infectious sound and called "Drop in the Ocean" the album's "most captivating moment." Rolling Stone's John D. Luerssen called the album an "impressive entrance," praising Branch's songwriting, conviction, and distinctive voice. He noted that the album appealed to listeners "disillusioned by the vapid teen pop scene," despite its occasionally "dated, canned drum production." Caroline Sullivan from The Guardian praised Branch's "lyrical directness" and "sure hand with memorable melodies," particularly on "Here with Me" and "Everywhere." She ultimately described The Spirit Room as "a promising start," while comparing Branch favorably with Alanis Morissette and Dido. The New York Post's Dan Aquilante praised the album for its "heartfelt, intelligent lyrics about love and growing up" and Branch's strong songwriting. However, he found her voice "very standard," noting that she stood out most on "Sweet Misery" and "Drop in the Ocean." Robert Christgau was sharply critical of The Spirit Room, giving it a C and dismissing the marketing of Branch as "the anti-Britney." He questioned the originality of her songwriting, arguing that her hit material was co-written with producer John Shanks.
With 3 million copies sold worldwide, The Spirit Room became Branch's best-selling album and established her as a major commercial success of the early 2000s. With 3 million copies sold worldwide, The Spirit Room remains Branch's best-selling album. In the United States, the album debuted at number 28 on the Billboard 200, selling 68,000 copies in its first week. It went on to spend 86 weeks on the chart, making it Branch's longest-charting album in the United States. By July 2003, it had sold 1.8 million copies domestically, and on August 19, 2011, it was certified 2× Platinum by the RIAA for shipments exceeding two million copies.
The album also achieved success internationally, particularly in Japan, where it peaked at number 12 and was certified Platinum for 200,000 units. It also reached number 25 in Australia, 33 in New Zealand, 45 in Switzerland, 54 in the United Kingdom, 75 in Germany, 89 in the Netherlands, and 120 in France. In Canada, although The Spirit Room did not appear on the chart, the album was certified gold, selling 50,000 copies in October 2003. In Australia, it was also certified gold with shipments of 35,000. It also was certified Silver in the United Kingdom, with 60,000 certified units or sales/streams respectively.
In 2021, Branch revealed that Taylor Swift had told her The Spirit Room had been a major influence on her own music. The same year, Branch decided to celebrate its anniversary by re-recording the album and pressing it on vinyl for the first time. On September 10, 2021, she performed the album in its entirety during a special virtual concert. An afterparty and Q&A session followed.
All tracks are written by Michelle Branch, with additional co-writers as noted; except for "Life on Mars", which was written by David Bowie.
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Everywhere" | 3:36 | |
| 2. | "You Get Me" |
| 3:53 |
| 3. | "All You Wanted" | 3:38 | |
| 4. | "You Set Me Free" |
| 3:11 |
| 5. | "Something to Sleep To" |
| 4:15 |
| 6. | "Here with Me" |
| 3:26 |
| 7. | "Sweet Misery" | 3:43 | |
| 8. | "If Only She Knew" | 4:19 | |
| 9. | "I'd Rather Be in Love" | 3:55 | |
| 10. | "Goodbye to You" | 4:12 | |
| 11. | "Drop in the Ocean" |
| 4:19 |
| Total length: | 42:26 | ||
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 12. | "Life on Mars" | 3:42 | |
| 13. | "All You Wanted" (unplugged) | 3:34 | |
| 14. | "Everywhere" (acoustic) |
| 3:34 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 12. | "Life on Mars" | 3:42 | |
| 13. | "Goodbye to You" (unplugged) | 4:10 | |
| 14. | "All You Wanted" (unplugged) | 3:34 | |
| 15. | "Everywhere" (acoustic) |
| 3:34 |
| 16. | "Goodbye to You" (music video) | 3:56 | |
| 17. | "All You Wanted" (music video) | 3:40 | |
| 18. | "Everywhere" (music video) | 3:33 |
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 12. | "Paper Pieces" | 3:38 | |
| 13. | "Everywhere" (alternate version) |
| 4:26 |
Enhanced CD credits
Weekly charts
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Year-end charts
|
| Region | Certification | Certified units/sales |
|---|---|---|
| Australia (ARIA) | Gold | 35,000^ |
| Canada (Music Canada) | Gold | 50,000^ |
| Japan (RIAJ) | Platinum | 200,000^ |
| United Kingdom (BPI) | Silver | 60,000‡ |
| United States (RIAA) | 2× Platinum | 2,000,000^ |
|
^ Shipments figures based on certification alone. | ||
in front of this bar called the Spirit Room.