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Man working with a movie projector in a movie theater, 1958
Man working with a movie projector in a movie theater, 1958

A film, movie, or motion picture is a work of visual art that simulates experiences and otherwise communicates ideas, stories, perceptions, emotions, or atmosphere through the use of moving images that are generally, since the 1930s, synchronized with sound and sometimes feature other sensory stimuli.

Films are produced by recording people and objects with cameras or by creating them using animation techniques and special effects. They comprise a series of individual frames, but when these images are shown rapidly in succession, the illusion of motion is seen by the viewer. Flickering between frames is not noticeable due to an effect traditionally known as persistence of vision, and now more specifically known as flicker fusion, whereby the visual system processes a sufficiently fast succession of pictures and interruptions into a steady image of averaged brightness. (Full article...)

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Winsor McCay: The Famous Cartoonist of the N.Y. Herald and His Moving Comics, more commonly known as Little Nemo, is a 1911 silent animated short film by American cartoonist Winsor McCay. One of the earliest animated films and McCay's first, it featured characters from McCay's comic strip Little Nemo in Slumberland. Its expressive character animation distinguished the film from the experiments of earlier animators.

Inspired by flip books his son brought home, McCay came to see the potential of the animated film medium. He claimed to be the first to make such films, though James Stuart Blackton and Émile Cohl were among those who preceded him. The short's four thousand drawings on rice paper were shot at Vitagraph Studios under Blackton's supervision. Most of the film's running time is made up of a live-action sequence in which McCay bets his colleagues that he can make drawings that move. He wins the bet with four minutes of animation in which the Little Nemo characters perform, interact, and metamorphose to McCay's whim. (Portal:Film/Featured content)

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Screenwriting
Screenwriting
Credit: Darrin Fletcher

Screenwriting is the art and craft of writing scripts for film, television or video games. Writing for film is potentially one of the most high-profile and best-paying careers available to a writer and, as such, is also perhaps the most sought after.

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Vidor in 1925

King Wallis Vidor (/ˈviːdɔːr/ VEE-dor; February 8, 1894 – November 1, 1982) was an American film director, film producer, and screenwriter. His 67-year career spanned the silent and sound eras, with works distinguished by a sympathetic depiction of contemporary social issues. Considered an auteur director, Vidor approached multiple genres and allowed the subject matter to determine the style, often pressing the limits of film-making conventions.

His most acclaimed and successful film in the silent era was The Big Parade (1925). Vidor's sound films of the 1940s and early 1950s, such as Northwest Passage (1940), Comrade X (1940), An American Romance (1944), and The Fountainhead (1949), have been characterized as some of his best. His dramatic depictions of the American western landscape endow nature with a sinister force where his characters struggle for survival and redemption. Vidor's earlier films tend to identify with the common people in a collective struggle, whereas his later works place individualists at the center of his narratives. (Full article...)

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There’s so many things that go into making a film. The director, the actors that you're working with, the time that you have to rehearse, whether you catch up with a character in time. It’s pretty hard to tell which performer performed the best. Somebody may have started out with a piece of junk and brought it up past mediocrity until it was pretty damn good, and another guy starts off with a beautiful script and deliciously defined character and marvelous director, comfortable schedule and he’s got everything going for him. I would give the credit to the guy in front of him.

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