| Thaat | Khamaj |
|---|---|
| Type | Audava-Audava |
| Time of day | 2nd Prahar of the night |
| Arohana | S G M P N Ṡ |
| Avarohana | S Ṉ P M G S |
| Vadi | G |
| Samavadi | N |
| Similar | Jog |
Tilang is a raga in Indian classical music, that belongs to the Khamaj Thaat.
This raga has a lowered seventh, Ṉ (Hindi: कोमल नी, romanized: komala nī) in the descending scale.
Its defining characteristics are: P Ṡ N Ṡ Ṉ P, P Ṡ N Ṡ P Ṉ P. Some performers add a Re to create the following pattern: Ṡ Ṙ N Ṡ P Ṉ P.
This raga originated in Hindustani classical music and has been taken into Carnatic music. It is derived from the 28th Melakarta (parent scale) Harikambhoji. It is an audava-audava raga (pentatonic asymmetrical scale) with the following structure.
Tilang therefore has the Arohana (ascending scale) of Gambhiranata, and Avrohana (descending scale) of Savitri.