We Too Are One is the seventh studio album by the British pop duo Eurythmics, released on 11 September 1989 by RCA Records. It would be the duo's last studio release until 1999's Peace.
Background and release
When it was released in 1989, the album debuted at number one in the United Kingdom, where it has since been certified double platinum. It spawned four singles, all of which reached the UK top 30: "Revival", "Don't Ask Me Why", "The King and Queen of America", and "Angel". In North America, "(My My) Baby's Gonna Cry" was also released as a single; it charted at number 58 in Canada, while failing to chart in the United States.
In an interview published in the 9 September 1989 edition of Music & Media, the publication listed the title track as a planned single rather than "Don't Ask Me Why". Stewart commented that the title track would have been backed with a song titled, "We Four Are Three", which "starts off with Annie whispering 'We Too Are One' with a repeat on it", that "just turns into this kind of psychedelic Indian raga.
On 14 November 2005, Sony BMG repackaged and released Eurythmics' back catalogue as Deluxe Edition reissues, including We Too Are One. The original track listing was supplemented with bonus tracks and remixes.
Home media
A companion home video, We Two Are One Too, was released in 1990, featuring the music videos for the five singles from the album and footage of the band performing the album's other tracks. This is the only commercial release of the promotional video for the 1989 single "Revival", which has never been included on any subsequent video compilations from the band.
Critical reception
In their review for New Musical Express, Terry Staunton thought that We Too Are One was a "very good pop record" that was a step down in quality from their previous album, Savage. Staunton concluded the review by saying that We Too Are One "may be regarded by some as a therapeutic exercise for the emotionally battered Annie Lennox, but it's also a lovingly-crafted record. Not quite a step forward after Savage, but more than a time-buying sidestep. Let's say they've gone diagonally."
Music & Media characterised We Too Are One as a "very commercial rock album, with lots of soulful swing and clever, semi-synthesized backings". They believed that "the strings and sound effects have been overdone in places", although they found the songs to be "powerful" with "catchy brass licks and punchy hooks". Writing for Smash Hits, Sian Pattenden felt that the album was "a fine LP filled with 'crashing' anthems", citing "Revival" and the title track as examples. Record Mirror was more critical of the album and lamented that the band had "found it necessary to not only resort to traditional instrumentation but also to ransacking the past."
↑"Classifiche". Musica e dischi (in Italian). Retrieved 2 June 2022. Select "Album" in the "Tipo" field, type "Eurythmics" in the "Artista" field and press "cerca".
↑ウィ・トゥー・アー・ワン/ユーリズミックス[We Too Are One / Eurythmics] (in Japanese). Oricon. Retrieved 16 January 2012.{{cite web}}: CS1 maint: deprecated archival service (link)